By:
Subhash
K.
Jha,
IndiaFM
Thursday,
August
31,
2006
Has
the
response
to
KANK
turned
out
to
be
what
you
thought
it
would?
Far
greater,
in
fact.
The
boxoffice
figures
are
there
to
prove
it.
I've
never
been
a
part
of
such
a
success.
I
think
the
first
week
collection
of
KANK
is
larger
than
all
my
releases
put
together.
This
is
a
league
I'm
just
not
acquainted
with.
It's
wonderful
to
be
part
of
such
a
venture.
But
it's
entirely
Karan's
baby.
Your
smallish
role
has
fetched
you
incredible
praise.
First
of
all,
I
don't
think
I've
a
small
role
in
KANK.
I
think
I've
a
very
important
role
to
play
in
the
film.
Thank
you,
Karan!
Everyone
wants
to
know
how
you
know
so
much
about
marriages?
I've
no
knowledge
of
a
marriage
whatsoever.
I
just
followed
Karan's
directions
very
obediently.
The
credit
for
whatever
you
consider
to
be
my
performance
in
KANK
must
go
to
Karan.
Tell
me
about
the
first-hand
responses
to
your
performance?
I
don't
know!
I've
been
very
busy
working
on
Dhoom
2.
I
haven't
had
a
chance
to
interact
with
people
too
much.
But
I'm
always
thrilled
when
my
work
gets
noticed.
But
like
I
said
I
can't
take
any
credit
for
it.
I'm
not
trying
to
be
modest.
I'm
not
a
modest
person.
I'm
a
realist.
I
know
who's
done
what
in
KANK.
The
real
hero
of
the
film
is
Karan
Johar.
Do
you
think
the
controversies
are
good
for
KANK?
What
controversies?
There's
debate
on
KANK,
not
controversy.
The
good
thing
about
debate
is
you
get
both
negative
and
positive
but
always-healthy
reaction
to
the
film.
Very
few
films
get
that.
Whether
you
agree
with
KANK
or
not,
it's
taken
Karan
to
a
new
level.
I
think
he
has
unfairly
been
labeled
'a
candyfloss
maker'.
The
mistaken
belief
that
he
makes
frivolous
films
has
fallen
to
the
ground.
I
think
Karan
is
a
very
important
director
in
the
history
of
Indian
cinema.
KANK
is
a
sensitive
work.
Do
you
think
Karan
took
a
big
risk
in
moving
away
from
his
comfort
zone?
The
best
part
is,
Karan
isn't
judgemental,
just
observant
on
marriages
and
extra-marital
affairs.
He
isn't
telling
people
to
leave
their
spouses.
He
just
asks
a
harsh
but
real
question
-
what
if
you
meet
your
soul-mate
after
marriage?
Shah
Rukh
and
Rani
are
the
protagonists.
But
Preity
and
I
are
never
shown
as
negative
characters.
In
fact
I
find
the
relationship
between
our
characters
quite
fascinating.
What
about
your
relationship
with
Rani?
I
felt
Karan
should
have
given
my
character
Rishi
something
negative
to
do.
He
loves
his
wife
immensely.
He's
basically
trying
to
be
as
perfect
a
husband
and
can
be.
And
that's
how
the
audience
has
perceived
my
character.
Despite
that,
Rani's
character
moves
away.
So
I
felt
Karan
needed
to
give
my
character
some
dark
areas.
Whereas
Shah
Rukh's
character
does
have
reason
to
stray
because
his
wife
has
no
time
for
him,
my
character's
wife
has
no
such
alibi.
Why
does
Rishi-Maya's
relationship
break
up?
Why?
That's
exactly
what
I
kept
asking
Karan.
He
told
me,
'One
could
be
in
a
seemingly
perfect
marriage.
Still
your
spouse
may
not
connect
with
you.'
I
thought
that
was
a
very
intriguing
thought,
put
forward
beautifully
in
the
film.
We
never
thought
everyone
would
unanimously
love
the
film.
We
hoped
they'd
discuss
it.
And
Karan
has
pulled
it
off
.
Generally
such
discussions
and
debates
are
for
art-house
films?
For
me
such
categorization
makes
no
sense.
To
me
a
film
is
a
film
is
a
film....
Do
you
think
an
Indian
wife
would
move
off
from
a
marriage
to
the
ideal
husband,
the
way
Rani
does?
Of
course!
Such
things
do
happen.
Are
extra-marital
affairs
an
inevitable
part
of
contemporary
society?
No,
they're
neither
inevitable
nor
justified.
I'm
totally
against
extra-marital
affairs.
I'd
personally
never
have
an
affair
after
marriage.
But
I
won't
be
judgemental
about
those
who
do.