By:
Joginder
Tuteja,
IndiaFM
Tuesday,
September
05,
2006
Iqbal
pair
of
director
Nagesh
Kukunoor
and
actor
Shreyas
Talpade
are
back
with
Dor,
an
emotional
tale
of
two
women
who
are
strangers
but
are
tied
by
a
common
string
(Dor)!
Ayesha
Takia
and
Gul
Panag
are
the
two
women
starring
in
this
film
presented
by
Sahara
One
that
has
music
by
Salim
Sulaiman
[who
also
composed
for
Iqbal]
and
has
lyrics
by
Mir
Ali
Husain.
From
a
film
like
this,
one
doesn't
really
have
any
set
expectations
from
the
soundtrack.
Awaiting
a
string
of
situational
songs
set
to
suit
the
film's
backdrop
[Rajasthan],
one
plays
on
the
album.
Result
in
the
end
is
an
album
that
caters
only
to
a
particular
segment
of
audience.
Shafqat
Amanat
Ali
[from
Pakistani
band
Fuzon],
who
recently
delivered
a
chartbuster
'Mitwa'
[KANK]
is
seen
in
a
different
mood
altogether
in
the
song
'Yeh
Honsla'.
A
spirited
track
about
having
a
positive
attitude
and
looking
forward
in
future
rather
than
loosing
hopes,
it
is
a
song
that
is
rooted
in
Indian
classical
music
and
has
been
orchestrated
quite
well
by
Salim
Sulaiman.
They
maintain
a
smooth
flow
by
keeping
the
instruments
strictly
in
the
background
and
that
too
in
minimal
doses.
Salim
Merchant
too
adds
support
to
this
poetic
track
written
by
Mir
Ali
Husain
who
keeps
the
philosophical
mood
alive.
A
100
seconds
sad
version
of
the
track
comes
in
the
end
of
the
album
which
has
Karsan
Sargathia
coming
in
for
Salim
Merchant
to
lend
support
to
Shafqat.
It's
rare
to
find
Sunidhi
Chauhan
and
Shreya
Ghoshal
coming
together
for
a
song
but
it
is
made
possible
with
'Imaan
Ka
Asar'.
On
looking
at
lyrics,
one
expects
another
classical
based
number
to
be
coming
up
after
'Yeh
Honsla'
but
one
is
pleasantly
surprised
to
hear
a
melodious
soft
track
with
western
undertones,
instead.
The
pacing
is
just
perfect
for
this
Indian-western
fusion
[something
at
which
Salim
Sulaiman
are
quite
good
at]
and
together
they
come
up
with
an
ear
friendly
composition
that
has
an
appeal
for
the
classes.
Though
the
song
again
has
a
philosophical
mood
and
would
appear
as
a
part
of
the
background
score,
in
home
music
system
it
can
be
heard
repeatedly
at
a
low
volume.
'Kesariya
Balam'
that
follows
next
is
dipped
in
Rajasthani
folk
music
and
Karsan
Sargathia
is
a
good
choice
for
a
song
belonging
to
this
genre.
Salim-Sulaiman
do
show
their
versatility
by
coming
up
with
appropriate
arrangements
for
this
track
which
moves
at
a
slow
pace.
For
the
situation
it
should
fit
in
well
when
the
movie
is
on
though
one
doesn't
really
expect
many
to
play
on
the
album
just
to
check
this
song
out.
Another
100
second
musical
piece
comes
in
the
form
of
Dor
Theme
that
again
maintains
a
slow
pace
[with
an
effective
use
of
an
array
of
violins]
to
suit
the
film's
setting.
Pratichee
sings
the
celebration
track
'Piya
Ghar
Aaya'
which
is
about
the
homecoming
of
the
loved
one.
The
song
maintains
the
Rajsthani
folk
flavor
that
maintains
an
authentic
touch
and
reminds
of
the
80s
when
such
songs
were
composed
in
abundance.
Pratichee
sings
the
song
well
in
a
carefree
manner
while
letting
her
hair
loose
and
makes
way
for
a
song
that
should
have
a
colorful
and
bright
feel
to
it.
'Allah
Hoo
Alaah
Hoo'
has
an
extended
prelude
that
creates
a
base
before
the
track
picks
up
pace
with
Salim
Merchant
as
the
singer.
A
rhythmic
sufi
track
in
appreciation
of
the
divine
force,
it
is
like
dozens
of
other
sufi
tracks
heard
in
the
past
but
there
is
something
about
the
tune
that
makes
you
give
it
yet
another
hearing
in
spite
of
the
dejÀ
vu
feel.
For
the
lovers
of
classical
music,
there
is
Trilok
Gurtu's
'Expression
of
Love'
which
comes
towards
the
end.
A
love
song
that
would
be
comprehended
primarily
by
those
who
closely
follow
Indian
classical
music
and
are
Gurtu's
fans,
it
is
certainly
not
for
the
'aam
junta'
which
prefers
something
different
but
not
something
on
the
lines
of
a
track
like
this
which
requires
a
listener
to
have
good
knowledge
about
music
to
catch
its
nuances.
Dor
as
an
album
works
only
for
those
who
are
either
followers
of
classical
music
or
enjoy
hearing
songs
with
a
Rajasthani
folk
music
base.
There
is
no
doubt
that
composers
Salim
Sulaiman
maintain
good
quality
throughout
but
overall
the
album
caters
only
to
a
niche
audience.