"No one expected the <i>Samsara</i> to do well"
Courtesy:
IndiaFM
Wednesday,
June
14,
2006
He
may
not
be
a
household
name
in
India
but
his
directorial
debut
Samsara
has
created
waves
internationally
releasing
in
over
60
countries
and
raking
in
a
whopping
100
crores.
Critically
acclaimed
and
commercially
successful,
we
spoke
to
director
Pal
Nalin
over
the
Indian
release
of
his
film
Samsara,
after
a
hiatus
of
5
years
of
being
released
globally.
Samsara
was
made
way
back
in
2001.
What
took
it
so
long
to
reach
India?
It
is
an
Indo-German
production
and
got
completed
in
2002
but
no
Indian
distributors
were
ready
to
buy
the
film
as
it
had
no
stars
or
songs.
No
one
expected
the
film
to
do
well
but
it
met
with
immense
success
abroad.
It
has
been
released
in
over
60
countries.
It
was
only
after
this
that
Indian
distributors
started
making
enquiries
on
this
film
that
made
more
money
than
Lagaan
and
Devdas.
In
India
it
had
censor
problems
too.
The
producers
then
refused
to
stoop
to
them
saying
that
why
should
we
go
begging
when
the
whole
world
is
coming
to
us?
Universal
distributed
the
film
in
Canada
and
Disney
in
U.S.
The
film
has
won
30
awards
internationally
and
I
am
looking
forward
for
an
Indian
release
since
80%
of
my
crew
is
from
India.
In
which
country
is
the
movie
set?
India
or
some
other
place?
The
film
is
set
in
Ladakh,
India.
It
is
in
a
remote
place
and
is
true
to
its
spiritual
existence.
Is
it
a
period
film
set
in
a
particular
era
or
is
it
contemporary
cinema?
It
is
totally
contemporary
cinema.
It
starts
like
a
timeless
film
but
it
is
not.
Even
when
you
go
to
Ladakh,
you
will
think
that
you
are
in
a
different
era
until
you
see
a
military
truck.
So
the
place
is
that
beautiful.
What
does
Samsara
mean?
Samsara
is
a
Sanskrit
word
and
means
'the
World
we
live
in'.
In
a
way,
it
is
the
opposite
of
Nirvana.
What
was
the
basic
idea
that
initiated
Samsara?
I
had
seen
quite
a
few
documentaries.
I
was
also
going
through
some
personal
chaos
in
my
life.
That
all
initiated
it
but
that
is
not
shown
in
the
film.
I
was
not
willing
to
compromise
on
this
film
and
was
hunting
for
producers
no
matter
what.
It
is
the
first
film
to
be
shot
entirely
at
13000
feet.
Word
is
that
many
industry
people
like
Ramesh
Sippy
and
Ram
Gopal
Varma
have
seen
your
movie
and
in
fact
RGV
was
quite
impressed
by
your
work.
How
does
it
feel?
It
really
feels
good.
I
haven't
seen
all
his
films
but
his
praising
me
is
a
big
recognition.
Even
Govind
Nihlani
appreciated
my
work.
I
loved
his
Ardh
Satya.
Even
Pravin
Nischol
and
Manmohan
Shetty
complimented
my
work
and
when
all
this
praise
came
from
the
industry
icons
it
really
felt
good.
Has
any
Indian
filmmaker
offered
you
to
make
any
movie
for
them?
Lots
of
them!
I
can't
say
anything
at
the
moment
because
some
of
this
may
not
materialize.
But
the
best
thing
is
that
none
of
them
want
me
to
compromise
on
my
work.
I
love
the
kind
of
cinema
that
I
am
doing
and
the
producers
are
backing
me
up
100%.
What
prospects
does
Samsara
have
in
India?
Is
there
an
audience
for
offbeat
cinema
like
this
in
India?
No
cinema
can
cater
to
one
interest.
Today
even
the
smallest
town
has
Lebanese
and
Italian
food
joints
which
was
unheard
of
years
ago.
The
audience
is
also
willing
to
feel
different
things.
That
is
why
regional
cinema
is
working
today.
However
monopolization
does
create
problems
as
big
movies
take
up
most
of
the
screens.
Despite
being
an
Indian,
you
have
made
all
your
movies
so
far
in
foreign
countries.
Why
so?
That
is
because
most
of
my
films
are
financed
abroad.
I
have
done
BBC
documentaries
in
Karnataka
on
Devdasis.
I
believe
in
telling
good
stories.
My
films
have
an
Indian
soul
but
a
global
look
and
are
universally
accessible.
What
do
you
have
to
say
about
commercial
Bollywood
films?
I
grew
up
watching
Bollywood
films,
especially
Manmohan
Desai
films.
After
that
came
Hollywood
films
and
then
documentaries
and
then
international
films
like
Philipino,
Afghani,
etc.
Which
is
your
favorite
Indian
film?
Amar
Akbar
Anthony
and
the
Rajnikant
starrer
Muthu
are
my
all
time
favourites.
Tell
us
something
about
your
background.
As
in
how
did
you
start
in
the
film
industry?
With
which
filmmakers
have
you
worked
earlier?
I
studied
Fine
Arts
and
Visual
Communication.
I
always
understood
cinema
but
I
was
self
taught.
I
wanted
to
study
film-making
but
I
did
not
have
finances.
Durga
Khote
helped
me.
She
had
an
old
camera
and
she
gifted
it
to
me
which
I
still
have.
I
did
not
want
to
assist
anybody
as
I
felt
the
originality
and
purity
in
me
would
get
influenced.
You
also
made
some
documentaries
before
Samsara.
NFDC
had
refused
a
couple
of
my
scripts
but
since
I
had
a
camera
I
went
all
over
India
and
shot
them
myself.
Some
10-20
minutes
long
as
I
had
all
the
freedom.
Few
of
my
films
got
financed
in
Europe.
My
documentary
film
Ayurveda
-
Art
of
Being
will
soon
have
a
theatrical
release.
Is
it
true
that
as
a
teenager,
you
ran
a
film
club
in
India
and
had
the
biggest
collection
of
world
cinema?
Yes,
that
is
true.
It
started
in
Baroda
and
then
moved
to
Ahmedabad.
I
used
to
go
to
the
Hungarian
Embassy
and
buy
some
films
and
have
them
screened.
Since
all
the
theatres
were
booked,
I
only
used
to
get
the
early
8
am
show
only
on
Sundays.
But
still
over
1000
people
used
to
come
for
the
film.
I
believe
in
honest
movies.
I
have
collected
so
many
movies
now.
Some
of
them
are
in
VHS.
Some
African
films
are
really
difficult
to
get
as
they
really
don't
keep
stock
of
them
but
I
try
my
best
to
get
some
really
honest
films
even
from
unknown
film-makers.
You
write
scripts
in
English
but
have
made
films
in
Japanese,
Tibetan,
Manipuri,
Hindi
and
English.
How
do
you
manage
to
do
that?
Do
you
know
all
these
languages?
I
know
Gujrati,
Hindi,
English,
French
and
a
bit
of
Sanskrit.
I
have
no
fear
of
language
in
cinema.
I
don't
think
that
is
important.
What
I
like
to
use
is
colors
and
just
paint
them.
I
would
love
to
make
an
Italian
and
a
French
film
one
day.
Do
you
try
to
incorporate
a
lot
of
cultural
aspects
of
these
countries
in
your
films?
It
is
important
that
I
understand
the
culture
and
aspects
of
society.
If
I
don't
understand
that
then
I
won't
make
it.
I
tend
to
do
a
lot
of
research
on
my
films
right
down
to
my
most
basic
character.
Your
next
film
Valley
of
Flowers
has
Indian
actors
Naseeruddin
Shah
and
Milind
Soman.
How
was
it
working
with
these
people?
It
was
great
pleasure
working
with
Naseeruddin
Shah.
He
is
a
wonderful
actor.
Milind
Soman
was
good
as
well.
He
speaks
great
Japanese
and
30%
of
his
role
is
Japanese.
I
don't
know
what
will
happen
of
me
once
the
film
is
released
but
Milind
will
make
a
name
for
himself
for
sure.
Tell
us
something
about
Valley
of
Flowers.
It
is
a
simple
concept.
It
is
like
a
Romeo
and
Juliet
story
in
Asia.
It
is
made
on
an
epic
scale.
It
starts
from
the
early
19th
century
and
end
in
modern
day
Tokyo.
It
has
a
supernatural
element.
Valley
of
Flowers
has
a
Himalayan
touch.
Samsara
was
about
monks.
What
is
it
about
these
things
that
inspires
or
fascinates
you
so
much?
Valley
of
flowers
starts
in
the
Himalayas
and
ends
in
modern
day
Tokyo.
Two
lovers
cross
their
supernatural
boundaries.
Milind
practices
Euthanasia
and
is
immortal.
The
heroine
is
reincarnated
and
their
love
story
blossoms
again.
This
film
is
at
a
different
setting
and
a
different
pace
compared
to
Samsara.
It
celebrates
the
true
spirit
of
an
Indian
love
story
and
is
not
westernized
in
any
way.
Will
the
film
have
a
proper
commercial
Indian
release?
The
film
will
release
in
225
countries
and
will
also
have
a
proper
release
in
India.
It
will
be
the
opening
attraction
of
a
film
festival
held
in
Delhi.
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