Within
a
span
of
two
weeks,
Tamil
cinema
has
witnessed
two
films.
Aadhalal
Kadhal
Seiveer
(AKS)
and
Ponmaalai
Pozhudhu
(PP)
-
addressing
a
more
or
less
similar
issue
openly.
Both
the
films
pretty
much
deal
about
the
attitude
of
modern-day
youth
in
love,
friendship,
sex
and
their
relationship
with
their
parents.
The
film
highlights
the
thin
line
that
divides
infatuation
and
love.
It
highlights
how
an
increasing
number
of
today's
youngsters
consider
infatuation
and
love
as
one
and
the
same.
Simultaneously,
the
film
also
focuses
on
the
role
of
parents
in
their
child's
upbringing,
especially
their
teenage
sons
and
daughters.
I
loved
the
fact
that
the
film
subtly
gives
more
importance
to
parenting
than
merely
focussing
on
the
teenage
romance
of
its
protagonists.
It
points
out
that
most
youngsters
resort
to
doing
what
they
are
not
supposed
to
do
since
they
have
been
opposed
by
their
parents.
It
instantly
reminds
us
of
our
days
as
youngsters
and
when
we
did
things
that
were
considered
taboo
by
our
parents.
Aadhav's
father
is
an
understanding
parent
who
satisfies
every
small
need
of
his
growing
son,
while
Gayathrie's
father
doubts
every
action
of
his
teenage
daughter.
Unfortunately,
PP
lets
its
viewers
down
with
a
flawed
execution.
The
time
it
spends
to
make
its
lead
characters
understand
their
emotions
and
come
to
terms
with
themselves,
is
a
long
wait
and
so
not
worth
it.
One
wishes
the
film
was
shorter.
The
songs
could
have
been
done
away
with
as
they
were
not
just
a
distraction,
but
a
complete
turn
off.
Continue
reading
the
review
on
slides...
Aadhav's
Performance
A
young
face
to
do
youth
roles
in
upcoming
Tamil
movies.
Aadhav
seems
to
be
a
good
son
for
Kishore
than
a
good
beau
for
Gayathrie.
Gayathrie's
Performance
Gayathrie
has
improved
a
lot
compared
to
her
previous
flicks.
They
both
hit
it
off
as
an
aimless
young
pair,
but
miss
the
energy
to
create
ripples
with
their
performances.
Supporting
Role
Kishore
and
Anupama
Kumar
as
Aadhav's
parents
are
the
best
characters
in
the
entire
film.
Scenes
between
them
were
a
treat
to
watch,
while
the
scenes
featuring
Kishore
and
Aadhav,
despite
being
melodramatic,
were
powerful.
Direction
To
underline
the
importance
of
parenting,
director
AC
Durai
creates
two
extremely
opposite
father
characters
of
the
boy
and
girl,
respectively.
PP
despite
trying
to
not
sound
preachy,
it
fails
to
keep
the
audiences
hooked
due
to
its
dragged
narration.
Music
Music
by
C
Sathya
doesn't
even
qualify
to
be
called
average.
The
jarring
background
score
only
added
to
the
woes
of
the
viewers,
who
were
already
bored
by
the
film's
narration.
Verdict
Ponmaalai
Pozhudhu
is
a
lazy
attempt
on
a
theme
that
needed
mature
performances
and
equally
good
screenplay.
Sadly,
the
movie
would
only
be
remembered
for
its
flaws
even
though
it
has
some
plus
points.