SS
Rajamouli
was
once
criticised
for
poor
graphics
in
his
Telugu
movie
Chatrapati
but
unlike
other
filmmakers,
who
never
admit
the
flaws
in
their
films,
Rajamouli
accepted
his
mistakes
and
assured
that
it
would
never
happen
in
his
films
again.
Then
came
Magadheera
(Maaveran
in
Tamil)
and
the
rest
is
history!
Now,
he
has
taken
his
passion
for
animation
to
the
next
level
in
Naan
Ee,
a
Tamil
version
of
Eega,
where
a
fly
plays
one
of
the
leads.
And
the
result
of
this
movie
is
that
it
has
turned
out
to
be
a
techno-graphical
extravaganza.
S
Vijayendra
Prasad,
the
father
of
SS
Rajamouli,
begins
the
proceedings
by
narrating
the
story.
Sudeep
(Sudeep),
a
womaniser
and
businessman,
sets
his
eyes
on
micro
artist
Bindu
(Samantha),
who
is
on
the
verge
of
falling
in
love
with
Nani
(Nani).
In
order
to
get
into
a
relationship
with
Bindu,
Sudeep
donates
money
to
her
non-profit
organisation.
As
he
builds
the
friendship,
he
comes
to
know
that
she
has
started
liking
Nani.
This
makes
Sudeep
to
ruthlessly
kill
Nani,
who
will
be
reborn
as
a
fly
to
seek
revenge.
Then,
the
fly
gives
him
a
hard
time
and
attempts
to
kill
him
through
different
ways.
Meanwhile,
Bindu
also
realises
that
Nani
was
killed
by
Sudeep
and
helps
the
fly
in
its
mission.
What
happens
next
should
be
seen
on-screen.
On
the
story
part,
it
is
not
a
great
tale,
as
it
runs
on
predictable
lines
but
the
concept
of
a
fly
taking
revenge
backed
with
fantabulous
CGI
works
would
remain
as
a
landmark
film
in
Indian
film
industry.
SS
Rajamouli
has
successfully
brought
his
imagination
on-screen.
What
is
more
interesting
is
that
he
narrates
the
story
without
a
boring
moment
in
Naan
Ee.
However,
the
only
drawback
of
the
movie
is
the
absence
of
regular
mass-masala
elements,
which
may
not
go
well
with
a
section
of
audience.
Next
comes
Sudeep,
who
leaves
one
totally
spell
bound
with
his
acting.
It
is
difficult
to
imagine
a
fly
and
perform,
but
he
has
amazingly
acted
without
giving
a
clue
to
the
audience
that
there
was
nothing
before
him.
In
fact,
he
outperforms
his
co-stars.
Samantha
is
good
and
has
given
her
best.
Nani,
though
limited
role,
impresses
audience
as
a
lover
boy.
Santhanam
has
done
a
cameo.
Naan
Ee
is
a
technically
brilliant
movie.
Firstly,
KK
Senthil
Kumar
has
done
a
marvellous
job
behind
the
camera
and
he
gets
full
marks
for
it,
MM
Keervani
has
given
excellent
songs,
Ravindar's
art
is
praise
worthy,
and
Kotagiri
Venkateswara
Rao's
editing
is
neat.
Finally,
SS
Rajamouli,
who
has
taken
out
best
from
his
team,
has
proved
again
why
he
is
called
one
of
the
best
directors
in
South
India.
Undoubtedly,
his
experimental
movie
will
win
him
a
lot
of
laurels
in
the
days
to
come.