After
giving
a
moderate
hit
like
Tata
Birla
Madhyalo
Laila,
Soma
Vijaya
Prakash
and
Bekkem
Venugopal
joined
together
to
remake
a
successful
Tamil
entertainer
En
Purushan
Kuzhanthai
Madiri,
as
it
would
suit
the
Telugu
nativity.
Raja
Vannemreddy,
who
is
known
for
bringing
out
such
family
entertainers
(like
Aadivaram
Aadavallaku
Selavu),
was
roped
in
as
director
and
the
film
was
brought
out
with
relatively
not
so
busy
artistes
like
Sivaji
and
Meera
Jasmine,
while
Sangeetha,
who
was
off
from
the
Telugu
screen
for
quite
some
time,
got
an
opportunity
to
make
a
come
back
through
the
movie
as
the
second
heroine.
Though
the
film
is
claimed
to
be
a
comedy
or
melodrama,
it
has
other
elements
like
sentiment
and
property
disputes
between
stepbrothers.
Bullabbayi
(Sivaji)
and
Veerababu
(Subbaraju)
are
stepbrothers.
Bullabbayi's
father
(Prasadbabu)
accidentally
helps
a
woman
and
has
an
extra-marital
relationship
with
a
woman
and
helps
Veerababu,
but
the
latter
goes
to
court
that
he
too
has
a
share
in
the
ancestral
property.
In
an
altercation
with
Veerababu,
his
father
dies
but
the
case
continues
to
run
in
the
court.
On
the
other
hand,
Bullabbayi
is
in
deep
love
with
his
sister-in-law
(maradalu)
Rajeswari
(Meera
Jasmine),
who
completes
her
graduation
in
the
nearby
city,
though
Bullabbayi
does
not
have
good
education.
However,
Bullabbayi
is
so
nice
gentleman
that
he
does
not
dare
to
see
any
girl
or
woman
as
he
wants
to
be
so
pious
to
marry
Rajeswari.
Learning
this,
Rajeswari
agrees
to
marry
him.
At
this
juncture,
Bullabbayi
helps
a
street
dancer
Chintamani
(Sangeeta)
from
getting
sold
to
Veerababu
only
to
be
a
step
ahead
of
him.
After
releasing
Chintamani,
he
takes
her
to
his
outhouse
and
tells
her
to
leave
the
place
and
lead
a
happy
life
of
her
choice.
The
same
night
Veerababu's
men
attack
Bullabbayi
and
after
thrashing
them,
he
decides
to
kill
Veerababu
in
a
fit
of
anger.
In
a
bid
to
stop
his
attempt,
Chintamani
seduces
him
and
in
an
inebriated
condition,
he
commits
an
indiscretion.
Bullabbayi
immediately
goes
to
his
uncle
and
also
the
father-in-law
(Chandramohan)
and
confesses
everything
and
asks
him
to
stop
the
marriage,
but
he
refuses
to
do
so
as
it
would
affect
Rajeswari's
life
and
their
family
prestige
goes
down.
After
marriage,
Bullabbayi
confesses
the
same
to
Rajeswari,
who
refuses
to
continue
the
marital
life.
After
a
few
days,
Rajeswari
realises
her
folly
as
the
innocence
of
Bullabbayi
impresses
her.
They
lead
a
happy
marital
life
and
Rajeswari
turns
pregnant.
Same
is
the
case
with
Chintamani,
who
too
turns
pregnant.
On
learning
this,
Veerababu
plans
to
turn
the
situation
to
his
favour.
Bullabbayi
has
no
choice
but
to
look
after
the
pregnant
Chintamani.
To
satisfy
her,
Bullabbayi
takes
her
to
a
temple
and
Rajeswari
notices
it
and
again
the
situation
turns
to
square
one.
The
judgement
comes
in
favour
of
Bullabbayi
and
this
irks
Veerababu.
When
Chintamani
decides
to
leave
the
village
but
comes
to
know
that
Veerababu
plans
to
kill
Rajeswari's
son.
In
a
bid
to
rescue
that
boy,
Chintamani
loses
her
life.
This
brings
change
in
Veerababu
and
he
turns
a
friend
to
Bullabbayi
and
the
film
ends
on
a
happy
note.
PLUS:
All
the
lead
artistes
including
Sivaji,
Meera
Jasmine,
Subbaraju
and
Sangeeta
have
lived
upto
the
expectations
and
done
complete
justice
to
their
respective
roles.
Sivaji
is
used
to
do
such
roles.
(Such
kind
of
roles
are
the
pet
of
Srikanth
sometime
ago).
He
has
done
complete
justice
and
perfectly
showed
innocence
in
his
face
and
body
language.
His
comedy
timing
while
boozing
is
excellent.
Meera
Jasmine
has
done
justice
to
her
role
as
a
housewife,
who
is
so
caring
and
sensitive
to
issues
related
to
her
married
life.
Sangeeta
has
also
done
a
fine
job
and
her
character
had
a
lot
of
scope
for
performance.
Subbaraju,
who
played
a
negative
role
also
fine
in
his
character.
Chandramohan,
Annapurna
and
others
are
okay
in
their
respective
roles.
Comedy
by
Venumadhav,
Satyam
Rajesh
and
others
is
adequate.
As
the
story
is
quite
delicate,
the
entire
film
mostly
depended
on
the
movement.
Raja
Vannemreddy
followed
the
screenplay
of
the
original
strictly.
Especially,
the
climax
was
quite
unimaginative
and
the
director
needs
to
be
complimented
in
this
regard.
Dialogues
by
Rajendrakumar
are
good
in
parts.
MINUS:
The
story
is
being
a
family
melodrama,
the
director
should
have
taken
more
precaution
in
elevating
the
love
and
romance
between
the
hero
and
heroine.
The
etching
of
second
heroine's
character
should
have
been
a
little
more
better,
though
it
appears
adequate.
Despite
having
good
comedy
and
entertainment
values,
the
film
doesn't
have
mass
masala
to
suit
the
taste
of
mass
audiences
and
the
director
targeted
only
the
family
audiences.
Moreover,
there
are
not
many
scenes
that
could
attract
the
youth
or
college
going
children
as
the
hero
always
wanted
to
be
sincere
and
innocent.
MM
Srilekha
once
again
used
copy
tunes
for
her
songs.
One
of
the
songs
was
the
remix
of
a
hit
song
of
yesteryears
'Bavalu
Sayya…'.
Background
score
was
also
not
very
impressive.
REMARKS:Raja
Vannemreddy
once
again
came
out
with
a
clean
family
entertainer,
but
the
commercial
success
of
the
film
depends
on
how
many
families
get
attracted
to
the
theatre.
Unless
the
film
gets
good
publicity
and
mouth
publicity,
the
success
of
the
movie
is
really
in
limbo.
Cast:
Sivaji,
Meera
Jasmine,
Sangeeta,
Subbaraju,
Venumadhav,
Chandramohan,
Soma
Vijayaprakash,
Annapurna,
Anuradha,
and
others.
Credits:
Music
–
Srilekha,
Lyrics
–
Bhaskarabhatla,
Dialogues
–
Rajendrakumar,
Editing
–
Nagireddy,
Presenter
–
Mamidisetti
Srinivas,
Co-Producer
–
Prashant,
Executive
producer
–
Soma
Vijaya
Prakash,
Producer
–
Bekkem
Venugopal,
Screenplay
and
direction
–
Raja
Vannemreddy
Banner:
Lucky
Media