IANS:
"The
West
does
not
have
a
rich
past
but
it
is
rich
in
history,
whereas
India
has
a
rich
past,
but
is
poor
in
history," says
Paramesh
Krishnan
Nair,
the
man
who
made
us
aware
of
Dadashaeb
Phalke
and
Indian's
first
full-length
feature
film,
"Raja
Harishchandra",
in
his
biographical
film
Celluloid
Man.
But
Celluloid
Man
is
more
than
just
a
biographical
documentary
detailing
the
life
of
India's
first
film
archivist
and
founder
of
the
National
Film
Archive
of
India,
PK
Nair.
It
tells
us
of
the
trials
and
tribulations
of
the
man
who
helped
us
preserve
Indian
film
heritage.
The
film
begins
with
the
octogenarian
slowly
and
softly
stating,
"Cinema
started
as
a
wonder
and
magic
which
became
an
obsession
and
then
a
passion.
Today,
it
is
a
part
of
me.
I
began
to
understand
people
better
with
my
knowledge
of
cinema," superimposed
against
the
backdrop
of
a
huge
screen
showing
clips
from
Ghatak's
"Meghe
Dhaka
Tara".
We're
told
that
of
1,700
silent
films
made
in
India,
the
nine
that
survive
are
purely
through
Nair's
efforts.
The
narration
tells
us
of
how
his
trip
to
Nasik,
Maharashtra
made
Dadashaheb
Phalke
history
and
contains
some
excellent
clips
from
silent
era
films
like
"Gallant
Hearts",
"Chandralekha",
"Kalia
Madan",
"Udayer
Pathey" and
"Fearless
Nadia".
With
comments
from
nearly
22
renowned
film
personalities
regaling
anecdotes
about
Nair
along
with
clips
from
about
34
rare
films
and
a
couple
of
older
documentaries,
"Celluloid
Man" can
be
interpreted
as
a
full-length
feature
film
that
is
richly
textured
with
the
history
of
Indian
Cinema.
Unlike
the
beginning,
the
film
ends
on
a
dramatic
note
again
with
a
clip
from
Ghatak's
"Meghe
Dhaka
Tara",
where
the
protagonist
screams,
"Dada
ami
bachbo,
dada
ami
bachbo"
which
means,
"brother,
save
me".
This
haunting
cry
of
desperation
clearly
endorses
the
negative
state
of
functioning
at
the
NFAI.
The
production
quality
of
the
documentary
is
of
high
standard.
The
frames
shot
in
half-lit
and
mood
lights
layered
sporadically
over
film
clips
makes
it
a
delight
to
watch
it.
Shot
in
both
16mm
and
35mm
with
the
help
of
11
DOPs
(director
of
photography)
using
a
variety
of
different
color
and
black-and-white
Kodak
stocks
the
picture
has
a
dense,
unfailing,
rich-hued
look.
While
quality
of
the
film
editing
pattern
along
with
the
sound
track
is
smooth
and
flawless,
there
are
a
few
glaring
blunders
in
the
subtitles
that
don't
match
with
the
content
of
the
speech.
An
Indian
'Cinema
Paradiso',
it's
the
director
Shivendra
Singh
Dungarpur's
tribute
to
his
mentor.
He
has
in
all
his
enthusiasm
glorified
Nair,
which
he
definitely
deserves.
But
as
a
filmmaker,
Dungarpur
has
omitted
NFAI's
current
scenario,
which
could
be
misleading
in
its
historical
context.
With
a
run
time
of
2-hour-and-20-minute,
the
film
could
be
a
little
tedious.
A
little
bit
of
trimming
could
help
make
the
film
more
crisp
and
enthralling.
A
winner
of
two
National
Awards,
the
film
is
being
released
under
the
PVR
Director
Rare's
banner.
A
must
see
for
all
cinema
lovers.
Producer:
Dungarpur
Films
Director:
Shivendra
Singh
Dungarpur
Cast:
PK
Nair,
Krzysztof
Zanussi,
Lester
James
Peries
Release
date:
May
3,
2013