The
stories
on
the
in-fights
or
the
ego
clashes
of
cinema
makers
is
not
new
to
Tamil
viewers.
We
are
experienced
with
stories
that
revolve
around
some
hard
working
but
unsuccessful
filmmakers
right
from
the
days
of
Sarvar
Sundaram.
That
is
why
Prakash
Raj's
remake
of
Malayalam
hit
Udhayananu
Tharam
hasn't
make
any
impact.
First,
an
artist
or
filmmakers
like
Prakash
Raj
must
realize
the
fact
that
cinema
is
a
mass
media
which
is
loved
by
everyone
just
because
it
creates
fun
for
the
people.
Every
art
should
be
made
for
and
to
keep
the
people
happy.
If
the
public
disagree
with
or
neglect
an
art,
definitely
there
is
some
thing
wrong
in
its
making
or
at
least
in
its
marketing
technique.
Right
from
the
first
scene
Prithviraj
and
Prakash
Raj
argue
about
good
cinema.
It's
difficult
to
understand
the
parameter
they
are
using
to
measure
a
good
cinema!
And
regarding
Udhyananu
Tharam,
the
original
of
Vellithirai
may
be
a
fresh
attempt
for
its
Malayalam
viewers.
But
we
had
seen
many
classics
like
Kallukkul
Eeram
or
Thavani
Kanavugal
which
speak
more
on
cinema
earlier.
So
there
is
nothing
new
in
Vellithirai.
Here
goes
the
story-
The
film
depicts
the
struggles
of
a
script
writer
aspiring
to
make
it
big
but
is
thwarted
in
his
attempts
by
a
cunning
friend
who
steals
his
script
to
become
a
superstar!
Saravanan
(
Pritviraj)
is
a
struggling
scriptwriter
and
has
been
an
assistant
to
big
directors
in
the
industry.
He
is
honest,
hard-working,
disciplined
and
a
do-gooder
to
friends
and
struggling
junior
artistes.
Looking
for
a
good
chance
to
expose
his
talents,
he
completes
a
script
for
his
maiden
film
which
he
considers
as
the
best
launch
pad.
Kannaiya
(Prakashraj),
a
middle
aged
friend
of
Saravanan
always
looking
for
a
chance
to
play
hero
requests
him
to
provide
a
place
to
stay
for
a
while
as
he
was
thrown
out
by
his
house
owner
due
to
non
payment
of
rent.
After
knowing
that
Saravanan
is
going
to
direct
his
debut
film,
he
requests
to
cast
him
as
the
hero
of
the
movie.
But
Saravanan
refused
with
some
hard
words.
One
day,
frustrated
Kannayya
steals
Saravanan's
script,
makes
a
photo
copy
and
registers
it
in
his
name
and
approaches
a
leading
producer
(Sarath
Babu).
The
producer
takes
him
to
a
top
director
(Pratap
Pothen).
Initially
they
plead
with
him
to
cast
a
saleable
hero,
but
Kannayya
insists
that
if
his
script
has
to
be
used,
he
has
to
be
the
hero.
So
they
reluctantly
make
him
the
hero
of
the
film.
Kannayya
immediately
changes
his
name
to
Dilipkanth
and
become
a
self
superstar.
Later,
Saravanan
comes
to
know
about
the
treachery
of
Kannaiya,
but
he
just
wants
to
forget
the
episode.
As
expected,
Dilipkanth's
first
film
becomes
a
super
hit
and
subsequently
the
middle
aged
hero
starts
doing
all
the
nonsense
to
get
a
larger-than-life
image.
Meanwhile,
leading
actress
Maithili
(Gopika)
falls
in
love
with
Saravanan.
The
actress'
greedy
brother
tortures
them
but
they
got
married.
Now,
Saravanan
is
forced
to
fight
against
poverty
along
with
his
beautiful
wife.
His
ego
does
not
allow
him
to
get
a
director
or
hero
by
using
the
name
of
his
beautiful
actress
wife.
A
peeved
Saravanan
now
takes
up
a
job
as
a
taxi
driver
which
is
humiliating
to
Maithili
who
walks
out
on
him.
The
same
producer
who
gave
Dilipkanth
his
first
break
and
made
him
a
star
now
offer
Saravanan
a
chance
to
direct
a
film
but
on
a
condition
that
he
ropes
in
with
Dilipkanth
in
the
lead.
After
the
advice
of
the
producer,
Saravanan
realises
that
there
is
no
permanent
friend
or
foe
in
the
industry,
he
compromises
and
pays
a
courtesy
visit
to
the
actor.
But
the
evil
and
petty
minded
Dilipkanth
decides
to
make
life
miserable
for
Saravanan
during
the
making
of
the
film
and
in
the
end
walks
out
without
doing
the
climax
scene!
How
Saravanan
manages
the
situation
and
releases
his
film
makes
an
interesting
climax.
Prakash
Raj
is
the
hero
and
in
many
scenes
he
proves
his
dominance
and
excellence
in
handling
the
role.
Prithviraj
underplays
his
character
as
an
upcoming
film
director.
Gopika
is
not
fit
for
the
role.
In
few
scenes,
her
looks
are
dark
and
bad.
In
the
remaining
scenes,
she
is
in
Saroja
Devi
style
with
poor
costumes.
M.S
Bhaskar,
Sathyan,
Charlie,
Lakshmi
Rai,
Pratap
Pothen
and
Sampat
Raj
are
all
fine
in
the
supporting
cast.
The
music
of
G.V
Prakash
doesn't
promote
the
film
at
any
stage.
It
is
a
surprise
why
people
always
encourage
him,
as
he
always
come
up
with
immature
tunes
with
improper
orchestration.
Camera
of
M.V.
Paneerselvam
and
K.V
Guhan
are
eye
catching.
As
a
dialogue
writer
Viji
is
OK,
but
as
a
director
he
has
to
learn
more
from
the
veterans
whom
he
criticized
in
this
film
to
make
a
mass
entertainer.
Verdict:
Average
Cast:
Prakash
Raj,
Prithviraj,
Gopika,
Sarath
Babu,
Prathap
Pothen,
Lakshmi
Rai
Music:
G.V.Prakash
Kumar
Camera:
M.V.Panneer
Selvam-
K.V.Guhan
Written
and
Directed
by:
Viji
Producer:
Prakash
Raj,
Mosebaer
and
Mirchi
Movies