There
is
a
factor
which
is
consistent
about
Jimmy
Shergill's
films
-
sensitive
subjects!
Time
and
often
he
works
on
films
that
do
not
really
follow
a
conventional
path
and
try
to
be
something
different.
His
good
boy
image
comes
handy
too
and
though
he
is
still
waiting
for
an
elusive
box
office
success,
his
effort
is
always
noticed.
With
Rehguzar
-The
Road
to
Destiny,
he
may
be
hoping
that
he
finally
strikes
gold
with
this
Kesar
Kothari
produced
Faruq
Masudi
film.
Saloni
Aswani,
who
was
first
seen
in
Dil
Pardesi
Ho
Gaya
followed
by
more
recently
Saawan
-
The
Love
Season
is
Jimmy's
female
lead
in
the
film.
Aadesh
Srivastava,
who
didn't
really
set
the
musical
charts
on
fire
with
his
last
two
scores
for
Chingari
and
Saawan
-
The
Love
Season
would
be
looking
for
a
better
result
with
Nusrat
Badr
as
the
lyricist.
When
Aadesh
Srivastava
and
Alisha
Chinoy
unite
for
singing
the
opening
track
'Habibi
Habibi',
there
is
every
indication
that
it
is
an
item
number
in
the
offering.
This
comes
as
a
bit
surprising
because
from
a
movie
like
Rehguzar
that
deals
with
a
topical
theme
of
people
working
in
the
Middle
East,
one
expected
a
much
sensitive
beginning.
As
expected,
the
song
has
a
Middle-East
musical
base
and
actually
turns
out
to
be
reasonably
enjoyable.
Such
has
been
an
overflow
of
numbers
with
a
Middle-East
base
in
the
recent
times
that
there
are
apprehensions
galore
about
these
tracks
but
Aadesh
Srivastava
does
it
well
to
come
up
with
a
foot
tapping
number
that
has
a
catchy
appeal
and
doesn't
sound
bad
at
all.
Though
the
lyrics
are
quite
conventional
and
do
not
really
break
any
new
ground,
it's
the
voice
of
the
singing
pair
of
Aadesh
and
Alisha
that
maintain
a
good
energy
level
throughout.
Overall
a
fine
beginning
to
the
album!
On
seeing
Sukhwinder
Singh's
name
for
the
title
song
Rehguzar
that
comes
next,
one
feels
that
now
could
be
the
time
for
a
sensitive
outing.
There
is
a
good
built
up
to
before
the
song
actually
catches
pace
and
the
heavy
beats
accompany
the
lyrics
'Rabba
Rabba
Rehguzar'.
The
song
is
modestly
paced
along
with
a
good
rhythm
and
the
western
arrangements
give
an
up
market
feel
to
the
track.
Sukhwinder
Singh
sings
with
a
lot
of
heart
in
for
this
extremely
well
written
song
by
Nusrat
Badr
that
could
make
Gulzar
saab
proud.
One
of
the
best
songs
to
have
arrived
this
year
that
could
also
be
a
lounge
favorite,
it
could
alone
be
the
reason
to
go
for
the
album.
Play
it
on
while
on
a
long
drive!
The
way
'Pyaar
Bhara
Khat' begins
with
a
faint
sound
of
flute
in
the
background
along
with
an
'alaap'
in
a
male
voice,
you
are
sure
that
this
is
going
to
be
a
highly
melodious
track
to
come.
Well,
it
actually
is
a
sensitively
handled
song
that
is
about
the
feeling
of
those
who
have
just
received
a
letter
from
their
homes
far
away.
It's
amazing
to
see
how
the
quality
of
Aadesh's
music
just
gets
better
after
every
number
as
this
track
that
has
a
'ghazal'
feel
to
it
simply
hooks
you
on
to
its
melody.
Great
words
by
Nusrat
Badr
make
'Pyaar
Bhara
Khat'
come
pretty
close
to
the
feel
of
'Chitthi
Aayi
Hai'
[Naam]
and
'Sandese
Aate
Hain'
[Border].
This
is
a
number
that
deserves
to
be
heard
in
a
repeat
mode
for
catching
its
finer
nuances.
It's
time
to
get
simplicity
and
innocence
in
words
for
the
love
song
'Woh
Chand
Pe
Titli'.
Though
Udit
Narayan
is
in
his
romantic
self
as
always,
its
a
master
stroke
to
have
Shreya
Ghoshal
as
she
does
extremely
well
while
singing
in
her
sweet-n-saccharine
style.
The
music
flows
like
a
cool
breeze
and
fits
in
well
with
the
mood
of
the
rest
of
the
album.
A
melodious
track,
it
has
A.R.
Rehman
influences
when
it
comes
to
musical
arrangements
but
nevertheless
does
well
to
hold
on
its
own.
With
none
of
the
songs
being
disappointing
at
all,
one
keenly
looks
forward
to
hearing
the
remaining
two
songs
in
the
album.
First
to
come
is
'Meri
Bechainiyaan'
by
Shaan
and
Alka
Yagnik
which
is
as
close
as
it
gets
to
a
typical
Bollywood
score.
At
last
count,
one
must
have
heard
at
least
500
songs
based
on
this
tune
that
has
the
two
lovers
getting
all
passionate
and
excited
in
their
love
for
each
other.
Now
this
is
the
kind
of
track
that
Ram
Gopal
Verma
would
have
loved
to
make
a
parody
of
for
his
films
where
he
is
required
to
mock
at
the
conventional
song-n-dance
routine!
What
a
letdown
after
some
really
different
numbers
before
this
one!
Rehguzar
ends
on
a
devotional
note
with
Adnan
Sami
crooning
'Allah
Hu'
that
has
the
singer
doing
a
fine
job
as
he
sings
along
to
a
melodious
tune.
Rehguzar
has
at
least
two
numbers
that
are
good
enough
reasons
to
play
on
the
album
-
Title
song
and
'Pyaar
Bhara
Khat'.
Remaining
songs
[with
an
exception
of
'Meri
Bechainiyaan']
also
keep
your
interest
alive
while
the
album
is
played
and
that's
good
enough
for
a
film
that
is
coming
from
an
altogether
new
crew.
Though
Aadesh
was
good
in
Chingari,
he
was
surprisingly
lackluster
in
Saawan
-
The
Love
Season.
Now
he
comes
back
with
a
much
better
outcome
in
Rehguzar
-
The
Road
To
Destiny.