By:
Komal
Nahta,
IndiaFM
Monday,
July
17,
2006
In
Bollywood,
the
crore
is
the
new
lakh.
So
how
does
the
cookie
crumble?
Komal
Nahta
gives
you
an
insight
into
what
the
stars
earn.
Starbucks:
The
paycheck
stars
take
home
Admit
it.
A
few
weeks
ago,
when
newspapers
announced
that
Amitabh
Bachchan
has
spent
Rs.
2.7
lakhs
on
a
pair
of
sunglasses,
it
can't
have
been
easy
to
stop
yourself
from
joining
the
communist
Party
on
the
spot.
Rs.
2,70,000
for
sunglasses?
Whaaa????
Bachchan
denied
the
story
of
course,
and
people
didn't
stop
discussions
on
the
subject.
Sure,
we
apparently
have
more
millionaires
than
we
ever
thought
the
country
could
have,
but
when
you
think
of
lifestyles
of
the
rich
a
famous,
you
tend
to
think
of
film
stars.
How
can
you
not,
when
you
keep
hearing
producers
whine
and
complain
about
how
much
they
have
to
shell
out
to
sign
an
actor
for
a
film?
When
you
see
this
film
star,
or
that
film
star
zoom
about
in
a
mind
blowingly
expensive
foreign
car?
When
pictures
of
their
homes
are
splashed
in
all
the
fanzines
-
homes
of
a
kind
we
can't
even
imagine.
Just
how
much
must
they
be
taking
home,
you
wonder.
Well,
read
on
and
you'll
find
out.
Black
is
Back
At
No.
1
is
-
you
guessed
it
-
Shah
Rukh
Khan,
who
could
look
a
producer
straight
in
the
eye,
say,
"Rs.
7
crore" without
a
blink,
and
get
it.
At
No.
2
is
Aamir
Khan,
who
because
he
only
does
one
or
two
films
a
year,
can
easily
charge
Rs.
5
-
6
crore
per
film
as
his
professional
fee.
And
at
No.
3
is
Salman
Khan
whose
asking
price
Rs.5
-
5.5
Crore.
How
can
we
be
so
specific
with
these
figures,
you
ask?
Well,
it's
not
difficult
these
days.
As
a
top
filmmaker
laughed
when
Sanjay
Leela
Bhansali's
Black
took
almost
all
the
awards
at
the
recently
held
IIFA
awards
in
Dubai.
"This
industry
makes
Black,
the
awards
functions
honour
Black,
but
the
dealings
are
all
in
white."
Where
once
upon
a
time
Bollywood
was
notorious
for
paying
its
people
in
black
money
(remember
the
stories
of
Income
Tax
raids
on
stars,
and
the
large
hauls
of
illegal
cash
found
in
the
false,
though
fancy,
ceilings
of
their
homes?),
corporatisation
of
the
industry
has
changed
all
that.
Ever
since
Zee
Telefilms
first
paid
everyone
involved
in
the
making
of
Gadar-
Ek
Prem
Katha,
from
the
hero
Sunny
Deol
to
the
spot
boy,
by
cheque,
actors
have
preferred
to
account
for
their
earnings.
Cheque
payment
are
insisted
upon
today,
and
stars
like
Amitabh
Bachchan
and
Shah
Rukh
Khan
are
among
the
highest
individual
tax
payers
in
the
country.
Now
that
the
openness
of
their
earnings
is
clear,
let's
see
why
actors
take
home
the
kind
of
paychecks
they
do,
and
what
they
do
to
earn
them.
Isaac
Newton,
you're
wrong!
Unlike
the
law
of
gravity
which
states
that
anything
that
goes
up
must
come
down,
star
prices,
once
they're
up,
only
go
higher.
There's
a
peculiar
logic
at
work
here.
Lead
actors
hike
their
fees
after
every
hit,
but
never
bring
them
down
after
a
flop.
Their
argument,
apparently,
is
that
a
hit
film
is
a
hit
only
because
of
the
star
and
his
performance,
but
a
flop...?
That's
due
to
many
other
factors.
However
odd
this
line
of
reasoning
may
seem,
Akshay
Kumar's
standard
fee
today
is
about
Rs.
4.5
crore
-
way
up
from
the
Rs.
1
crore
he
charged
10
years
ago
-
courtesy
a
few
super
hits,
and
with
absolutely
no
reference
to
his
many
flops
in
the
'90s.
And
Salman
Khan
can
also
ask
for
Rs.
5
to
5.5
crore
today
with
a
perfectly
straight
face,
because
of
a
few
super
hits,
Whatever
the
critics
said
about
Krrish,
it's
done
well
enough
for
Hrithik
Roshan
to
hike
his
fee.
Any
producer
would
gladly
pay
the
green-eyed
actor
Rs.
4
to
5
crore
now.
In
fact,
for
a
forthcoming
film,
its
hero
has
reportedly
charged
his
price,
with
a
clause
that
he'll
get
paid
an
additional
sum
of
money
(and
that's
also
huge)
if
the
film
brings
in
more
than
a
pre-determined
amount
in
the
Overseas
territory.
Clauses
like
this
pop
up
in
a
lot
of
actors'
contracts,
though
there
is
some
amount
of
risk-taking
involved.
Aamir
Khan,
for
instance,
signed
Mangal
Pandey
for
a
fixed
fee
of
Rs
5
crore,
with
a
share
in
the
profit
thereafter.
At
the
time
he
signed
the
film,
he
must
have
calculated
that
his
share
of
the
profits
would
work
out
to
a
cool
Rs.
1.5
to
2
crore
over
his
fixed
fee.
But
the
film
ran
into
trouble.
Shooting
took
longer
than
expected,
so
Mangal
Pandey
went
way
over
budget
and
since
the
producer
made
a
loss,
there
were
no
profits
for
Aamir
to
share.
Less
of
a
risk
perhaps,
is
the
demand
some
actors
make
not
only
for
their
fee,
but
also
the
distribution
rights
of
their
films.
If
the
distribution
territories
are
cleverly
chosen,
the
rights
can
sometimes
earn
the
actors
more
than
their
fees.
Kaun
Banega
Crorepati?
If
you've
noticed
the
predominance
of
the
word
'crore'
in
this
story
so
far,
it's
because
stars
and
producers
today
only
think
in
terms
of
crores.
But
the
first
star
to
ever
charge
a
crore
was
Amitabh
Bachchan,
who
took
home
an
eight-figure
pay
packet
as
far
back
as
the
'80s.
Maybe
inflation
has
something
to
do
with
it,
but
today
Amitabh's
son,
Abhishek,
takes
home
Rs
2
crore
per
film
as
his
standard
fee
-
double
of
what
his
father
earned
when
he
was
the
industry's
only
superstar,
and
with
much
less
of
a
hit
-
making
background
than
his
dad.
But
then,
in
the
'80s,
a
crore
was
a
massive
amount
of
money
and
deserved
respect.
Amitabh
was
given
his
entire
fee
of
Rs.
1
crore
on
the
spot,
the
moment
he
signed
the
contract
for
Inquilaab,
just
to
ensure
that
he
gave
the
producer
preferential
dates
for
the
shooting
of
the
film.
Inquilaab
was
competing
with
Aaj
Ka
MLA,
a
film
that
was
not
only
set
against
a
political
backdrop,
just
like
Inquilaab,
but
which
also
starred
Bachchan's
arch-rival,
Rajesh
Khanna.
The
first
superstar,
Rajesh
Khanna,
earned
only
in
lakhs,
and
not
very
many
of
those
either.
One
of
the
film
industry's
favorite
stories
is
about
Rajesh
Khanna
who,
in
the
'70s,
had
signed
a
film
for
Rs.
7
lakhs
and
spent
the
entire
amount
on
a
bungalow
in
Juhu
for
his
lady
love,
Anju
Mahendroo.
That
bungalow,
which
Anju
continues
to
occupy,
must
be
worth
more
than
Rs
10
crore
today.
Clearly
inflation
is
at
work.
Gratitude
is
a
powerful
emotion
is
the
film
industry.
A
star
who's
a
friend
can
make
a
producer
very
happy.
Akshay
Kumar,
for
instance
(Rs.
4.5
crore
price
tag),
will
cheerfully
accept
half
that
amount
from
producer
Firoz
Nadiadwala
simply
because
his
association
with
the
producer
has
been
a
long
one
(Hera
Pheri,
Awara
Paagal
Deewana,
Aan
-
Men
At
Work,
Deewane
Huye
Paagal,
Phir
Hera
Pheri).
But
Akshay
makes
few
concessions
for
other
people,
as
the
original
Jumping
Jack,
Jeetendra,
recently
found
to
his
horror.
When
Ekta
Kapoor,
Jeetendra's
daughter,
decided
she'd
rather
like
to
make
a
film
with
Akshay,
the
actor
apparently
asked
for
Rs.
5.5
crore
-
with
a
concession
of
Rs.
10
lakhs,
because
the
film
would
be
produced
by
Jeetendra.
A
two
percent
discount...
how
kind!
While
Amitabh
Bachchan's
standard
fee
for
film
is
Rs.
2.5
crore,
he
charges
the
Yash
Raj
banner
much
less
out
of
gratitude.
It
was
Yash
Chopra,
after
all,
who
was
responsible
for
Bachchan's
come
back
at
a
time
when
nothing
was
going
right
for
the
actor.
Desperate
and
almost
broke
after
his
failed
venture,
ABCL,
Bachchan
asked
Yash
Chopra
for
work
-
and
was
signed
on
the
spot
for
Mohabbatein,
the
film
that
got
his
life
back
on
track.
And
Bachchan
doesn't
make
concessions
only
for
Yash
Chopra.
Sometimes
he
gives
up
his
entire
fee,
as
he
did
for
his
guest
appearance
in
Shah
Rukh
Khan's
home
production,
Paheli.
True,
Shah
Rukh
did
send
Bachchan
a
cheque
without
a
signature
(though
the
lapse
was
unintentional
because
he'd
written
the
cheque
in
a
hurry),
but
Bachchan
graciously
returned
it,
together
with
a
mock-chiding
letter
about
the
cheque
that
wasn't
worth
anything
anyway.
In
return,
Shah
Rukh
apparently
presented
Bachchan
with
a
fancy
wristwatch.
Perhaps
so
that
the
next
time
he
needs
Bachchan
for
a
film,
he
can
say,
'my
time
is
yours'!