By:
Gaurav
Malani,
IndiaFM
Sunday,
October
22,
2006
Dhoom
Machale
was
the
biggest
chartbuster
of
2004
and
the
track
was
the
year's
largest
selling
ringtone
as
well.
Dhoom
2
-
the
sequel
of
the
2004
action
adventure
is
arriving.
Undoubtedly
the
movie
promises
to
be
bigger
and
better!
So
does
the
music.
Two
years
back
music
director
Pritam
Chakravarthy
gave
his
first
independent
hit
in
the
form
of
Dhoom
and
came
in
the
top
league.
Ever
since
then
he
has
been
riding
high.
Life
comes
a
full
circle
for
Pritam
with
the
sequel
of
Dhoom.
Expectations
are
inevitably
rife.
What's
interesting
is
that
lyricist
Sameer
enters
the
Yashraj
camp
with
this
film.
What's
the
result?
Read
on...
'Crazy
Kiya
Re'
marks
an
apt
start
to
the
album
and
is
an
instantly
catchy
number.
Opening
with
an
English
chorus,
Sunidhi
Chauhan
quickly
takes
over
and
is
at
her
vivacious
best.
'Sexy
lady
on
the
floor,
keeps
you
coming
back
for
more'
sings
the
chorus
and
rightly
so
as
the
sensuous
voice
of
Sunidhi
makes
you
come
back
to
this
track
for
more.
Pritam's
music
is
familiarly
unsophisticated
and
yet
amazingly
appealing.
It
won't
take
you
long
to
get
on
the
dance
floor
and
groove
your
leg.
There's
nothing
exceptional
about
Sameer's
lyrics
with
the
usual
'chori
kiya,
jhoome
jiya,
crazy
kiya'
rhymes
but
then
who's
complaining.
Crazy
Kiya
Re
isn't
a
lyric
based
song
but
makes
you
crazy
with
its
zippy
music
and
zany
singing.
You
love
it
in
its
entirety
and
think
that
it
can't
get
better
until
you
come
across
the
remix.
Agreed
that
the
'Remix
version'
doesn't
serve
anything
new
from
the
original
apart
from
the
regular
disc
scratching
breaks,
added
rapping
and
a
faster
pace.
But
then
Dhoom
is
all
about
pace
and
that
essentially
acts
as
the
USP
of
this
track.
Remixed
by
Bunty
Rajput
(who
was
also
the
song
programmer
of
Dhoom),
what
sets
the
remix
apart
is
the
accelerator
vroom
reverberation
just
before
the
end
of
every
verse,
thereby
giving
it
a
speeding
effect.
Next
comes
the
much
awaited
title
track
of
the
Dhoom
sequel.
Pritam
always
quoted
that
the
pressure
was
immense
on
him
to
recreate
the
magic
of
Dhoom.
To
maintain
the
trademark
touch
from
the
original
version
and
yet
create
a
new
identity
for
the
title
track
wasn't
an
easy
task.
Moreover
while
the
original
was
a
female
track,
he
primarily
hands
over
the
mike
to
a
male
singer
this
time.
The
choice
of
Vishal
Dadlani
as
the
lead
singer
of
'Dhoom
Again'
comes
as
a
surprise.
Not
because
Vishal
is
a
composer
himself
but
because
the
husky
and
deep-base
voice
that
he
is
known
for
('Sholo
Si'
in
Shabd
or
'Mama
Told
Me'
in
Ek
Ajnabee)
isn't
used
to
that
effect.
Instead
Pritam
makes
him
sing
rather
clear-throated.
Dominique
Cerejo
gives
him
good
company
as
the
female
voice.
Starting
with
a
water
gushing
sound
and
an
extended
percussion,
the
base
tune
of
'Dhoom
Again'
is
same
as
the
original.
However,
while
in
the
prequel
there
were
two
separate
versions
of
the
title
track
(in
Hindi
and
English),
this
time
there
is
only
one
version
and
the
entire
song
is
composed
with
English
lyrics.
Dhoom
Machale
are
the
only
Hindi
words
in
the
otherwise
English
song
written
by
Asif
Ali
Beg.
Perhaps
that's
intentional
to
give
an
international
feel
to
the
music
and
the
movie.
The
track
is
a
little
too
heavy
on
percussions
but
perhaps
the
effect
might
show
onscreen.
But
the
major
highlight
of
the
song
arrives
in
the
form
of
a
whistling
interlude
(the
one
heard
in
the
opening
note
of
the
trailers)
which
in
most
probability
will
be
the
theme
piece
played
in
the
background
score
at
regular
intervals.
This
interlude
is
repeated
in
the
song
after
each
stanza
with
the
whistling
switching
to
synthesizer
notes.
Undoubtedly
this
would
be
the
most
popular
whistle
on
everybody's
lips
and
the
theme
piece
promises
to
be
a
popular
ringtone
on
mobile
sets,
once
the
music
is
out.
The
theme
piece
that
you
loved
in
Dhoom
Again
opens
'Dil
Laga
Na'
with
new
instrumentation.
Designed
as
a
climax
song
with
all
the
five
lead
players
of
the
film
coming
together,
this
one
is
a
complete
situational
track.
Sukhbir,
Soham
Chakrabarthy,
Jolly
Mukherjee,
Mahalaxmi
Iyer
and
Suzanne
form
the
voices
of
the
five
characters.
Sukhbir
adds
a
bhangra
flavour,
Mahalaxmi
Iyer
brings
in
the
mushy
lovey
dovey
touch,
Jolly
Mukherjee
(the
singer
from
late
80s
who
started
with
Chandni
O
Meri
Chandni
makes
a
comeback
to
the
Yashraj
camp)
sings
to
a
hoarse
effect
and
Suzzane
adds
fire
playing
the
sizzling
seductress'
part.
Soham
Chakrabarthy
is
overshadowed
in
the
crowd.
The
Dhoom
Machale
theme
from
the
prequel
constantly
plays
in
the
background.
More
than
audible
appeal
this
song
would
be
having
visual
appeal.
Sonu
Nigam
in
his
saccharine
sweet
vocals
takes
charge
of
'My
Name
is
Ali'.
The
setting
(NOT
the
tune)
instantly
reminds
of
Dilbara
with
Uday
Chopra
trying
to
woo
the
lady
even
here.
The
song
could
well
have
been
titled
'Excuse
Me
Too
Please'
for
that
is
the
line
repeated
for
the
maximum
number
of
times
in
the
track.
But
why
does
Sonu
pronounce
'Excuse'
as
'Esscuse'?
Is
it
intentional
with
respect
to
Uday's
tapoori
characterization?
Much
has
been
talked
about
Bipasha's
singing
debut
with
this
track
but
she
just
chips
in
for
two
words
in
the
song
and
not
singing.
This
track
won't
get
on
you
instantly
as
compared
to
the
other
catchy
tracks
of
the
film
but
with
a
couple
of
listening
the
menthol
cool
effect
of
the
song
will
seep
in
your
senses.
In
fact
this
menthol-cool
feel
and
Sonu's
honey-soaked
singing
reminds
one
of
Kishore
Kumar's
melodious
rendition
of
'O
Hansini'
from
Zahreela
Insaan.
Again
the
feel
is
similar,
not
the
tune!
String
instrumentation
opens
the
final
track
'Touch
Me'.
This
peppy
and
racy
track
with
a
carnival
feel
sets
you
to
the
foot-tapping
mode.
Alisha
gives
her
patented
sensual
fluctuations
to
her
voice
while
KK
adds
his
trademark
touch.
Their
singing
chemistry
is
flawless.
Pritam
synthesizes
the
flute
to
a
pleasing
effect.
Like
the
previous
track,
this
one
too
grows
on
you
with
multiple
listening.
Despite
being
distinctly
different
from
each
other,
there
is
a
certain
common
vibe
amongst
all
the
tracks
of
Dhoom
2
by
which
you
can
identify
them
amongst
a
lot.
Now
the
big
question
-
does
it
surpass
the
original?
We
would
rather
say
that
Dhoom
2
leaves
a
mark
of
its
own.