By:
Settu
Shankar
Tuesday,
April
17,
2007
Nowadays
there
are
two
categories
of
youngsters
living
in
the
urban
areas.
On
one
hand
there
is
a
group
of
students
hailing
from
the
rural
areas
in
and
around
the
campus
of
a
govt
college,
having
unfulfilled
dreams
and
the
other
category
is
of
the
sophisticated
white-
collared
IT
professionals.
This
film
is
primarily
meant
for
the
latter
category,
as
it
is
a
glitzy,
hi-tech
love
story,
a
brainchild
of
the
director
Jeeva.
This
category
of
rich
youngsters,
bereft
of
any
hardships,
lives
in
a
state
of
perpetual
euphoria
and
only
believes
in
love
and
merry-making.
They
don't
have
time
to
even
think
about
human
values.
Girls-Love-Friends-Pizza
huts-Pubs
are
the
Panchathanthiras
for
them,
and
they
lead
a
lavish
lifestyle.
The
ultimate
aim
of
such
people
is
to
fly
to
the
U.S.,
U.K.
or
Australia
after
completing
their
studies
in
India.
Director
Jeeva
is
the
true
representative
of
this
utopian
world
and
he
has
been
trying
to
prove
this
right
from
his
first
film
12
B.
He
is
only
bothered
about
the
young
guys
living
in
and
around
the
upmarket
ECR
or
the
Tidel
Park
area!
Unnale
Unnale
is
an
urban
romantic
story
which
revolves
around
a
young
software
engineer
and
two
beautiful
girls
who
come
into
his
life.
In
other
words,
the
story
looks
like
a
hi-tech
version
of
AVM's
Minsaara
Kanavu.
Many
of
the
scenes
have
been
lifted
straight
from
various
English
and
Hindi
movies,
but
the
craft
work
of
Jeeva
make
the
movie
watchable.
Vinay,
a
fun
loving
and
mischievous
software
engineer
and
Sada,
an
IT
professional,
fall
in
love
after
their
first
meet
at
a
temple.
But
soon,
after
many
rifts
between
them,
they
discover
that
they
are
not
made
for
each
other.
Vinay's
intolerable
links
with
girls
and
Sada's
unlimited
possessiveness
becomes
a
cause
for
their
separation.
One
day
Vinay
departs
for
Melbourne
regarding
some
work.
Tanisha,
a
bubbly
and
a
fun
loving
girl
introduces
herself
to
him
during
the
flight
and
both
get
closer
towards
the
end
of
their
journey.
Unexpectedly,
he
meets
Sada
at
the
Melbourne
airport,
where
the
latter
has
come
to
receive
Tanisha.
After
knowing
all
the
facts
about
Vinay
and
Sada,
Tanisha
tries
to
patch
up
the
differences
between
the
two
former
lovers.
But
her
efforts
go
in
vein.
At
the
same
time
she
slowly
falls
in
love
with
Vinay.
Finally,
Sada
takes
a
decision
to
end
the
drama.
Do
the
lovers
rejoin
again?
What
happens
to
Tanisha?
See
the
answers
on
the
silver
screen.
Nowadays
there
is
an
unwritten
rule
for
the
role
of
a
city
based
hero.
He
should
be
tall,
and
have
dirty
looks
with
a
3
days
unshaven
face.
He
should
have
at
least
half
a
dozen
girl
friends
around
him
to
have
fun
with.
A
new
face,
Vinay,
perfectly
reflects
the
same
attitude,
and
establishes
himself
as
the
representative
of
modern
youth,
an
IT
geek.
In
appearance,
he
is
a
mixture
of
Madhavan
and
Surya,
and
is
very
apt
for
this
subject.
However,
he
should
concentrate
more
on
his
dialogue
delivery.
But
who
cares
about
this?
Kollywood
never
bothers
about
the
language
proficiency
of
any
hero
who
enters
the
tinsel
World.
Can
anybody
expect
this
gesture
from
any
of
the
other
southern
filmdoms?
In
fact,
knowing
Tamil
perfectly
is
considered
a
disqualification
for
a
hero
by
few
directors
like
Jeeva!
Sada
is
playing
the
role
of
the
lead
lady
after
a
gap
and
steals
the
show
as
the
possessive,
self-centered
working
woman
of
today,
who
knows
what
she
wants
in
life.
She
has
done
full
justice
to
her
character
and
her
looks
also
cheer
the
audiences.Tanisha
plays
the
role
of
Deepika
and
suits
well
in
her
role.
She
is
a
perfect
reflection
of
modern
girls.
Raju
Sundaram
and
Srinaath
also
appear
in
some
scenes
and
try
to
provide
some
comic
relief.
Cameraman
Jeeva
outperforms
Director
Jeeva
in
many
scenes.
He
has
shoot
the
locales
of
Melbourne
beautifully,
and
serves
an
unforgettable
feast
for
the
viewer's
eyes.
The
music
scored
by
Harris
Jayaraj
is
quite
forgettable
for
the
normal
viewers.
But
two
of
the
5
songs
can
be
enjoyed
only
if
the
theater
has
a
good
sound
system;
otherwise
they
would
sound
very
jarring
to
the
ears.
Unnale
Unnale
particularly
targets
the
migrant
youth,
not
the
sons
of
the
soil.
But
unfortunately,
the
box-office
success
is
largely
determined
by
the
latter
category
only.
Banner:
Oscar
Movies
Cast:
Vinay,
Sada,
Tanisha,
Raaju
Sundaram
Music:
Harris
Jayaraj
Photography,
Screenplay,
Dialogues
and
Direction:
Jeeva
Verdict:
Far
from
the
local
culture,
and
strictly
for
urban
youth