Toronto(Reuters):
The
''Lord
of
the
Rings''
musical,
touted
as
the
most
expensive
stage
production
yet,
met
mixed
reviews
today
as
critics
applauded
its
leaping
orcs
and
menacing
dark
riders,
but
got
lost
in
the
tangled
plots
of
Middle
Earth.
The
55-strong
cast
slipped
into
500
costumes
and
engaged
in
fight
scenes
and
acrobatics
atop
a
40-ton,
computer-controlled
stage
floor
featuring
17
elevators,
which
spun
and
rose
amid
magic
and
illusion.
For
all
the
feverish
activity
at
Toronto's
Princess
of
Wales
Theater,
the
show
based
on
JRR
Tolkien's
epic
trilogy
drew
only
one
standing
ovation
in
more
than
three
hours,
but
many
in
the
audience
called
it
breathtaking
and
spectacular.
The
C$28
million
(24
million
US
dollar)
show's
technology
was
of
little
help
to
a
''largely
incomprehensible''
musical
version
of
Tolkien's
masterpiece,
said
Ben
Brantley
of
The
New
York
Times,
one
of
several
out-of-town
critics
who
flew
to
Toronto
to
see
the
show
that
is
expected
to
move
on
to
London
and
Broadway.
''Everyone
and
everything
winds
up
lost
in
this
adaptation
of
Tolkien's
cult-inspiring
trilogy
of
fantasy
novels,''
Brantley
said.
''That
includes
plot,
character
and
the
patience
of
most
ordinary
theatergoers.''
Charles
McNulty
of
the
Los
Angeles
Times
said,
''Pity
the
production
can't
be
judged
exclusively
on
its
design,
it
would
be
roundly
considered
a
hit.''
But
he
added
that
despite
the
show's
shortcomings
and
desperate
need
to
be
be
cut,
''The
good
news
for
investors
is
that
commercially
the
project
will
surely
pay
off.
''Riding
the
coattails
of
Peter
Jackson's
Oscar-winning
movie
trilogy
with
its
global
gross
of
3
billion
dollar
and
counting,
this
kind
of
parasitic
extravaganza
has
a
built-in
audience.
Today
Toronto's
Princess
of
Wales
Theater,
tomorrow
London's
West
End,
followed
by
the
rest
of
the
premium-ticket-buying
world.''
Time
magazine
declared
the
show
a
''definitive
megamusical''
while
the
Times
of
London
branded
it
''A
stirring
triumph
of
theatrical
magic.''
''With
some
fine
tuning,
this
tale
could
hold
its
audience
in
total
thrall,''
wrote
the
Times'
Sam
Marlowe.
And
even
the
Tolkien
family
was
impressed.
''I
thought
it
was
a
beautiful
show
and
I
was
impressed,''
said
Rachel
Tolkien,
the
author's
granddaughter.
''Everything
in
the
book
that
to
me
is
important,
or
really
moved
me,
is
on
the
stage,''
she
told
Reuters.
Local
critics
were
less
enthused.
'''The
Lord
of
the
Rings'
...
may
boast
of
its
record-breaking
cost,
but
it
still
looks
a
lot
like
unfinished
business,''
Toronto
Globe
and
Mail
critic
Kamal
Al-Solaylee
said.
''The
blueprint
for
the
adaptation,
a
heroic,
if
misguided,
undertaking
billed
as
a
hybrid
of
drama,
music
and
spectacle,
is
now
in
place.
All
it
needs
is
an
engaging
storytelling
approach,
an
emotional
arc,
credible
performances
and
a
more
coherent
musical
score.''
The
story
follows
Frodo
Baggins,
played
by
James
Loye,
and
his
quest
to
save
Middle
Earth
by
destroying
the
ring
of
power
during
three
acts
that
take
the
audience
through
the
dream-like
and
misty
Mines
of
Moria,
Forest
of
Fangorn
and
to
the
final
battle
at
Mount
Doom.
The
show,
which
is
scheduled
to
go
to
London
in
2007,
still
has
a
lot
to
prove
and
much
will
depend
on
the
next
few
months,
said
lead
producer
Kevin
Wallace,
formerly
in-house
producer
with
Andrew
Lloyd
Webber's
London-based
The
Really
Useful
Group.