Cannes
(Reuters):
In
his
provocative
new
film
Shortbus,
US
director
John
Cameron
Mitchell
is
seeking
to
demystify
sex
on
screen
by
making
it
real.
Showing
out
of
competition
at
the
Cannes
film
festival,
the
movie
set
around
a
colourful
underground
cabaret-cum-nightclub
called
Shortbus
is
the
culmination
of
a
long-held
ambition
of
Mitchell's
to
present
sex
as
no
more
than
a
fact
of
life.
It
is
not
the
first
time
real
sex
has
appeared
in
a
film
outside
the
porn
world.
British
filmmaker
Michael
Winterbottom
included
it
in
his
''9
Songs''
in
2004,
for
example.
But
in
his
touching
exploration
of
New
York
today,
Mitchell
features
a
range
of
relationships-gay
and
straight-which
intertwine
when
people
searching
for
something
more
in
their
lives
descend
on
the
club.
The
opening
sequence
prepares
audiences
for
what
is
to
come,
with
three
different
sex
scenes.
One
features
a
young
man
performing
oral
sex
on
himself
in
front
of
a
camera,
another
a
young
man
masturbating
as
he
is
whipped
by
a
dominatrix
and
the
third
a
couple
having
acrobatic
sex
in
their
apartment.
Mitchell
succeeds
in
making
the
on-screen
action
less
shocking
than
it
sounds,
and
rather
than
gasps
from
the
audience
at
a
press
screening,
there
was
laughter
at
the
comedy.
''This
film
was
not
pornographic,''
Mitchell
told
reporters
Yesterday.
''I
don't
think
anyone
got
a
hard-on
watching
this
film.''
For
him
sex
is
a
metaphor
for
aspects
of
the
characters'
lives,
so
Sofia's
search
for
the
elusive
orgasm
is
actually
a
search
for
happiness.
Not
only
is
Shortbus
a
statement
about
cinema,
but
it
is
also
a
commentary
on
the
United
States
which
Mitchell
said
viewed
sex
too
negatively.
''I
really
believe
our
country
specifically
needs
to
take
a
look
at
that
stuff.
You
crush
something,
it
pops
up
somewhere
else,
it
comes
back
to
haunt
you.''
To
avoid
looking
at
it,
to
sweep
it
under
the
carpet,
to
discuss
AIDS
programmes
only
in
terms
of
abstinence,
to
clamp
down,
you
get
trouble
like
the
trouble
you
might
find
in
the
Catholic
Church
hierarchy.''
The
film,
which
cost
2
million
dollars
to
make,
could
find
it
tough
to
get
distribution,
particularly
in
the
United
States.
''We
didn't
really
make
this
film
to
make
money,''
said
Mitchell,
flanked
by
eight
of
his
cast.
''There
are
a
lot
of
easier
things
we
could
have
done
if
we
wanted
to
make
money.''
Casting
the
movie
was
no
mean
feat.
The
director
deliberately
avoided
agents
and
professional
actors
and
advertised
instead
in
alternative
magazines
across
North
America.
The
process
of
collecting
500
submissions,
auditioning
40,
choosing
nine
and
carrying
out
workshops
with
them
took
more
than
two
years.
Mitchell's
previous
film
was
Hedwig
and
the
Angry
Inch,
a
rights-of-passage
film
that
gained
the
43-year-old
director
a
cult
following
in
the
United
States.