Anjaana Anjaani- Music Review
EXPECTATIONS
Ok,
so
the
music
of
much
hyped
Anjaana
Anjaani
is
finally
out
and
it
is
time
to
check
out
what
exactly
does
it
have
in
store.
Frankly,
the
way
makers
(Sajid
Nadiadwala
and
Siddharth
Anand)
have
chosen
to
call
Anjaana
Anjaani
a
true
blue
musical
of
just
2010,
the
expectations
have
soared
to
a
great
high.
Though
the
year
so
far
has
seen
some
good
musical
scores,
Anjaana
Anjaani
has
pitched
itself
quite
strongly
as
a
film
where
music
is
its
key
strength.
Now
this
by
itself
is
a
double
edged
sword
because
nothing
less
than
superb
is
expected
when
the
claims
are
so
high.
More
so
because
the
film
sees
Vishal
and
Shekhar
coming
together
with
Siddharth
Anand
again
after
Bachna
Ae
Haseeno
(very
good),
Ta
Ra
Rum
Pam
(decent)
and
Salaam
Namaste
(good).
Also,
music
in
Sajid
Nadiadwala's
films
(Housefull,
Kambakkht
Ishq,
Mujhse
Shaadi
Karogi,
Heyy
Babyy)
has
traditionally
gone
well
as
per
the
genre.
No
wonder,
as
a
listener,
you
want
to
see
the
music
progress
to
a
greater
height.
Whether
it
indeed
manages
to
do
that?
Let's
check
it
out.
MUSIC
It's
a
spirited
beginning
with
first
of
the
title
songs
in
the
album,
'Anjaana
Anjaani
Ki
Kahani'.
A
club
track,
it
is
a
peculiar
case
of
a
dance
number
that
doesn't
turn
out
to
be
an
instant
hit
with
a
listener
in
the
very
first
go.
However,
once
heard
a
couple
of
times
in
entirety,
this
Neelesh
Misra
song
grows
and
how.
Boasting
of
a
mix
of
Hindi
and
English
lyrics,
it
has
a
late
70s/early
80s
feel
to
it.
Call
it
a
coincidence
and
the
fact
that
it
is
picturised
on
Ranbir
Kapoor;
you
do
tend
to
draw
a
parallel
with
the
kind
of
dance
numbers
that
Rishi
Kapoor
was
seen
during
his
heydays.
Sung
with
a
lot
of
spunk
by
new
entrant
Nikhil
D'Souza
and
Monali
Thakur
(who
takes
a
totally
different
route
from
'Zara
Zara
Touch
Me'
-
Race
mood),
'Anjaana
Anjaani
Ki
Kahani'
should
find
itself
rising
up
the
popularity
chart.
The song which does require just one listening though to qualify as the top of the charts material is 'Hairat'. A high on energy, youthful, energetic and foot tapping track, 'Hairat' throws further surprise when you check out the singer behind the great job. It is Lucky Ali who is 50+ in age and still gets the kind of mood rolling which could make many a younger singers feel shy. Why doesn't he sing more often? A love song about life being beautiful with a great companion around, 'Hairat' (written by Vishal Dadlani) also stands up for its key word that has seldom been used in the world of Bollywood bound to become a definite chartbuster.
After an extended high energy outing comes a song that has Rahat Fateh Ali Khan at the helm of affairs. As has always been the case in album after album, presence of Rahat means that there would be something slow, subdued, subtle and soulful. This is exactly what one gets with 'Aas Paas Khuda' which does require a couple of listening before one settles down to the sound. Written by Vishal Dadlani with Shekhar Ravjiani adding to the chorus, 'Aas Paas Khuda' is about the protagonist being inspired to be positive and trust in the almighty. The treatment in fact has a Western touch to it though Rahat does his own stuff of staying in his 'sufi' zone. What works more though is the 'unplugged version' because with Rahat around, all you wish to listen to is his voice with nothing else around. In this version, there is Shruti Pathak around though one doesn't mind that.
It's back to fun and verve and the boyish charm in the voice makes one check out the credit details. As it turned out in case of 'Hairat', there is surprise yet again as the man behind the mike turns out to be Shekhar Ravjiani. He has to sing more often. Period. A young number which could well have been a Valentine Day special, 'Tumse Hi Tumse' one has a Vishal-Shekhar stamp to it when it comes to simplicity. Written by Amitabh Bhattacharya and Anvita Dutt with Caralisa Monteiro contributing with the English Lyrics and also as a singer for that portion, 'Tumse Hi Tumse' is a modern day romantic track for a lazy coffee outing.
While all fun and frolic is most welcome, one also looks forward to something truly classy that hooks you to the composition and admires its flow. This is something that one gets to hear in 'Tujhe Bhula Diya' which is not sad by any means despite being set for a sad outing. A lounge outing with Shruti Pathak doing a superb job with her folksy kick-start, 'Tujhe Bhula Diya' is a Mohit Chauhan number all the way as he gets the perfect mood for something that otherwise would have gone unnoticed as a 'dard-e-judaai' track. However, what makes 'Tujhe Bhula Diya' special is the fact that it is straight from the heart and has lyrics (by Kumaar and Vishal Dadlani) that would remain etched in memory, especially the key words in the title. The sufi touch that has been interspersed in this near five minutes song also has Shekhar Ravjiani chipping in and together, the team ensures that there is yet another winner in Anjaana Anjaani. No wonder, the 'remix version' is most welcome as well.
In most albums, there are at an average five songs. However, in Anjaana Anjaani there are seven full length songs with a couple of remixes that truly justifies the musical tag that it has lent to itself. The entertainment continues with sixth song - 'I Feel Good' - and one realises that you are indeed feeling good by the time this song appears. In fact this Vishal Dadlani sung and written number makes one wonder that this song could well have come at the very beginning of the album as well. Normally some of the relatively weaker songs make a late appearance in an album but listening to 'I Feel Good' makes one sure that the team here indeed chose some of the best compositions that they had in hand. With Shilpa Rao giving Vishal some good company here, 'I Feel Good' (which has been set as a Western teenage love song) turns out to be yet another good inclusion in the album.
The thought around 'weak v/s strong' songs further gets ignited with the arrival of the second title track in the album - Anjaana Anjaani. Really, this song written by Kausar Munir (with Irshad Kamil contributing with chorus lyrics) could well have been at the very top out there! One always had a question whether the team here could ever manage yet another 'Khuda Jaane' (Bachna Ae Haseeno)? Well, the answer is here in the form of 'Anjaana Anjaani'. Credit it to the fact that it is Shilpa Rao holding fort (yet again after 'Khuda Jaane') along with Vishal Dadlani and you know for sure that this one is indeed one complete album. This is the kind of track which has to be nurtured and though one may not sing it day in and night out, it can't be put off once it is on. Also, the oriental sound that does come intermittently is a nice touch too. Go for it!
OVERALL
Anjaana
Anjaani
is
a
fantastic
album
and
it
shows
in
each
and
every
song
that
makes
an
appearance
here.
This
one
has
a
classy
touch
all
through
with
a
mix
of
club
tracks
(Hairat,
Anjaana
Anjaani
Ki
Kahani)
and
soulful
songs
(Tujhe
Bhula
Diya,
Anjaana
Anjaani)
that
rock
the
show
in
a
big
way.
While
Vishal-Shekhar
can
pride
themselves
on
coming
up
with
something
that
justifies
a
certain
quality
that
one
expects
from
their
soundtrack,
the
makers
(Sajid,
Siddharth)
can
be
rest
assured
that
this
is
their
best
work
till
date.
With
the
kind
of
hype
that
has
preceded
the
album,
it
should
find
instant
attention
coming
its
way.
Once
played,
it
is
bound
to
grow
from
strength
to
strength
and
find
itself
right
up
at
the
top.
OUR PICK(S)
Hairat, Tujhe Bhula Diya, Anjaana Anjaani Ki Kahani, Anjaana Anjaani.