Director: Shlok Sharma
Producers: Guneet Monga, Anurag Kashyap, Feroze
Alameer, Achin Jain
Writer: Shlok Sharma
What's Yay: Performances, a subtle treatment
given to the dark subject
What's Nay: Abrupt climax, the narrative looks
a bit disjointed at places where the Censor Board has gone
Popcorn Refill: Interval
The Iconic Moment: The scene where Nawazuddin
Siddiqui's wife walks out on him when she discovers his affair is
one of the highlights of the film.
Plot: Set in the hinderlands of North India,
Haraamkhor tells the tale of a married school teacher Shyam
Tekchand (Nawazuddin Siddiqui) who begins an amorous relationship
with one of his students, a 15 year old girl Sandhya (Shweta
Tripathi) after he discovers that she is attracted to him. But,
Sandhya has got one more suitor in the form of her tuition mate,
Kamal (Irrfan Khan), a young boy who nurses an infatuation for her.
She, on the other hand, has no interest in him and spends most of
the film berating him.
The rest of the plot revolves around the conflict in
Shyam-Sandhya's tempestatous affair, Kamal seeking help from
his best friend Mintu (Mohammad Samad) to catch Sandhya's
attention and how the love story finally succumbs to a dark
Direction: Shlok Sharma makes an impressive
directorial debut with Haraamkhor which speaks of how the idea
of romance can make monsters of men when the thin line
between love and lust gets blurred. The film depicts the
attrocities committed to minor girls by the ones who are supposed
to protect and nurture them.
Kudos to Sharma for picking up a brave story and refraining from
resorting to any gory depiction just for the sake of titillation.
He infuses humour seamlessingly in his dark themed film and gives
you plenty of laughs and chills.
Performances: Nawazuddin Siddiqui walks away
with yet another applause-worthy performance of a sexual predator.
His character Shyam is a creep who disguises his lust as
love and masterfully manipulates those around him to attain his
carnal desires. You loathe him, yet you never fail to laugh at his
Haraamkhor is Shweta Tripathi's debut film in Hindi cinema
even though Masaan made it to the theatres first. She displays the
vulnerability of Sandhya, with such finesse and impresses you
in every frame. At the same time, you even get to see a hint of
rebellion in her when she allows Shyam to have an upper hand on her
in their relationship so that she can get back at her father who
she feels ignores her to be with his lover. Beneath all these
complexities, she is just an innocent soul in search of the
feeling of being loved and cared by someone.
Irrfan Khan and Mohammad Samad are a bundle of talent to watch
and their goofy antics keep you entertained throughout the film.
Special mention for the young boy who has a special affinity
for the 'Shaktimaan' costume and always finds himself at the
receiving end of his teacher.
Trimala Adhikari as Nawazuddin Siddiqui's wife Sunita pulls off
a good act.
Technical Aspects: After winning accolades at
several film festivals, the film was stuck at the Censor Board for
a long time for its explosive subject. However, it
finally got a clearance from the FCAT with a U/A certificate
after they felt that the film could be used for "furthering a
social message and warning the girls to be aware of their
The narrative of the 'censored' version does seem to be a
bit disjointed at places when there is a swift change in the
scenes. The climax is a tad diappointing as it looks a bit
Siddharth Diwan's cinematography gives a raw essence to the film
which works in its favour.
Music: There are no songs in Haraamkhor except
for 'Kidre Jaawan' which plays during the end credits. Jasleen
Royal's soul-stirring voice makes it lovable and you can't stop
yourself from humming it.
Verdict: Haraamkhor deals with a taboo subject
and the theme may not be everyone's cup of tea. But that
doesn't stop it from being a captivating watch for Sharma's
skillful treatment and the superlative performances. Go
for it if you are looking out for some escape from the usual stale