All
sorts
of
bizarre
reasons
are
being
put
forward
for
Preity
Zinta's
sudden
disappearance
after
the
release
of
Kabhi
Alvidaa
Na
Kehna.
"But
I'm
very
much
around,
in
London
shooting
for
Shaad
Ali's
Jhoom
Baraabar
Jhoom," Preity's
voice
tinkles
across
the
seven
seas
in
reassuring
waves.
"You
see
I'm
a
bit
of
an
idiot.
I
never
take
that
crucial
pause
after
a
release
to
savor
its
success.
I'm
told
KANK
has
raised
quite
a
storm
in
India.
Well,
good
that's
what
movies
should
do.
I
don't
understand
why
some
people
feel
Karan
Johar
has
gone
too
far.
Arrey!
People
say,
make
something
different.
And
when
a
filmmaker
actually
takes
the
plunge
into
a
deeper
end
,
people
accuse
him
of
going
too
far.
Personally
I
feel
proud
to
be
in
a
film
that
pushes
the
envelope
in
mainstream
cinema.
I
want
to
hug
Karan
for
making
KANK.
In
fact
I'll
get
my
chance
to
do
so
in
the
next
twenty-four
hours
because
Karan
is
coming
to
London."
Crib
about
the
limited
space
provided
for
Preity
in
KANK
and
she
retorts,
"Abhishek
and
I
are
like
the
anchors
in
the
plot.
I
was
never
more
scared
of
a
role.
A
little
bit
this
or
that
way
,
and
my
character
could've
toppled
over.
Thank
God
Rhea
doesn't
come
across
as
a
bitch.
I
constantly
kept
looking
at
Karan
for
reassurance.
I
never
had
to
be
directed
so
closely
before.
'I
don't
want
Preity
Zinta
.
I
want
Rhea
Saran,' Karan
kept
saying...As
for
the
footage,
hey...
we
don't
really
live
in
those
times
any
more
when
actors
measured
the
length
of
each
other's
roles
with
measuring
tapes,
do
we?
Cinema
has
grown
up.
So
have
actors.
KANK
is
proof
of
it."
All
of
Bollywood
seems
to
have
descended
on
London.
Last
month
it
was
the
combined
units
of
Priyadarshan's
Bhagam
Bhag
and
Vipul
Shah's
Namastey
London
turning
London
into
a
mini-Bollywood.
Now
it's
Nikhil
Advani's
Salaam-e-Ishq
and
Shaad
Ali's
Jhoom
Baraabar
Jhoom
creating
a
dhoom
in
the
city.
Preity
agrees.
"Indeed,
you
can't
step
out
on
the
street
here
without
bumping
into
one
or
the
other
of
your
colleague.
I've
been
shooting
with
Shaad
for
two
weeks.
We
call
him
Fidel
on
the
sets.
Why?
Because
with
his
beard
he
looks
like
the
young
Fidel
Castro.
Ha
ha.
Abhishek
has
just
arrived.
And
Bobby
(Deol)
was
here.
It
was
good
to
catch
up
with
him
after
so
long.
We
had
a
great
time
during
Soldier.
Bobby
remains
the
same.
Quiet
and
wise."
Jhoom
Baraabar
Jhoom
is
Preity's
first
film
with
Shaad.
"He's
so
quiet
and
yet
so
much
in-charge
on
the
sets.
I've
never
had
so
much
fun
on
location...But
then
come
to
think
of
it,
I
always
make
sure
I've
fun."
Preity
has
always
been
part
of
progressive
cinema.
Her
first
film
Kya
Kehna
was
about
unwed
motherhood.
Now
KANK
is
about
the
cult
of
crumbling
matrimony.
"Yeah,
I
like
being
part
of
cinema
that
goes
beyond
stereotypes.
Even
my
next
release
Jaan-e-Mann
isn't
quite
the
normal
film."
How
does
she
intend
to
stop
the
bizarre
rumors
about
her
so-called
disappearance?
"Just
because
I'm
so
much
out
of
the
country,
people
feel
free
to
say
and
write
what
they
like.
I
wish
I
was
at
home
so
I
could
see
what
was
going
on.
But
then
I'm
just
a
paid
slave.
No
time
to
savor
the
fruits
of
my
job," she
sighs
dramatically.