Beijing
(Reuters):
Art-house
starlet
Tian
Yuan
probably
won't
have
Zhang
Ziyi's
entourage
of
rubber-necking
fans
and
paparazzi
following
her
every
step
when
she
makes
her
debut
at
Cannes
but
it
won't
be
for
want
of
an
eye-catching
evening
gown.
''
I'm
taking
four
dresses
to
the
festival,''
she
said
to
a
small
group
of
journalists
between
takes
of
her
latest
movie
project
in
Beijing.
''My
friend
showed
me
four
samples-they're
all
so
beautiful-so
I'll
be
taking
them
all.''
The
French
film
festival's
glitterati
may
be
taken
by
the
waifish
21-year-old's
fresh
face
and
fashion
sense,
but
popcorn
audiences
still
scratch
their
heads
over
Tian's
film
credits.
Unlike
compatriot
Zhang,
Tian
has
not
appeared
in
martial
arts
blockbusters,
nor
worked
with
A-list
directors.
But
the
former
lead
singer
for
teenage
rock
band
Hopscotch
is
no
stranger
to
the
air
kisses
and
glitz
of
film
festivals.
She
spent
much
of
2005
waltzing
down
red
carpets
and
collecting
awards
at
various
ceremonies
across
Asia
on
the
strength
of
her
debut
in
''Butterfly''
(2004)-a
lesbian
romance
in
which
she
played
a
rock
singer
who
seduces
a
female
teacher.
Tian's
latest
film,
''Luxury
Car'',
opening
at
Cannes,
won't
garner
her
prizes
in
France,
though.
It
has
been
entered
in
the
Un
Certain
Regard
section-a
fringe
category
apart
from
the
main
competition.
Many
Western
critics,
however,
smitten
by
China's
gritty,
slice-of-life
tales
will
watch
Tian
Yuan's
third
movie
with
interest.
''I
play
a
country
girl
whose
father
was
a
university
student
who
said
something
wrong
during
the
Cultural
Revolution
and
was
sent
to
the
countryside,''
Tian
said.
Like
Summer
Palace
-the
other
Chinese
film
that
premiered
at
Cannes
last
week-Luxury
Car
makes
references
to
a
piece
of
history
that
traditionally
alarms
China's
censors.
It
also
depicts
the
lives
of
karaoke
TV
hostesses
-delving
into
a
nocturnal
world
that
might
offend
some
Chinese
people's
tastes.
But
unlike
Summer
Palace,
Luxury
Car
will
screen
with
the
censors'
blessing.
While
Lou
Ye,
the
director
of
Summer
Palace,
faces
bans
from
working
in
China
after
thumbing
his
nose
at
the
country's
film
bureau,
Tian's
film
has
been
cleared
for
screening
in
China-
the
first
of
her
movies
to
do
so
but
only
a
few
Chinese
people
are
likely
to
go
and
see
it,
said
Tian
-regardless
of
its
reception
overseas.
''Most
people
just
don't
care
about
films
and
who
won
the
awards-unless
it's
the
Oscars.
They
don't
really
care
about
Cannes
or
Venice
or
Tokyo
or
Sundance,''
she
said.
It's
partly
because
of
censorship,
but
mostly
it's
because
there's
not
much
of
an
audience.''
China's
movie
censors'
recent
tolerance
for
frank
depictions
of
society
might
be
a
minor
breakthrough
for
directors,
but
the
average
Chinese
movie-goer
doesn't
share
the
West's
enthusiasm
at
the
box
office.
Director
Wang
Xiaoshuai's
''Shanghai
Dreams''-a
tale
of
family
conflict
set
in
the
grim
industrial
hinterlands
where
millions
of
families
were
forcibly
removed
during
the
Cultural
Revolution
-was
given
free
rein
to
shoot
and
release
the
film
in
China.
Despite
winning
the
jury
prize
at
Cannes
last
year,
''Shanghai
Dreams''
was
a
spectacular
box
office
flop
in
China,
opening
to
near-empty
cinemas
and
largely
written
off
by
critics
as
pandering
to
the
Western
thirst
for
exoticism.
Traditional
Chinese
sensibilities
remain
strong,
Tian
said.
Her
debut
film,
''Butterfly'',
in
which
she
shares
a
passionate
kiss
with
a
woman,
could
never
have
been
released
in
China,
the
actress
said,
adding
that
society
is
still
a
long
way
from
accepting
such
content.
''China
has
a
gap
between
the
1960s
and
the
1980s.
China
lost
20
years.
People
need
time
to
grow
up.''
Things
are
changing
but
very
gradually,
she
said.
''My
friends
really
liked
'Butterfly'
and
regularly
watch
European
and
American
movies
but
they
are
just
a
small
circle.
But
the
circle
is
growing.
'People
are
getting
rich
and
are
getting
more
time
to
spare,
so
they
start
to
think
about
more
things.''
For
the
short-term,
however,
Tian
is
thinking
about
Western
audiences.
Despite
her
art-house
leanings,
Tian
said,
of
course,
she
would
like
to
go
to
America
and
work
in
Hollywood.
Western
theatre-goers
will
have
to
be
prepared
to
accept
a
Chinese
actress
who
doesn't
have
a
mean
kick.
''Now
the
(Chinese
actors)
in
Hollywood
got
famous
because
they
acted
in
kung
fu
films,''
Tian
said.
''I
think
maybe
I
am
different,
I'm
not
so
good
at
fighting.
I
want
to
have
a
chance
to
show
American
people
that
not
all
actors
from
China
are
good
at
kung
fu.