Aap Ka Suroor - Music Review
By:
Joginder
Tuteja,
IndiaFM
Monday,
April
30,
2007
Soundtrack
of
Aap
Ka
Surroor
-
The
Moviee
easily
qualifies
as
THE
most
awaited
album
of
the
first
half
of
2007.
Expectations
from
the
music
are
gargantuan
to
say
the
least
and
reasons
are
aplenty...and
not
quite
unknown
to
the
listeners.
a)
First
and
foremost,
it
is
nothing
short
of
an
acid
test
for
Himesh
Reshammiya
as
over
and
above
handling
the
music
and
singing
department,
he
also
turns
a
lead
actor
with
the
film
b)
Himesh
Reshammiya
and
Sameer
have
given
dozens
of
superhit
tracks
together.
Their
fans
would
settle
for
nothing
less
than
that
here.
c)
Lot
is
expected
from
the
choreography/picturisation
of
each
and
every
song.
After
all
director
Prashant
Chadha
is
the
man
who
made
Reshammiya
a
household
name
through
his
innumerous
music
videos.
d)
Off
late,
Reshammiya's
track
record
has
been
a
mixed
bag
with
a
mix
of
hit
and
not-so-popular
soundtracks.
Aap
Ka
Surroor
is
his
chance
to
silence
his
detractors
once
for
and
all.
e)
Last
but
not
the
least,
as
the
release
date
of
the
film
is
coming
nearer,
majority
of
media
seems
to
be
targeting
it
left,
right
and
center
for
no
rhyme
or
reason.
Now
the
ball
is
in
the
court
of
his
loyal
fans
to
decide
the
fortunes
of
his
dream
album.
Reshammiya greets listeners with 'Assalaam Vaalekum', a stage song where Reshammiya does what he is best at i.e. wear his trademark attire, bring mike close to his mouth and croon with an undisputed energy which is always witnessed when he is front of a live audience. A song in appreciation of the woman he loves, it is one of those rare Reshammiya numbers that takes more than just a couple of times to catch up on you.
While the 'sufi' element is present throughout the track, it is still left to the two mix versions, first a regular 'remix' followed by the 'dark' mix, which bring an altogether different mood to the song and give it a different attitude. Out of these two remixes, while the former is an entire song running with a different orchestra, latter is purely for the dance floor/lounge.
Though in last six months or so remix versions have been more of a nuisance rather than being an add-on, in case of 'Assalaam Vaalekum' it turns out to be a rare case of a remix salvaging an original and actually turning out to be a highlight of the album.
There is a brief 'aalaap' at the beginning of 'Tera Mera Milna', a well written track, which is just an opposite of 'Assalaam Vaalekum' when it comes to being easy on ears in the very first hearing. Those who are still not tired of accusing Reshammiya of having a nasal twang would have to rethink before making such a comment again since he is remarkably restrained for most part of the song.
A melodious track that has Shreya Ghoshal as Reshammiya's female partner and moves at quite a decent pace with just the right 'thehrav' and right dose of orchestra, 'Tera Mera Milna' is one of the best tracks of Reshammiya this year. Another fact to be noticed in this song is that 'antara' is much more impressive than the 'mukhda' which makes the song sound further interesting as one hears it in totality.
Just like 'Assalaam Vaalekum', even 'Tera Mera Milna' comes in two more versions - a 'regular' and a 'House' mix. Though the original stands tall in this case, if one has to choose between the two remixes, it would be 'House mix'. This is because it is not just an assortment of a consistent rhythm playing along but has some variety of shades provided at different junctures of the song to make the remix stand out.
Reshammiya and Shreya Ghoshal are heard once again in 'Jhooth Nahi Bolna' which turns out to be even better than the two numbers preceding it. This romantic track with a core Indian base to it only takes the album in the right direction since proceedings only seem to be getting better every five minutes.
There is an extensive use of 'tabla' and 'ghunghroo' in the song which reminds one of the Nadeem Shravan score of the mid-90s. The feeling is further strengthened when one senses the mood of 'Pardesi Pardesi' [Raja Hindustani] as the track progresses.
A high-on-orchestra track seemingly designed for the interiors audience, 'Jhooth Nahi Bolna' is what Bollywood songs have traditionally been made of and is surprisingly very un-Reshammiya! Well, one doesn't mind that at all since as a listener one now waits to hear something new from him now. There is absolutely no need for the remix version of a song like this and the same holds good for 'Jhooth Nahi Bolna' too, though the music company feels otherwise and hence the presence of an easy-to-skip 'remix' version here!
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