Posani
Krishna
Murali
has
penned
scripts
for
several
successful
films,
highlighting
the
social
problems
of
the
day.
He
turned
a
director
with
Sravana
Masam.
His
latest
venture
Mental
Krishna
places
the
audience
in
an
embarrassing
situation
by
portraying
how
a
husband
harrases
his
wife
and
later
justifies
everything
in
the
climax
as
an
act
to
unite
lovers.
Muddu
Krishna
(Posani
Krishnamurali),
the
only
son
of
a
big
industrialist
(Ranganath)
is
dressed
up
as
a
girl,
as
his
parents
are
fond
of
girl
children.
He
develops
a
set
mentality
and
wants
to
marry
a
girl
who
refuses
him
and
not
one
who
likes
him.
The
obvious
reason
is
that
they
do
so
only
for
his
property.
Satya
(Satyakrishnan),
the
daughter
of
an
industrialist
(Giribabu)
falls
in
love
with
a
milk
supplier,
who
earns
a
seat
at
an
International
School
of
Business.
But
does
not
stop
his
milk
supplying
job.
At
this
juncture,
Muddu
Krishna
proposes
to
Satya
who
refuses
him.
Satya's
family
agree
to
her
alliance
with
the
milk
boy.
However
the
alliance
is
broken
due
to
some
family
problems
from
the
boy's
side.
Muddu
Krishna's
mother
convinces
Satya
and
her
family
and
gets
her
married
to
her
son.
Right
from
the
day
one,
Muddu
Krishna
harasses
Satya.
He
declares
that
he
is
impotent
and
accuses
Satya
for
cheating
him.
It
goes
to
an
extent
of
making
her
take
a
virgin
test.
One
day,
Muddu
Krishna
asks
Satya
to
bed
his
friend
(Brahmaji)
so
that
he
would
get
a
child.
This
forces
Satya
to
return
to
her
father.
In
the
climax,
Muddu
Krishna
calls
the
media
and
accuses
Satya
of
her
extra-marital
relation
with
the
milk
vendor.
At
this
juncture,
Satya's
father
and
brother
admit
that
they
had
separated
Satya
and
her
lover.
Now
they
get
Satya
separated
from
Muddu
Krishna
and
marry
her
off
to
her
lover.
Muddu
Krishna's
father
then
reveals
that
it
was
a
drama
enacted
by
Muddu
Krishna
to
unite
the
lovers.
He
reveals
that
all
this
was
done
to
convince
the
boy
of
Satya's
virginity
as
Muddu
Krishna
is
impotent.
The
film
ends
on
a
happy
note
with
Muddu
Krishna
blessing
the
couple.
PLUS:
Krishnamurali
has
given
a
nice
performance,
so
as
Satyakrishnan.
The
entire
movie
revolves
around
these
two
characters.
With
Krishnamurali
himself
directing
the
movie,
he
had
a
clear
vision
on
how
the
character
should
behave
and
he
has
done
complete
justice
to
his
role.
Satyakrishnan,
who
has
not
got
an
opportunity
to
play
heroine
has
got
the
chance
to
play
solo
heroine
and
has
utilized
it
well.
The
writer-turned-director
has
prepared
a
nice
storyline
but
while
expanding
the
story,
he
has
chosen
to
spend
more
time
on
unnecessary
things.
The
only
notable
point
as
far
as
technical
features
are
concerned
is
the
use
of
steady
cam
to
shoot
the
entire
film
without
going
for
any
other
cameras.
MINUS:
The
director
has
miserably
ignored
the
entertainment
part
in
the
film.
While
using
histrionics
in
harassing
his
wife,
it
appears
embarrassing
to
the
audiences.
The
purpose
of
keeping
comedians
like
MS
Narayana,
Brahmanandam
and
others
is
not
known.
Likewise,
Nagababu's
police
commissioner
appears
unnecessary.
The
director
has
gone
a
little
overboard
in
a
bid
to
unite
lovers.
There
is
absolutely
no
need
to
harass
a
woman
mentally
and
torture
her
to
such
an
extent.
Moreover,
the
director
did
not
establish
the
love
between
the
heroine
and
her
lover
properly
as
well
REMARKS:
Directing
a
film
is
like
a
penance.
Everyone
cannot
direct
films.
Being
a
writer
is
not
a
qualification
to
become
a
director.
A
director
should
have
a
grip
on
all
the
24
crafts
in
the
film
industry.
Mere
capability
to
pen
a
story
and
screenplay
won't
serve
the
purpose
all
the
time.
It
would
be
better
that
writers
like
Krishnamurali
just
write
scripts
and
not
test
their
hands
in
direction.
Cast:
Posani
Krishnamurali,
Satyakrishnan,
Nagababu,
Kota
Srinivasa
Rao,
Brahmanandam,
MS
Narayana,
Giribabu,
Ranganath,
Dharmavarapu
Subrahmanyam,
Raghubabu,
Sivaji
Raja,
Brahmaji,
Prabhakar,
Pragati,
Delhi
Rajeswari,
Surekha
Vani,
and
others.
Credits:
Music
–
Vandemataram
Srinivas
Camera
–
Gadiraju
Srinivas
Editing
–
Mohan-Rama
Rao
Art
–
Babji
Producer
–
Mohan
Vadlapatla
Story,
screenplay,
dialogues
and
direction
–
Posani
Krishnamurali.