Alag
is
one
of
those
rare
albums
that
have
hit
the
stands
without
much
pre-release
publicity
of
songs
happening
on
the
small
screen.
Also
there
has
not
been
much
hype
and
hoopla
behind
the
music
release
which
is
a
rarity
for
a
movie
with
decent
credentials.
A
Subi
Samuel
production,
Alag
is
touted
to
be
a
'truly
different'
movie
that
comes
from
Ashu
Y.
Trikha
who
has
earlier
directed
Deewanapan
and
Sheesha.
After
Deewanapan,
the
director
repeats
Dia
Mirza
to
star
opposite
Popcorn
Khao
Mast
Ho
Jayo
hero
Akshay
Kapoor
in
this
adventure-drama
film!
Aadesh
Srivastava,
who
has
recently
come
up
with
a
decent
Rehguzar
-
The
Road
To
Destiny
is
the
composer
at
the
helm
while
Rahul
Seth
and
Nusrat
Badr
write.
Surprisingly
the
lyricists
have
not
been
credited
for
their
individual
contribution
to
the
songs
which
make
one
wonder
if
the
two
have
jointly
written
all
the
tracks,
though
it
seems
unlikely!
Title
song
'Sabse
Alag'
comes
at
the
very
beginning
of
the
album
and
as
soon
as
it
starts
you
are
sure
to
have
a
soulful
outing.
A
smooth
and
sober
track
that
moves
at
an
extremely
slow
pace
and
makes
you
hear
it
along
carefully,
it
helps
in
establishing
the
character
played
by
the
lead
protagonist
and
how
he
and
his
world
are
completely
different
from
the
rest
if
the
mankind.
This
appears
to
be
the
promotional
number
that
features
the
likes
of
Shah
Rukh
Khan,
Arjun
Rampal,
Bobby
Deol,
Abhishek
Bachchan,
Priyanka
Chopra,
Lara
Dutta,
Bipasha
Basu,
Sushmita
Sen
and
Preity
Zinta
and
would
be
seen
on
the
small
screen
soon.
The
track
comes
in
two
versions,
first
where
husband
wife
pair
of
Kunal
Ganjawala
and
Gayatri
Ganjawala
come
together
with
Shaan,
Hemachandra
and
Nihira
Joshi
and
later
when
Kunal
renders
a
solo.
A
fine
haunting
number
to
kick
start
the
album,
it
should
help
the
film's
promotion
but
isn't
of
the
kind
that
one
sings
or
hums
along
the
town!
When
there
are
singers
like
Shaan
and
Vasundara
Das
and
the
song's
title
goes
as
'Hai
Junoon',
you
expect
a
foot
tapping
dance
number.
That's
exactly
the
case
with
Shaan
crooning
for
the
character
who
questions
the
world
about
what
is
wrong
if
he
is
alag
i.e.
'different'
from
the
rest!
Also
the
man
is
now
passionate
about
living
life
after
finding
his
love.
The
track
sounds
more
like
an
Indi-pop
song
rather
than
a
conventional
Bollywood
number
and
is
more
suited
for
a
dance
floor/club
outing.
The
song
falls
in
above
average
category
but
is
not
the
kind
that
could
take
a
nation
by
the
storm.
As
expected,
DJ
Suketu
adds
on
further
zing
to
the
remix
version
and
gives
the
song
a
chance
to
find
a
place
in
the
Top
10
charts
on
the
basis
of
its
choreography
and
picturization
that
should
help
it
gain
some
eye
balls!
It's
as
'tapori'
as
it
get
with
the
arrival
of
'Apun
Ki
Toli'
and
there
is
just
one
term
to
describe
the
number
-
"Forgettable"!
A
'basti'
number
with
terms
like
'bindaas',
'dhinchaak',
'shaanpatti',
'haiyya-balle
balle',
'lagey
raho'
etc.,
it
takes
you
back
in
time
to
the
80s
and
that
itself
is
not
a
pleasant
feel
to
have.
Shaan,
Kailash
Kher,
Aadesh
Shrivastav
and
Vasundara
Das
are
simply
wasted
in
the
number.
The
last
time
when
one
felt
so
repulsive
while
hearing
a
track
of
this
genre
was
in
small
time
flick
'Praan
Jaaye
Par
Shaan
Na
Jaaye'
that
had
music
by
Daboo
Malik
and
Nitin
Raikwar!
Krishna
does
the
'alaap'
for
'Saanjh
Ki
Pighalti'
that
makes
you
wonder
that
when
Aadesh
can
make
a
song
like
this
then
why
did
he
really
have
to
come
up
with
something
like
'Apun
Ki
Toli'
earlier?
A
'raga'
based
number
sung
by
newcomer
Ujjaini
with
Anand
Sharma's
voice
in
the
background,
it
has
a
poetic
feel
and
is
track
that
would
have
required
some
real
hard
work
before
its
final
cut
would
have
been
out.
A
song
that
has
a
peaceful
effect
on
you
while
it
is
being
played,
it
is
one
of
the
better
tracks
composed
by
Aadesh
in
recent
times.
Ujjaini
and
Hemachandra
do
'aalap'
for
the
'The
Soul
of
Alag
that
should
be
a
part
of
the
film's
background
score.
A
full
length
theme
score
that
comes
with
some
variation
in
it,
it
also
has
shades
of
classical
touch
to
it.
To
sum
it
up,
the
musical
score
of
Alag
doesn't
have
a
single
number
that
one
could
take
home
and
sing
along.
At
most
a
couple
of
numbers
can
be
heard
and
enjoyed
to
an
extent
but
there
is
none
that
makes
you
rush
to
the
nearest
neighborhood
music
store.