For
those
who
have
been
not
so
good
to
their
parents,
'Thavamaai
Thavamirundhu'
will
put
the
guilty
pangs
into
them.
Cheran
has
made
this
sentimental
film
in
a
sensitive
manner.In
Tamil
cinema
where
love,
arson,
comedy,
politics
and
philosophy
play
a
major
role,
this
film
speaks
about
the
ways
of
life,
its
ups
and
downs.
Rajkiran
runs
a
printing
press.
He
has
2
sons.
It
is
appealing
to
note
how
he
sweats
out
to
make
the
dreams
of
his
sons
come
true.
What
could
such
a
man
want?
That
his
growing
up
sons
will
take
over
his
burden
from
him.
That's
also
exactly
what
Rajkiran
wants.
But
all
sorts
of
problems
arise
and
grind
the
happiness
of
the
family
into
dust.
Where
it
all
will
end
can
be
seen
towards
the
climax
of
the
film.
Cheran
prepares
the
viewer
for
the
film
by
his
narration
in
a
black
and
white
background.He
plays
Rajkiran's
2nd
son.
As
Cheran
drives
to
the
hospital
to
visit
his
father,
Cheran's
growing
up
years
and
the
paths
he
has
taken
is
shown
as
a
flash
back,
as
if
going
back
down
memory
lane
-
for
all
of
3
hours
and
20
minutes.
Cheran's
film
usually
has
moving
scenes.
Even
if
one
is
determined
not
to
give
way
to
tears
and
sits
with
strong
resolve,
one
cannot
help
a
few
tear
drops
trickling
down
from
time
to
time.
Despite
this,
some
unnecessary
scenes
make
the
film
move
along
at
a
snail's
pace.
If
the
over
elaboration
of
the
college
days
saga,
Cheran-Padmapriya
song
scenes
and
job
seeking
endeavors
had
been
edited
compactly,
the
audience
will
feel
less
restless
and
fidgety.
Cheran
is
an
engineer
who
pulls
a
hand
cart...hero
heroine
tangling
under
the
sheets...one
did
not
expect
this
of
Cheran.
These
scenes
make
one
wonder
if
Cheran
is
also
scared
of
not
being
commercially
successful
otherwise.
Rajkiran
seats
his
younger
son
in
front
of
his
cycle
and
elder
son
behind
as
he
teaches
them
the
ways
of
life.
When
he's
on
his
death
bed,
he
asks
his
son
if
he
has
in
any
way
failed
to
deliver
anything.
Even
an
iron
heart
is
sure
to
melt
at
the
moving
portrayal.Rajkiran
has
proved
that
one
need
not
go
by
set
formula
that
a
hero
is
one
who
sings
duets
and
bashes
up
the
baddies.
The
portrayal
of
his
character
will
put
such
misconceived
notions
to
shame.
What
fabulous
body
language!
What
a
natural
way
of
acting!
Well
done,
Rajkiran!Next
to
Rajkiran,
Meenal
who
does
the
role
of
Cheran's
sister-in-law
is
to
be
commended.
She
does
a
realistic
portrayal
when
she
acts
up
with
her
in-laws.
You
burst
into
laughter
when
he
says,
"My
daughter
shall
be
named
Khushboo
only!"
Considering
the
hard
times
his
parents
have
gone
through,
Cheran
is
the
son
who
tries
to
make
it
up
to
them.
Heroine
Padmapriya
has
also
done
well
in
her
role
but
she
has
neither
the
face
nor
body
of
a
college
girl.
She
looks
more
like
an
elder
sister
to
Cheran!
Sharanya
who
has
acted
as
Cheran's
mother,
will
definitely
be
flooded
with
such
offers
in
future.
She
has
done
so
well.
When
she
sees
her
son
giving
his
wife
some
halwa,
Sharanya
asks
teasingly
if
she
does
not
deserve
some
halwa
too
-
sweet
acting
indeed!
For
the
first
time,
one
can
give
top
marks
to
background
music
by
Sabesh-Murali.
The
violin
and
veena
used
in
plenty
gives
good
atmosphere
for
the
sentimental
drama
happening
on
screen.
One
can
smell
the
village
fragrance
in
Snehan's
lyrics
for
'Oray
oru
oorukkul....'
The
realistic
story
line
should
be
commended
and
M
S
Prabhu
for
the
artistic
compositions
of
the
scenes
that
make
for
pleasant
viewing.
At
a
time
when
frivolous
topics
form
the
stories
of
most
contemporary
films,
Cheran
should
be
appreciated
for
taking
a
leaf
out
of
the
book
of
life
and
making
a
poem
on
celluloid.
He
deserves
national
recognition
for
his
efforts.