Essence of <i>Dor</i> from the lenses of Shreyas
Courtesy:
IndiaFM
Monday,
September
25,
2006
IndiaFM
brings
to
you
an
exclusive
gallery
straight
from
the
lenses
of
Shreyas
Talpade.
These
pictures
were
taken
by
the
actor
while
he
was
shooting
in
Rajasthan
for
his
film
Dor
directed
by
Nagesh
Kukunoor.
Shreyas
was
gracious
enough
to
give
us
a
part
of
his
creative
work
and
also
let
us
know
what
he
was
thinking
while
he
captured
the
beauty
of
Rajasthan.
Here's
Shreyas'
journey
in
the
world
of
sand
and
dune.
Photography is a small voice, at best, but sometimes one photograph, or a group of them, can lure our sense of awareness.
"This picture is clicked by Sudeep Chatterjee, the cinematographer. He is my guru in photography and helped me a lot. He was giving me lessons and teaching me different things like exposure, shutter speed, etc. There is a wall behind me and Sudeep told me to look down. He then played with the exposure and I really loved it."
"This is the Pokhran palace in the background which is now converted into a museum. Look at Gul Panag's smirk in the picture. There is a story behind that as well. If you look closely, behind there is a person. She is the executive producer Elahe Hiptoola. She wasn't keeping all that well that day and was yelling at someone over there. Both Gul and I were laughing at the situation. Gul was looking at Elahe and I called her to look at me and hence the smile on her face."
"Now this is the man in action right there. That is Sudeep behind the camera and was busy working. To the left is the clapper boy Rohan. The bicycle was just parked there and at first I though of shooting through the spokes and focusing on Sudeep but then changed my mind. I decided to focus on the tyre instead. When Sudeep saw the picture he told me that he was out-focused. And I said that happens when you focus on something else. This is my favourite picture as I think is very good."
"That's Vibhu the assistant director wearing the bandana, then Gul, then Sudeep and finally Nagesh. There was a sandstorm outside and we were forced to stop work. We waited a long time and finally the crew had to strategize something else as there wasn't much grace period. We are inside the resort and in the backdrop are rooms. The situation outside was very bad and we were lucky to be inside the resort. In this particular picture I played with the exposure and you can see the results."
"That is the long corridor in Pokhran palace where we stayed during the shoot. This picture is shot just outside my room. If you see, it has beautiful architecture, the pillars are strong and you know that a lot of hard-work has been put into making this. However, even though the sun is shining, there is a haunting feeling in this corridor. It is as if some unknown force is there and you never know what it has to say to you. There is an element of mystery there and you definitely don't feel secure."
"This is the view from the passage where the corridor is. To the left is the fort temple and to the right is the white balcony. The white balcony was a watch point in the olden days. You can get the entire view of the village from there and that is how the Maharaja used to keep a look-out. That place feels nice and some nice breeze blows over there. I randomly captured this photograph and luckily it came out good."
"This was my room and also the royal suite in the Pokhran fort and palace. It is one of their finest rooms and the area which you see is the bathroom area. To the left is a wash basin along with a huge mirror. I heard a story that some people had come to design this room and said that nothing could be done of this. So the owner, a lady took up the task herself and did a wonderful job out of it. There are coloured glasses in the background and proper ventilation as well. When it is really hot the sun shines on the basin while in the evening it is totally on the other side."
"I really like this photograph. Sudeep got this scene made really nicely. There is a lone fire and a hut in the middle of nowhere. This hut was actually designed by the art department for the film. There are a few bushes behind and a huge sand dune. We were not allowed to be near the dune as it would ruin the frame. If you observe carefully, the sky is slowly turning black. After a very hot day, the sun has gone down and there is a sense of calmness all around."
(As told to Praveen Lance Fernandes)
Recent
Stories
Ronnie
Screwvala's
acting
abilities
Subhash
K
Jha
on
why
Rocky
doesn't
rock