Komal
Kumar’s
much-hyped
Govindaya
Namaha
can
be
best
described
as
an
out
and
out
fun
film.
Though
the
movie
does
not
have
a
great
story,
it
entertains
the
audience
through
well-written
one-liners,
which
break
the
funny
bones
of
the
audience.
From
the
word
go,
Govindaya
Namaha
impresses
the
viewers
with
dialogues.
The
movie
begins
with
Govinda's
(Komal)
wish
to
commit
suicide.
He
comes
to
an
under-construction
skyscraper
where
he
meet
another
man
(Harsha)
–
who
was
in
the
news
a
several
months
ago
for
threatening
to
jump
from
a
theatre.
The
latter
too
wants
to
end
his
life
following
an
unsuccessful
love.
The
duo
decides
to
exchange
their
stories
before
killing
themselves.
It
is
now
revealed
that
Govinda
is
a
rogue
and
he
has
a
dishonest
person.
He
has
cheated
three
girls
one
after
the
other.
Firstly,
in
his
native
place,
he
makes
a
rich
girl
named
Vydehi
(Madhulika)
to
fall
in
love
with
him.
But
her
father
(Mukyamantri
Chandru)
opposes
their
marriage.
However,
Govinda's
grandfather
(Dattanna)
comes
to
his
rescue
by
giving
his
grandson
Rs
1
lakh.
He
asks
him
to
elope
with
her
and
settle
in
Bangalore.
The
wicked
boy
escapes
from
the
place
alone
and
decides
to
enjoy
his
life
with
that
amount.
Later,
he
ditches
two
more
girls.
But
why
he
wants
to
commit
suicide,
and
will
he
ever
have
a
true
love?
Answers
to
this
questions
should
be
seen
on-screen.
Komal
has
done
one-man
show.
His
comic
acts
and
his
body
language
are
very
impressive.
His
wonderful
performance
backed
with
excellent
dialogues
are
the
strength
of
Govindaya
Namaha.
Especially,
the
actor’s
Kannada-Urdu
mix
dialect
has
to
be
praised.
Among
three
actresses
-
Parul
Yadav,
Madhulika
and
Rekha
–
the
first
one
has
more
scenes
and
she
has
given
her
best.
The
other
two
girls
does
not
have
much
sequences
except
a
song
for
each
of
them
and
a
several
scenes
with
Komal.
Other
characters
like
Harish
Raj
and
Rajive
Thalikote
have
done
justice
to
their
roles.
Technically,
the
music
album
scored
by
Gurukiran
has
already
become
a
chartbuster
of
the
year
with
three
songs
(Pyarge,
Moda
modalige
and
Sura
sura)
being
massive
hits.
Cinematography
by
Suresh
Babu
is
good.
And
finally,
debutant
director
Pawan
Wadeyar
succeeds
in
his
first
attempt.
The
director,
who
has
penned
story,
screenplay,
dialogues,
gets
a
top
rating
for
his
funny
one-liners.
However,
his
screenplay,
at
parts,
is
dragging
and
gets
a
feel
of
boredom.
Adding
to
that
the
movie
has
a
lot
of
double
entendre
dialogues
that
seem
to
have
escaped
the
censors.
Verdict:
Govindaya
Namah
is
an
extremely
funny
film
and
it
is
a
paisa-vasool
affair.
It
is
a
two-odd-hour
full
of
entertainment.