Courtesy:
IndiaFM
Monday,
February
27,
2006
We
all
know
Ram
Gopal
Varma's
latest
production
Darna
Zaroori
Hai
is
going
to
hit
the
theatres
soon
and
you
might
ask
what's
different
about
the
film.
Well,
the
one
thing
that
sets
this
film
apart
is
its
episodic
format.
We
saw
its
predecessor
Darna
Mana
Hai
give
a
fresh
taste
of
film-making
to
Bollywood.
Though
the
film
did
not
set
the
cash
registers
jingling,
it
did
however
generate
quite
a
lot
of
curiosity.
What
is
an
episodic
film?
Well,
an
episodic
film
comprises
of
a
number
of
different
chapters
that
run
parallel
to
each
other
and
merge
to
a
common
climax.
Each
episode
is
an
independent
story
or
sub-plot
that
is
usually
unconnected
to
the
other
episodes
in
the
film
until
the
climax.
Like
in
Darna
Mana
Hai,
we
saw
a
bunch
of
friends
scaring
each
other
where
each
one
had
a
frightening
story
of
their
own
to
narrate.
Each
story
was
unrelated
to
the
other
in
any
sense
and
it
was
only
in
the
climax
that
the
friends
and
the
fear-factor
correlated.
And
while
Darna
Mana
Hai
was
a
noticeable
film
with
an
episodic
format,
not
many
might
know
that
it
wasn't
the
first.
It
all
started
in
1957,
when
the
great
storyteller
Hrishikesh
Mukherjee
debuted
with
Musafir.
The
film
was
about
a
house
owner
who
lets
tenants
into
his
house.
Each
tenant
has
their
own
story
to
say
before
they
leave.
Suchitra
Sen
is
the
part
of
a
runaway
couple
who
are
the
first
tenants.
Kishore
Kumar
is
amongst
the
second
set
of
tenants
while
Dilip
Kumar
with
Usha
Kiran
forms
the
third
set
of
the
paying
guests.
Decades
later
came
Suraj
Ka
Satvan
Ghoda
by
Shyam
Benegal
in
1993.
The
film
was
laid
out
in
three
different
parts
in
which
the
protagonist
played
by
Rajit
Kapoor
has
romantic
involvements
with
women
of
different
social
strata
-
the
lower,
middle
and
the
upper
class.
Benegal
did
a
beautiful
job
with
interlinking
the
separate
stories.
He
also
tried
a
similar
format
years
later
for
his
film
Hari
Bhari
where
he
had
woman
in
roles
of
daughter,
mother
and
grandmother
from
the
same
family
narrating
their
life-stories.
K.
Bikram
Singh's
Tarpan
in
1994
presented
a
series
of
inter-related
incidents
in
the
form
of
four
stories
which
initially
appear
as
individual
disputes
between
members
of
different
communities
having
different
means
of
livelihood
and
different
life
styles,
but
eventually
merge
into
a
single
story
of
a
communal
holocaust.
The
film
starring
Om
Puri
and
Revathy
was
jointly
produced
NFDC
and
Doordarshan.
One
of
the
most
interesting
episodic
films
of
all
time
comes
from
Hollywood
in
the
form
of
Quentin
Tarantino's
Pulp
Fiction
(1994).
The
star
cast
comprising
of
major
stars
like
John
Travolta,
Samuel
L.
Jackson,
Bruce
Willis,
Uma
Thurman
and
Tarantino
himself
created
a
really
new
style.
Not
only
was
it
episodic
but
also
the
screenplay
was
in
a
non-linear
format.
Precisely
one
of
the
reasons
why
we
see
John
Travolta
alive
and
kicking
25
minutes
after
he
was
shot
dead.
Pulp
Fiction
due
to
its
innovativeness
is
considered
one
of
the
best
films
of
all
time.
Sadly
the
film
could
not
get
a
theatrical
release
in
India
as
it
was
considered
too
violent
according
to
the
censor
board.
In
the
recent
past
we
have
seen
quite
a
few
films
which
have
tried
and
failed
to
follow
this
trend.
M.F.
Hussain
seems
to
be
fascinated
by
this
format
of
filmmaking.
Both
his
Gaja
Gamini
and
Meenaxi
were
episodic
though
no
one
knew
when
the
movies
came
and
left
the
theatres.
Rajkumar
Santoshi
tried
to
portray
different
woman-related
issues
in
the
chauvinistic
male-dominated
Indian
society
through
his
four
female
protagonists
-
Manisha
Koirala,
Mahima
Chaudhary,
Madhuri
Dixit
and
Rekha
in
Lajja.
Mani
Ratnam's
Yuva
narrated
three
parallel
stories
of
Ajay
Devgan,
Abhishek
Bachchan
and
Vivek
Oberoi
and
was
connected
by
one
common
incident
in
each
of
their
lives
-
an
accident
on
the
Howrah
Bridge.
Each
story
started
and
ended
on
the
bridge
accident
giving
way
to
the
next
episode.
Structurally
the
film
was
inspired
by
a
Spanish
film
Amores
Perros
that
too
had
a
car
accident
connecting
three
different
stories.
Then
there
was
Khalid
Mohammad's
Silsiilay.
The
film
narrates
the
stories
of
three
women
-
Tabu
(a
housewife
whose
husband
is
being
unfaithful
to
her),
Bhumika
Chawla
(a
rising
Bollywood
actress)
and
Riya
Sen
(a
working
girl
who
longs
to
discover
tenderness
in
her
relationship).
The
females
are
not
even
remotely
connected
with
each
other
and
they
don't
come
together
till
the
very
end.
Shahrukh
Khan
played
the
sutradhar
trying
to
connect
the
three
stories.
Director
Prawaal
Raman
who
made
Darna
Mana
Hai
says,
"It's
not
really
difficult
to
make
an
episodic
film.
Though
the
stories
are
different
and
have
to
have
a
common
climax,
the
main
point
is
to
keep
the
genre
in
mind.
Darna
Mana
Hai
was
of
the
horror
genre
and
the
same
should
be
done
for
other
films
as
well." Well,
handling
such
a
film
might
turn
easier
since
the
screenplay
need
not
essentially
has
to
maintain
continuity
as
the
sub-plots
are
unrelated.
Also
the
editor
might
not
have
to
work
on
the
whole
version
of
the
film
but
can
edit
individual
stories
at
ease.
Interestingly
there
are
a
few
episodic
films
in
the
making
as
well.
Apart
from
Darna
Zaroori
Hai,
there
is
Nikhil
Advani's
Salaam-e-Ishq.
This
mega
multi-starrer
from
the
director
of
Kal
Ho
Na
Ho,
which
is
rumored
to
be
a
remake
of
Love
Actually
(also
an
episodic
film)
apparently
is
based
on
six
separate
love
stories.
The
six
love
pairs
in
the
film
include
Salman
Khan-Priyanka
Chopra,
Anil
Kapoor-Juhi
Chawla,
Akshaye
Khanna-Ayesha
Takia,
John
Abraham-Vidya
Balan,
Govinda-Shannon
Esra
and
Sohail
Khan-Perizaad
Zorabian.
Then
there
is
Naseeruddin
Shah's
directorial
debut
Yun
Hota
To
Kya
Hota?
And
it
promises
to
be
nothing
short
of
an
extravaganza.
There
are
going
to
be
four
stories
in
the
film
which
all
link
up
to
one
end.
There
will
be
a
thriller
with
Irfan
Khan
and
Carran
Kapoor,
a
social
story
with
Konkona
Sen,
a
young
love
story
with
Ayesha
Takia
and
newcomers
Ankur
Khanna
and
Sameer
Sheikh
and
finally
a
comedy
with
Paresh
Rawal
and
Ratna
Pathak.