By:
Joginder
Tuteja,
IndiaFM
Tuesday,
October
17,
2006
While
the
debate
is
on
around
whether
Anu
Malik's
score
for
Umrao
Jaan
matches
up
to
the
class
of
Khayyam's
classic
score
in
the
namesake
flick
a
couple
of
decades
back,
the
soundtrack
of
Yatra
enters
silently.
Why
is
the
film
special?
For
three
reasons:
1.
The
film
has
music
by
Khayyam.
2)
The
film
stars
Rekha
as
a
coutesan
once
again
after
Umrao
Jaan.
3)
Nana
Patekar
is
in
the
lead
along
with
Rekha
and
hence
makes
the
casting
special.
Directed
by
acclaimed
Gautam
Ghose,
the
film
comes
from
the
production
house
of
Bipin
Kumar
Vohra
who
had
made
15
Park
Avenue
early
this
year.
Apart
from
Khayyam,
Ghose
too
handles
the
music
of
around
half
the
album.
With
a
niche
theme
like
Yatra
and
a
expectations
of
a
score
dipped
in
Indian
classical
music,
one
plays
on
the
album.
Well,
it
turns
out
that
the
album
is
indeed
hardcore
classical
and
is
aimed
only
at
a
minute
section
of
audience.
Asha
Bhonsle
crooning
for
Rekha.
Now
this
is
a
celebration
in
itself,
more
so
with
a
setting
like
Yatra.
A
'ghazal'
set
for
a
'mujra',
'Jaam-e-Mohabbat'
is
about
this
female
who
knows
about
her
beauty
and
the
power
she
has
that
never
fails
to
catch
the
attention
of
men
around
her.
Ahmed
Wasi's
writing
is
made
of
'sher-o-shayari'
that
will
be
appreciated
by
the
followers
of
this
genre.
Khayyam
keeps
his
composition
rooted
without
trying
to
go
the
filmy
route
and
hence
the
track
would
find
only
niche
followers.
Rekha
too
narrates
a
line
or
two
in
between
but
that
doesn't
excite
much
either.
Ahmed
Wasi
and
Khayyam
come
together
again
to
create
'Aap
To
Mere
Hi
Khwabon',
a
love
duet
by
Udit
Narayan
and
Alka
Yagnik.
While
the
tune
is
soulful,
the
musical
arrangements
tend
to
belong
to
50s
and
60s
kind.
One
feels
that
the
song
may
have
sounded
a
lot
better
only
of
modern
technology
could
have
been
used
to
pep
up
the
arrangements
while
keeping
the
tune
intact.
Talat
Aziz
is
heard
after
a
long
time
in
the
Hindi
movie
soundtrack
when
he
renders
'Saaz-e-Dil-Nagma-e-Jaan'.
His
class
is
visible
once
again
as
he
effortlessly
goes
ahead
with
this
complex
track
that
is
a
lot
more
than
just
being
semi-classical.
Written
by
Naqsh
Lyalpuri,
the
nuances
of
the
track
are
such
that
it
would
be
understood
and
picked
up
with
glee
only
by
a
select
few
who
are
followers
of
this
genre.
Meanwhile
for
those
who
love
conventional
music
from
Hindi
movies,
this
one
would
be
a
quick
skip.
In
fact,
so
far
the
album
proves
that
it
is
mainly
for
the
classically
inclined
and
has
little
or
nothing
for
conventional
music
followers.
Asha
Bhonsle
and
Khayyam
come
together
again
for
'Madhur
Madhur'.
The
song
has
a
'pahadi'
feel
to
it,
especially
with
the
sound
of
flute
in
the
background.
The
light
beats
accompanying
the
song
too
have
a
eastern
flavor
to
it
that
gives
the
song
a
Bengali/Assamese
touch.
Yet
another
track
with
classic
overtones,
this
one
written
by
Maya
Govind
is
poetic
all
the
way
and
would
be
followed
mainly
by
Hindi
literature
followers.
Now
where
does
this
come
from?
That's
the
first
thought
that
comes
in
mind
as
soon
as
heavy
bass
western
beats
are
heard.
To
top
it
up,
there
are
moans
and
groans
of
a
female
that
makes
one
check
the
CD
in
surprise
if
the
track
is
actually
a
part
of
the
film's
soundtrack.
Well,
it
actually
is
as
the
remix
version
of
Kabhi
Aar
Kabhi
Paar
is
heard
next!
Surprised?
Well,
even
we
were
but
one
gives
the
album
a
benefit
of
doubt
since
this
track
sung
by
female
singer
Jojo
may
be
for
a
situation
in
the
film.
Originally
composed
by
O.
P.
Nayyar,
for
the
remix
version
Goutam
Ghose
himself
pitches
for
the
music.
Simply
avoidable!
From
this
moment
on,
it
is
Goutam
Ghose
all
the
way
at
the
composer's
seat
with
each
of
the
tracks
being
traditional
and
hardcore
classical.
First
to
come
is
'Tadpe
Bin
Baalam'
which
is
a
'dadra'
and
rendered
by
Shuvra
Guha.
In
fact
she
is
heard
in
as
many
as
4
tracks
from
here.
Next
come
Ustad
Rashid
Khan's
'Garaje
Ghata'
and
'Biya
Biya',
a
'tarana',
which
are
again
traditional
tracks
and
strictly
for
those
who
understand
Indian
classical
music
to
the
finest
detail.
Keya
Acharya
sings
'Panchhi
Pinjre
Se'
which
can
be
given
a
hear
by
an
average
listener
since
it
is
more
of
a
song
rather
than
classical
rendition
and
hence
can
be
identified
to
some
extent.
Keya's
rendition
reminds
one
of
Rekha
Bhardwaj
who
again
is
a
pro
in
classical
rendition
and
has
a
similar
voice
and
style.
Shuvra
returns
with
'bhairon
thumri'
titled
'Dareja
Dareja'
which
was
originally
composed
by
Kunwar
Shyam.
Sound
of
'ghunghroo'
indicate
that
this
classical
track
is
for
the
'mujra'
setting
though
the
lyrics
are
of
the
kinds
that
are
difficult
to
be
understood,
let
aside
being
followed,
by
the
man
on
the
street.
She
also
croons
'pilu
thumri'
titled
'More
Ankhiyan
Bhool
Gayi'
and
also
pairs
up
with
Aditi
Bhattacharya
for
'Jaoji
Na
Karo',
a
'mishra
khamaj'.
Well,
the
result
is
just
the
same
as
the
tracks
preceding
them.
Unlike
Umrao
Jaan
where
Khayyam
did
have
a
few
chartbusters
up
his
sleeve,
with
Yatra
he
doesn't
take
any
leliency
to
come
up
with
a
crowd
pleasing
score
and
only
follows
the
movie's
genre.
Simply
stated,
Yatra
is
just
not
for
the
average
man
on
the
street
and
is
strictly
for
those
who
are
not
just
the
followers
of
Indian
classical
music
but
also
understand
such
music
to
the
minutest
details.