Welcome to the crazy, madcap world of Quick Gun Murugun. In this film, the hero and villain are at loggerheads. The fight is between vegetarian and non-vegetarian [meals]. Here, the villain wants to make the best dosa in town and kidnaps women who have the perfect recipe for making delicious dosas.
Quick Gun Murugun is not the stereotypical movie, but it borrows from all stereotypical movies that made Indian cinema so distinct from rest of the world. The best part is, Quick Gun Murugun is innovative. One sentence verdict? Try this dosa... it's delicious!
Quick Gun Murugun [Dr. Rajendra Prasad] is an unlikely superhero. He is a sincere South Indian cowboy who considers it his duty to serve and protect. The movie revolves around the misadventures of Quick Gun Murugun and his fight with his arch villain Rice Plate Reddy [Nasser].
Quick Gun Murugun enters into an epic battle that spans time and space, from a small South Indian village to Swarglok and then finally to the cosmopolitan Mumbai. He is torn between Mango Dolly [Rambha], who loves him and his first love Locket Girl [Anu Menon] and his loyalty is put to the test.
Quick Gun Murugun depicts the war between good and evil and what makes it a novel experience is that the characters are straight out of 1970s. Director Shashanka Ghosh's choice of the subject as also the execution deserves credit.
But there's a hitch. There's too much Tamil in the film, which though explained by sub-titles, may prove a deterrent in non-Tamil areas. In fact, the South Indian appeal would restrict its penetration into the nook and corner of the country.
Dr. Rajendra Prasad and Nasser vie for top honours. Both excel. Rambha suits the role. Anu Menon is good. Raju Sundaram does a fine job. Vinay Pathak has a brief role. Ditto for Ranvir Shorey, Gaurav Kapur and Sandhya Mridul. Ashwin Mushran is first-rate. Kishori Balla [Anni] is perfect.
On the whole, Quick Gun Murugun is an innovative experience. The adventures should appeal to the youth mainly.
[English, with generous dose of Tamil] Recall the cinema of 1970s. The villains would spray bullets at the hero, even throw bombs at him, but the hero would come out unscathed. The hero, in turn, would fire in the air, the bullet would hit the lamp post, bounce towards the villain and enter his skull. The hero was truly a superhero.