In
a
vital
sequence
from
this
film,
the
warden
of
the
reformatory
[Alok
Nath]
gives
the
street
kid
[Shams
Patel]
a
bar
of
soap,
tells
him
that
he
should
have
a
bath
pronto
and
should,
therefore,
undress
in
front
of
him.
Before
the
street
kid
realises
what
his
intentions
are,
the
warden
starts
fondling
with
the
kid's
hands.
The
street
kid
snaps,
he
realises
that
something
is
wrong
and
flees
from
the
reformatory
the
same
night.
In
the
penultimate
scene,
when
the
street
kid
actually
traces
the
mother
of
the
abandoned
child,
he
learns
a
bitter
truth
about
life.
The
truth
shatters
not
just
this
hardened
street
kid
by
now,
but
also
the
viewer
who
is
now
an
active
participant
in
the
journey
of
this
street
kid
and
the
abandoned
child.
Debutante
director
Irfan
Kamal's
THANKS
MAA
is
not
a
no-brainer
Bollywood
film.
It
is
gritty,
courageous,
realistic
and
hits
you
like
a
ton
of
bricks!
SALAAM
BOMBAY,
TRAFFIC
SIGNAL,
SLUMDOG
MILLIONAIRE
and
now
THANKS
MAA.
The
lives
of
the
under-privileged
street
kids
continue
to
attract
storytellers
across
the
globe.
But
THANKS
MAA
is
different
because
it
tells
the
journey
of
a
street
kid
who
goes
on
a
mission
to
reunite
an
abandoned
kid
with
his
mother.
Irfan
Kamal's
directorial
debut
pricks
your
conscience
and
makes
you
realize
that
a
change
is
a
must.
The
film
disturbs
you
no
end,
especially
its
shocking
climax.
But
the
fact
is
that
you
can't
turn
a
blind
eye
to
it
since
there
are
umpteen
cases
of
paedophilia
and
incest
in
real
life
and
THANKS
MAA
only
mirrors
the
fact.
A
12-year-old
street
kid
named
Municipality
[Shams
Patel],
while
on
the
run
from
the
reformatory,
finds
and
saves
a
two-day-old
abandoned
baby
from
becoming
the
prey
to
a
ferocious
street
dog.
Failing
to
find
any
takers
among
the
people
whom
he
deemed
responsible
and
respectable,
Municipality
takes
up
the
onus
of
finding
the
mother
of
that
abandoned
baby
himself.
THANKS
MAA
has
several
poignant
moments
and
most
of
them
keep
you
on
the
edge.
Especially
when
the
street
kid
encounters
the
head
eunuch
[Jalees
Sherwani;
powerful
performance],
a
prostitute
[Mukta
Barve;
effective]
and
of
course,
the
mother
of
the
abandoned
child.
The
street
lingo
and
the
generous
usage
of
expletives
does
raise
eyebrows
initially,
but
well,
THANKS
MAA
is
a
real
film.
So
you
need
to
accept
it
the
way
it
is!
On
the
flip
side,
the
writing
is
slightly
loose
towards
the
second
hour.
A
few
sequences
seem
unwanted.
However,
the
climax
is
simply
outstanding
and
comes
as
a
complete
shocker.
Irfan
Kamal
makes
a
solid
impact
as
a
first-time
director.
His
choice
of
the
subject
as
also
the
handling
of
the
material
deserves
brownie
points.
The
writing
[Irfan
Kamal,
Vishal
Vijay
Kumar]
is
gripping
at
most
times.
The
background
score
[Ranjit
Barot]
is
effective.
The
camera
[Ajayan
Vincent]
follows
the
protagonist
like
a
shadow
and
the
viewer
looks
like
a
participant
in
the
entire
exercise.
THANKS
MAA
has
sparkling
performances
by
every
member
of
the
cast,
especially
the
street
kids,
but
the
show
belongs
to
Shams
Patel
[who
has
bagged
the
National
Award]
and
who
delivers
an
astounding
performance.
The
street
kids
-
Salman
[as
Soda],
Fayaaz
[Cutting],
Almas
[Sursuri]
and
Jaffer
[Dhed
Shanaa]
-
are
outstanding.
A
number
of
actors
appear
in
cameos,
which
include
Alok
Nath
[tremendous],
Raghubir
Yadav
[loud],
Barry
John
[okay],
Sanjay
Mishra
[splendid]
and
Ranvir
Shorey
[believable].
On
the
whole,
THANKS
MAA
is
truly
original,
innovative
and
pioneering
cinema.
The
film
has
won
several
awards
and
adulation
across
the
globe
and
deserves
every
bit
of
it.
This
is
one
meaningful
film
you
can't
afford
to
miss!