The
first
thing
that
attracts
you
to
I
Hate
Luv
Storys
is
its
title.
Let's
face
it,
we
adore
love
stories...
at
least
I
do.
We
idolise
the
characters
decades
after
the
movies
have
come
and
gone.
The
songs
that
come
on
our
lips
instantly
while
playing
a
game
of
antakshri
are
romantic
songs
as
well.
In
fact,
the
biggest
moneyspinners,
let's
face
it,
have
been
love
stories,
right?
So
how
can
we
'hate'
a
love
story?
No
matter
how
mushy
or
cheesy
they
are,
we
find
love
stories
irresistible
because
of
the
tremendous
rush
we
experience
at
the
end.
Some
of
us
are
big
suckers
for
love
sagas,
aren't
we?
That's
precisely
the
reason
why
this
title
(I
Hate
Luv
Storys)
nagged
me
no
end
every
time
I
watched
the
promo
of
this
film.
Helmed
by
first-timer
Punit
Malhotra,
I
Hate
Luv
Storys
is
aypical
candyfloss
romance
with
a
story
that's
not
jaw-droppingly
different,
let
me
forewarn
you.
But
if
you're
young
at
heart
or
a
diehard
and
hopeless
romantic,
you'd
lap
up
I
Hate
Luv
Storys
like
a
kid
laps
up
his
fav
candy.
Now
to
the
vital
question:
If
I
Hate
Luv
Storys
rests
on
a
thin
plot,
what
is
it
that
drives
the
film
for
the
next
two
hours?
My
answer
to
that
is,
four
factors:
The
fresh
pairing
and
chemistry
between
the
lead
cast,
tremendous
youth
appeal,
terrific
music
and
magical
moments
that
make
a
love
story
work.
Final
word?
The
makers
have
never
claimed
that
I
Hate
Luv
Storys
will
change
the
face
of
Hindi
cinema.
Nor
did
they
ever
claim
that
I
Hate
Luv
Storys
will
change
the
mindset
of
the
viewer
towards
romantic
films.
So
let's
sit
back
and
enjoy
the
fun
ride.
This
one's
by
the
youth,
for
the
youth.
It's
this
age-group
that
would
come
out
smiling,
cheering
and
rooting
for
this
prem
kahani.
'I
hate
love
stories'
is
the
maxim
Jay
(Imran
Khan)
lives
by.
But
as
an
assistant
director
to
Veer
(Samir
Soni),
the
most
famous
romantic
film-maker
of
Indian
film
industry,
Jay
has
little
option
but
to
live
with
larger
than
life,
glossy,
cinematic
love
on
an
everyday
basis.
Things
only
get
worse
when
he
is
made
to
work
under
the
new
production
designer
on
the
film,
Simran
(Sonam
Kapoor),
with
whom
he
shares
the
strangest
first
encounter.
Simran
loves
love
stories,
so
much
so
that
even
her
life
has
begun
to
resemble
one.
With
her
ideal
job
and
the
perfect
boyfriend
Raj
(Samir
Dattani),
she
lives
a
blissful,
dreamy
life.
One
that
is
rudely
interrupted
by
Jay's
cynicism.
Writer-director
Punit
Malhotra
wins
Round
1
by
casting
the
right
actors
in
the
roles
of
Jay
and
Simran.
In
fact,
it
wouldn't
be
erroneous
to
state
that
the
casting
is
the
trump
card
of
this
film.
But
what
Punit
ought
to
know
by
now
is
that
every
story
ought
to
have
a
strong
grip
to
keep
your
attention
arrested
for
the
next
two
hours.
In
this
case,
the
film
rests
on
a
waferthin
plot,
with
not
much
movement
in
the
story
in
the
first
hour.
In
fact,
the
story
barely
moves
in
the
first
part.
Yes,
post-interval,
the
story
does
gather
momentum
and
though
you're
well
aware
of
the
journey
and
what
the
culmination
will
be
like,
you
don't
mind
the
ride
because
you
can't
take
your
eyes
off
Imran
and
Sonam.
Also,
a
love
story
works
if
one
pines
for
the
on-screen
lovers
and
in
I
Hate
Luv
Storys,
you
genuinely
want
the
duo
to
sort
things
out,
which
means
that
you're
involved
in
their
lives.
Even
the
finale
-
it
won't
be
fair
on
my
part
to
reveal
how
this
movie
concludes
-
may
be
filmy
or
cliched,
but
let's
face
it,
it
works.
Let
me
draw
parallels
with
another
love
story,
also
starring
Imran
Khan.
Recall
the
finale
of
Jaane
Tu
Ya
Jaane
Na,
which
had
Imran
riding
a
horse
to
reach
his
sweetheart
(Genelia)
at
the
airport.
I
distinctly
recall,
a
lot
of
people
found
the
end
bizzare
and
rightly
so.
Can
you
imagine
anyone
galloping
to
the
international
airport
in
Mumbai?
But
I
was
truly
surprised
when
I
learnt
that
the
youth
were
whistling
and
clapping
all
through.
The
finale
is
different
here
(no
horses,
please)
and
you
exit
the
auditorium
with
a
smile
on
your
face.
Director
Punit
Malhotra
is
heavily
inspired
by
Mills
&
Boon
novels
and
several
Bollywood
films...
love
stories
all.
But
like
I
pointed
out
earlier,
Punit
needs
to
polish
his
writing
skills,
although
the
director
in
him
bails
the
writer
out
and
takes
the
film
to
a
different
level.
The
sequences
between
Imran
and
Sonam
are
well
penned,
but
the
ones
between
Sonam
and
her
parents
or
Sonam
and
Samir
Dattani
are
half-baked.
Directorially,
Punit
shows
super-confidence
in
moulding
the
two
actors
in
their
respective
parts,
so
much
so
that
you
get
sucked
into
Jay
and
Simran's
world
after
a
while.
Director:
Punit
Malhotra
Cast:
Imran
Khan,
Sonam
Kapoor,
Sameer
Dattani,
Sameer
Soni,
Bruna
Abdulla,
Ketaki
Dave,
Anju
Mahendroo