Lajan Joseph Oommen on screenwriting
Courtesy:
IndiaFM
Thursday,
September
28,
2006
Lajan
Joseph
-
the
name
might
not
instantly
strike
a
chord.
That's
a
regular
problem
with
Indian
screenwriters
who
are
not
Salim-Javed.
But
can
you
relate
to
the
person
and
his
talent
if
we
tell
you
that
he
is
the
man
behind
one
of
the
most
heart-warming
films
of
recent
times
-Munnabhai
MBBS.
He
co-wrote
Munnabhai
MBBS
with
Rajkumar
Hirani
and
won
almost
all
the
awards
that
year
for
the
best
screenplay.
After
a
short
gap,
he
is
back
with
his
second
script.
Have
you
had
any
professional
training
in
terms
of
screen-writing?
Do
you
think
any
professional
training
for
screen-writing
is
necessary?
No,
I
haven't
had
any
professional
training.
But
am
sure
it
helps.
Did
a
Diploma
in
Film/Video
Production
from
the
Xavier
Institute
of
Communications
(XIC),
it
did
help
me.
How
did
you
get
your
first
break?
I
got
my
first
break
through
Mayur
Puri,
who,
at
that
point
was
working
as
a
writer
and
chief
assistant
director
to
Director
Sanjay
Gadhvi.
They
collaborated
on
Tere
Liye,
Mere
Yaar
Ki
Shaadi
Hai,
Dhoom.
Sanjay Bhai and Rajkumar Hirani are very good friends. I remember Mayur coming and telling me that Raju Bhai was looking for a writer. Sanjay Bhai vouched for Raju Bhai's integrity and sensibility as a person, and literally pushed me into meeting him.
Did
you
think
you
got
enough
exposure
after
Munnabhai
MBBS
or
was
it
that
Rajkumar
Hirani
and
Abbas
Tyrewala
walked
away
with
the
accolades?
Did
I
get
enough
exposure
on
Munnabhai
MBBS?
Yes,
I
did,
and
more,
including
my
first
Filmfare,
Sansui,
IIFA,
and
Apsara
awards,
couldn't
have
asked
for
anything
more
from
my
debut
film.
More importantly - I made my parent's proud. We are middle class people, and I am the only son. It hasn't been easy for them, to see their only son waste - while away his time by 'conventional' standards, doing nothing, chasing some impossible, elusive dream.
People have been extremely receptive, encouraging, and respectful. There can't be a better calling or visiting card than Munnabhai MBBS. I am very grateful to Raju Bhai and Vinod Sir for the opportunity.
Yes, people do not know me by my face or name. But that's okay. I will be talked about when I want to be talked about. What's more important to me is that I keep growing, maturing, both as a person and a professional.
We
recently
spoke
to
Mayur
Puri
who
is
co-writing
My
Name
is
Anthony
Gonsalves
with
you.
Tell
us
about
the
film
My
name
is
Anthony
Gonsalves
is
an
aspirational
film,
an
everyman's
story,
about
an
ordinary
guy
and
his
dream
to
become
somebody.
It is also a story about friendship between two diametrically opposite characters - Anthony Gonsalves (debutante Nikhil Dwivedi) and Sikander Bhai (Pawan Malhotra).
It is a special film for me and Mayur - not just because it is our first collaboration together, but also because it is Nikhil's debut film and E Niwas' maiden production.
The fact that Niwas is making a film with someone without an illustrious surname is all the more heartening.
Why
the
title
My
Name
is
Anthony
Gonsalves?
Has
it
got
anything
to
do
with
the
superhit
Amitabh
Bachchan
track?
My
Name
is
Anthony
Gonsalves
has
nothing
to
do
with
Mr.
Bachchan's
character
in
Amar
Akbar
Anthony,
except
for
the
title,
and
the
fact
that
the
protagonist
of
our
film
happens
to
be
a
Goan
Catholic.
You
have
written
MNIAG
with
Mayur
Puri.
How
is
he
as
a
co-writer?
Mayur
and
I
have
known
each
other
since
school,
and
share
a
love-hate
relationship.
I
hate
whatever
he
loves,
and
vice-versa.
He,
he!
But
seriously,
we
are
very
different
from
each
other,
and
have
seen
some
good
times
and
bad
times
together,
and
independent
of
each
other.
Suffice
is
to
say,
it
hasn't
been
an
easy
partnership,
but
over
the
years
we
have
come
to
appreciate
each
others
strengths,
and
respect
our
differences.
Do
you
thinking
writing
in
team
helps
or
writing
alone
is
much
better?
Each
has
its
pros
and
cons.
It's
always
good
to
work
in
a
team,
provided
that
the
sensibilities
match
and
complement
each
other.
Writing
per
se
is
a
lonely
job.
It
is
not
an
exact
science.
It
helps
to
have
another
active
mind.
A
film
is
made
on
a
script.
Everybody
knows
what
is
to
be
done
once
the
script
is
ready;
their
job
is
cut
out
for
them.
But,
a
writer
starts
alone,
into
nebulous
territory,
not
knowing
what
is
in
store.
All
he
has
is
a
thought,
an
idea,
a
scene
perhaps
or
at
best
a
moment.
You
start
building
from
there.
Not
an
easy
job.
Writing alone gives you more control over the subject though. It adds to your confidence, and your work is more individualistic.
Technically
speaking,
what
is
the
difference
between
a
story,
screenplay
and
dialogues
when
it
comes
to
screen-writing?
In
this
industry
most
people
think
a
one
line
idea,
or
thought
is
the
story.
Wrong.
An
idea
is
built
into
a
story,
so
you
end
up
developing
the
story
and
characters,
while
writing
the
screenplay!
Screenplay is basically a series of scenes, episodes, vignettes, by which you tell the story. Each scene is there for a purpose, to take the plot forward, build action, define character, etc.
Dialogues are the simplest to understand or explain, because it's basically what the characters say or do not say.
Screenplay is the lesser know and most neglected component out of the three. Dialogue writers walk away with all the credit, because dialogues are what people remember!
Do
you
agree
with
the
fact
that
script-writers
in
India
don't
get
their
due
credits
as
much
as
in
Hollywood?
Forget
script-writers
getting
their
due
credits
in
India,
they
don't
even
get
their
dues,
and
often
have
to
live
on
credit!
Do
you
think
the
scene
off
lately
is
changing
for
writers
in
India
and
is
getting
a
little
better?
Yes,
new
writers
are
coming
in.
But
today
everybody
is
a
writer.
Including
my
auto
driver
and
the
CEO
or
is
it
COO?...
of
a
newfound
'corporate'
production
house.
It's
not
that
simple.
Writing
is
a
specialized
skill.
It
takes
time,
it
takes
patience,
it
takes
nurturing,
a
certain
philosophy,
understanding
of
life,
maturity,
and
of
course
talent.
But
who
has
the
time
for
all
this?
Same holds true for directors. Anybody can make a film today. People confuse technique for talent. People think Page 3 PR exercise is talent. People consider 'Having no voice of my own but will make whatever you want me to make' as talent. Crossover. Pan-India. Multiplex. Niche. Art. Cannes. Opening. Overseas. Weekend collection. Whatever happened to good old cinema?
Which
Indian
writers
do
you
admire?
Grew
up
on
Salim-Javed.
There's
Gulzaar
Saab.
Rajkumar
Hirani.
Amazing
clarity,
superb
storyteller.
Anurag
Kashyap.
Vishal
Bhardwaj.
Which
foreign
writers
do
you
admire?
The
guy
who
wrote
'The
Shawshank
Redemption',
and
'The
Green
Mile',
Frank
Darabont,
I
think.
Quentin
Tarantino.
Lots
more,
don't
know
their
names
though!
Are
screenwriters
sufficiently
paid
in
India?
I
do
not
write
more
than
one
project
at
a
time,
period.
Thanks
to
which,
I'm
broke
most
of
the
times.
Everybody
wants
a
script
in
a
jiffy;
of
course
they
are
going
to
complete
the
film
in
6
months
flat
and
release
it.
I
say
bullshit!
Between me and Mayur, we've written about 5-6 films in the last 3 years. My name is Anthony Gonsalves is the only one going on floors at the moment.
While the powers that be were busy debating - deliberating Abhishek Bachchan and Riteish Deshmukh's viability at the B.O., the property that I saw in Borivli IC Colony shot up by 50-60 %. Who's going to account for that? When a project gets stalled, our lives get stalled too.
I am a freelancer, and I do not do television, so, what hope is there for the likes of me? My parents are getting old. I do not have mediclaim or an LIC policy; banks refuse to give me loans. And I can't write crap. It's a vicious circle.
Can
you
earn
a
living
out
of
writing?
So
far
no.
But
I
will.
What
advise
do
you
give
a
writer
who
has
a
script
in
hand?
How
should
he
approach
a
producer?
First
and
foremost
a
newcomer
should
become
a
member
of
the
Writers'
Association,
get
his
script
registered.
This
industry
works
on
contacts.
There
are
makers
and
there
are
proposal
makers.
Write,
work
for
producer/directors
who
make
one
film
at
a
time.
You
also
write
poetry.
Tell
us
something
about
that.
Yes,
I
do
write
poetry,
and
hope
to
bring
out
a
book
someday
-
'Remains
of
a
smile'.
Do
you
write
a
particular
script
keeping
an
actor
in
mind
or
an
actor
is
roped
in
depending
on
the
script?
Works
both
the
ways.
You
need
to
be
flexible.
It
helps
to
have
an
actor
in
mind
when
you
are
writing.
But
for
script,
character
is
paramount.
Everything
else
is
secondary.
What
are
your
forthcoming
projects?
My
name
is
Anthony
Gonsalves,
Mayur's
film,
a
couple
of
others.
I've
stopped
counting.
My
job
is
done.
People
have
to
go
ahead
and
make
those
films.
Wouldn't
you
want
to
direct
your
own
script?
Of
course,
yes.
I
am
a
writer
by
default.
But
it's
a
good
thing
because
you
know
the
subject
better
than
anybody
else.
Presently I am doubling up as an associate director to Director E Niwas on My name is Anthony Gonsalves. Have kept aside a few scripts; hope to start work on my film post Anthony release.