What's
Yay:
Performances,
a
subtle
treatment
given
to
the
dark
subject
What's
Nay:
Abrupt
climax,
the
narrative
looks
a
bit
disjointed
at
places
where
the
Censor
Board
has
gone
chop-chop.
Popcorn
Refill:
Interval
The
Iconic
Moment:
The
scene
where
Nawazuddin
Siddiqui's
wife
walks
out
on
him
when
she
discovers
his
affair
is
one
of
the
highlights
of
the
film.
Plot:
Set
in
the
hinderlands
of
North
India,
Haraamkhor
tells
the
tale
of
a
married
school
teacher
Shyam
Tekchand
(Nawazuddin
Siddiqui)
who
begins
an
amorous
relationship
with
one
of
his
students,
a
15
year
old
girl
Sandhya
(Shweta
Tripathi)
after
he
discovers
that
she
is
attracted
to
him.
But,
Sandhya
has
got
one
more
suitor
in
the
form
of
her
tuition
mate,
Kamal
(Irrfan
Khan),
a
young
boy
who
nurses
an
infatuation
for
her.
She,
on
the
other
hand,
has
no
interest
in
him
and
spends
most
of
the
film
berating
him.
The
rest
of
the
plot
revolves
around
the
conflict
in
Shyam-Sandhya's
tempestatous
affair,
Kamal
seeking
help
from
his
best
friend
Mintu
(Mohammad
Samad)
to
catch
Sandhya's
attention
and
how
the
love
story
finally
succumbs
to
a
dark
twist.
Direction:
Shlok
Sharma
makes
an
impressive
directorial
debut
with
Haraamkhor
which
speaks
of
how
the
idea
of
romance
can
make
monsters
of
men
when
the
thin
line
between
love
and
lust
gets
blurred.
The
film
depicts
the
attrocities
committed
to
minor
girls
by
the
ones
who
are
supposed
to
protect
and
nurture
them.
Kudos
to
Sharma
for
picking
up
a
brave
story
and
refraining
from
resorting
to
any
gory
depiction
just
for
the
sake
of
titillation.
He
infuses
humour
seamlessingly
in
his
dark
themed
film
and
gives
you
plenty
of
laughs
and
chills.
Performances:
Nawazuddin
Siddiqui
walks
away
with
yet
another
applause-worthy
performance
of
a
sexual
predator.
His
character
Shyam
is
a
creep
who
disguises
his
lust
as
love
and
masterfully
manipulates
those
around
him
to
attain
his
carnal
desires.
You
loathe
him,
yet
you
never
fail
to
laugh
at
his
humour-infused
lines!
Haraamkhor
is
Shweta
Tripathi's
debut
film
in
Hindi
cinema
even
though
Masaan
made
it
to
the
theatres
first.
She
displays
the
vulnerability
of
Sandhya,
with
such
finesse
and
impresses
you
in
every
frame.
At
the
same
time,
you
even
get
to
see
a
hint
of
rebellion
in
her
when
she
allows
Shyam
to
have
an
upper
hand
on
her
in
their
relationship
so
that
she
can
get
back
at
her
father
who
she
feels
ignores
her
to
be
with
his
lover.
Beneath
all
these
complexities,
she
is
just
an
innocent
soul
in
search
of
the
feeling
of
being
loved
and
cared
by
someone.
Irrfan
Khan
and
Mohammad
Samad
are
a
bundle
of
talent
to
watch
and
their
goofy
antics
keep
you
entertained
throughout
the
film.
Special
mention
for
the
young
boy
who
has
a
special
affinity
for
the
'Shaktimaan'
costume
and
always
finds
himself
at
the
receiving
end
of
his
teacher.
Trimala
Adhikari
as
Nawazuddin
Siddiqui's
wife
Sunita
pulls
off
a
good
act.
Technical
Aspects:
After
winning
accolades
at
several
film
festivals,
the
film
was
stuck
at
the
Censor
Board
for
a
long
time
for
its
explosive
subject.
However,
it
finally
got
a
clearance
from
the
FCAT
with
a
U/A
certificate
after
they
felt
that
the
film
could
be
used
for
"furthering
a
social
message
and
warning
the
girls
to
be
aware
of
their
rights."
The
narrative
of
the
'censored'
version
does
seem
to
be
a
bit
disjointed
at
places
when
there
is
a
swift
change
in
the
scenes.
The
climax
is
a
tad
diappointing
as
it
looks
a
bit
forced.
Siddharth
Diwan's
cinematography
gives
a
raw
essence
to
the
film
which
works
in
its
favour.
Music:
There
are
no
songs
in
Haraamkhor
except
for
'Kidre
Jaawan'
which
plays
during
the
end
credits.
Jasleen
Royal's
soul-stirring
voice
makes
it
lovable
and
you
can't
stop
yourself
from
humming
it.
Verdict:
Haraamkhor
deals
with
a
taboo
subject
and
the
theme
may
not
be
everyone's
cup
of
tea.
But
that
doesn't
stop
it
from
being
a
captivating
watch
for
Sharma's
skillful
treatment
and
the
superlative
performances.
Go
for
it
if
you
are
looking
out
for
some
escape
from
the
usual
stale
crowd-pleasers!