Tanuja Chandra on Zindaggi Rocks
Known for woman oriented films Tanuja Chandra says that she would like to make comedy films in the future. She firmly believes that a good director should not stick to a specific genre in which he or she is successful; rather one should try all aspects of cinema. After giving thrillers like Dushman, Sangharsh she is all set rock with her next outing Zindaggi Rocks.
How
and
when
did
the
idea
of
Zindaggi
Rocks
begin?
It
happened
last
year.
Actually
Sushmita
and
I
were
going
to
do
another
film
but
that
film
wasn't
working
for
many
reasons
so
we
decided
to
do
a
hip-urban
movie.
I
thought
it
would
be
really
nice
to
see
Sushmita
not
as
Sushmita
but
as
a
rock
star.
She
is
someone,
who
is
very
urban
at
the
same
time
very
hip,
hot
and
successful
and
who
is
also
doing
well
for
herself.
Also
at
the
same
time
she
is
single
mother
in
the
movie.
She
is
somebody
who's
not
a
typical
rock
star.
I
thought
it
would
be
a
very
interesting
image.
Through
that
a
story
and
screenplay
developed.
Sushmita
agreed
and
she
was
so
good
and
appropriate
for
the
role
that
it
would
have
been
a
tragedy
if
we
wouldn't
be
able
to
do
it
without
her.
Since
most
of
your
movies
have
conveyed
some
message,
what
are
you
trying
to
say
this
time?
There
are
many
things.
Of
course
I
won't
be
able
to
reveal
the
main
plot
but
there
are
many
things
like
the
movie
is
full
of
hope.
The
movie
looks
forward
to
say
that
life
goes
on.
There
will
be
relationships,
joys
and
sorrows,
problems
but
the
stream
of
life
always
flows.
And
towards
that
end
every
character
lives
in
the
movie.
Every
character
plays
his
or
her
role
in
order
to
make
life
fulfilling.
Other
than
that
there
are
many
love
stories.
There
is
a
love
story
between
Shiny
and
Sushmita,
her
relationship
with
her
ten
year
old
son
and
that's
a
really
amazing
love
story
because
they
are
like
friends.
It
also
talks
about
her
relationship
with
her
mother.
It's
a
family
where
there
are
all
women.
Moushmi
Chatterjee
plays
the
double
role
of
twin
sisters
and
both
can't
stand
each
other.
One
is
very
serious
and
the
other
one
is
a
party
animal.
Then
there
is
Kim
Sharma,
who
plays
her
manager.
She
is
like
her
sister
so
it's
a
unique
set
of
relationships
and
how
they
confront
with
the
really
big
crisis
in
their
life
and
how
they
deal
with
it.
Basically
the
message
is
how
you
can
make
Zindaggi
Rock
by
living
every
moment
beautifully
and
by
giving
completely
as
much
as
you
can.
Main
protagonist
of
your
film
is
a
rock
star.
Was
Sushmita
your
first
choice
or
did
you
considered
some
other
actress
before
her?
The
role
was
thought
with
idea
of
a
rock
star,
a
vivacious
woman,
who
speaks
her
mind.
A
woman,
who
loves
with
all
her
heart
and
has
a
ten
year
old
son
so
this
whole
image
was
Sushmita
Sen
to
me.
I
would
have
been
really
sad
if
she
had
said
no.
She
is
just
perfect
and
it's
not
a
mother,
who
has
to
be
a
typical
mother
and
neither
a
rock
star
has
to
be
a
typical
rock
star.
The
basic
line
is
that
greatness
is
sometimes
found
in
unusual
places.
What
made
you
to
sign
Shiny
opposite
Sushmita?
Well,
Sushmita
is
a
difficult
person
to
cast
with,
because
she
has
a
really
huge
screen
personality.
Even
while
I
was
shooting,
I
like
the
way
she
was
doing
it
but
later
when
I
was
editing
it
would
become
even
more
enlarged.
I
don't
know
how
that
happened
but
it
happens
when
people
have
that
charisma.
It
just
comes
so
much
more
on
the
screen
when
you
are
watching
it
rather
than
just
directly
seen
as
in
person.
So
it
was
difficult
to
cast
any
actor
opposite
her
because
many
men
look
pale
in
front
of
her.
I have always liked working with interesting people and the time we cast Shiny, he was basically new. I had only seen the promos of his first movie Hazaron Khwaishon Aisi. That time he had not even received those awards and Gangster had not even released but just from the promos I could make out that this guy will be a really good actor. I was instinctively convinced that he is a fantastic actor so I spoke to the producer. I convinced her that this is the right guy. Now I am really happy that it's not just my conviction that has come true but others too appreciating his performance. So it's right timing for my film because it's very good that we started off with the new person but now my film has someone, who is a star so that's really great!
What
was
the
reason
behind
Maushmi's
double
role?
Was
it
a
requirement
of
script?
It
was
totally
in
the
script.
The
idea
was
to
have
an
unusual
and
funny
family.
For
Sushmita
she
has
a
mother
named
Mrs.
Sengupta,
who
is
very
serious.
She
has
a
library
of
thousand
books
but
I
thought
there
would
be
interesting
to
off
set
her
seriousness
with
somebody
who's
just
opposite
to
her.
She
goes
out
for
parties
with
Sush.
So
its
really
good
fun
to
see
both
of
them
and
Moshumi
is
the
only
one
who
could
pull
it
off.
She
is
extremely
amazing,
emotional
and
a
dramatic
actress
and
at
the
same
time
she
is
very
funny
so
she
could
do
the
two
ends
of
the
spectrum
well.
Any
actor
would
have
enjoyed
doing
that
role
as
you
get
to
play
two
extremes.
It's
nice
to
see
these
two
bickering
sisters
and
there
is
a
point
when
they
do
come
together
and
also
learn
to
love
each
other
after
of
course
many
years.
According
to
Sushmita,
male
actors
get
lot
of
attention
when
a
women
filmmaker
directs
a
film.
What's
your
take
on
this?
She
teases
me
a
lot
and
this
is
one
of
her
favorite
jokes,
which
is
completely
nonsense.
It's
nonsense
that
I
paid
more
attention
to
Shiny
than
to
her.
She
sounded
very
funny
when
she
teased
me
and
said
"Oh,
you
know,
you
are
more
interested
the
way
Shiny
is
doing
the
shot
and
not
interested
the
way
I
am
doing
it." But
believe
me
it's
not
true
in
any
case.
I
am
the
kind
of
director,
who
really
likes
instructing,
pushing
and
making
something
really
beautiful
to
come
out
in
terms
of
performance.
I
have
worked
a
lot
with
Shiny
in
this
movie
as
well
with
Sush
and
they
both
have
performed
well.
I
am
feeling
fulfilled
to
see
the
actors
doing
so
well.
Once
again
I
would
like
to
say
that
her
joke
is
complete
nonsense.
Don't
believe
Sushmita
Sen's
joke.
You
have
always
worked
on
feministic
subject.
ZR
is
also
on
the
same
lines?
I
wouldn't
say
this
is
a
female
oriented
film
where
a
woman
does
everything.
Yes
her
character
is
really
strong.
It's
really
powerful
and
has
lots
of
shades
in
it.
There
is
softness
and
intensity
and
at
the
same
time
being
a
performer
she
is
loud.
Shiny's
role
is
big,
if
not
bigger.
It
may
be
little
than
Sushmita
but
it's
certainly
not
less
powerful
or
any
less
important.
So
I
would
say
it's
as
much
about
Shiny
Ahuja
as
it
is
about
Sushmita
Sen.
Its
not
in
that
sense
a
female
oriented
film.
I
can
never
make
the
movie,
where
female
characters
are
weak
or
they
are
weakly
written
or
they
are
just
vague
or
unimportant.
That's
not
possible
for
me.
But
I
wouldn't
say
that
this
is
a
feminist
film.
I
mean,
I
don't
like
female
characters
to
wave
a
flag
and
say
that
we
stand
for
this
and
that.
I
think
action
speaks
louder
than
the
words
and
even
in
this
case
the
way
the
character
leaves
her
life
and
the
way
she
wants
the
people
in
her
life.
That's
how
a
woman
should
be
and
not
like
a
woman,
who
fights
for
a
cause
all
the
time.
As
you
said
you
don't
want
weak
female
characters
in
your
film,
so
are
you
a
feminist
in
real
life?
No,
I
think
a
lot
of
your
life
comes
into
your
movie.
Again
like
I
said
I
don't
like
flag-waving
women
as
I
have
lived
my
life
and
will
continue
to
live
with
the
way
I
think
is
right
and
dignified.
I
think
that's
the
way
even
if
it
is
not
the
conventional
way.
So
yes
my
feelings
in
real
life
are
very
much
to
what
comes
into
my
movies.
I
may
not
have
experienced,
say
what
Kajol's
character
went
through
in
Dushman
or
what
Priety
has
done
in
Sangharsh
and
at
the
same
time
I
am
not
a
Rock
Star
but
I
can
feel
it
as
a
woman.
What
I
think
is
that
important
issues
in
the
world
those
have
certainly
found
their
ways
into
the
movie
have
been
spoken
through
my
characters.
How
was
the
whole
experience
like?
Well,
filmmaking
is
not
fun,
it's
tough
and
lot
of
hard
work
is
involved.
Its
people
management,
lot
of
sweat
and
grime
and
fighting
and
persuading
and
requesting
all
these
kinds
of
things
happen.
But
this
is
my
job
so
I
am
not
complaining.
From
outside
it
may
feel
like
a
fun
job
as
there
are
some
funny
moments
but
most
of
the
times
its
hard
work
like
all
other
jobs.
Sometimes
it's
erratic.
You
have
long
days
and
then
you
have
the
patches,
where
there
is
nothing
happening
and
then
you
depend
on
an
unpredictable
thing
which
is
called
human
response.
So
it's
completely
subjective
that
the
whole
year
you
work
on
one
thing
that
you
offer
to
the
people
and
it
depends
on
whether
they
like
or
dislike
it.
So
it's
a
very
shaky
business
to
be
in.
After
directing
several
films
do
you
still
feel
the
same?
No.
I
have
a
certain
good
feeling,
which
has
turned
out
with
the
beautiful
moments
that
I
wanted.
Of
course,
what
you
start
off
with
in
your
mind
is
often
different
at
the
end.
It's
a
team
effort.
While
writing
is
easy
as
you
can
write
anything
you
want,
but
when
you
actually
work
on
it
there
are
so
many
things
that
you
have
to
take
into
account.
The
magic
happens
when
it's
a
collective
effort.
I
am
really
happy
with
the
way
this
film
has
come
out.
I
am
proud
of
this
film
and
I
am
hoping
it
will
do
well.
What
is
your
expectation
this
time?
Well,
like
I
said
it's
a
unique
and
completely
original
story.
I
know
most
directors
love
to
feel
that
their
work
is
very
different
and
unusual.
I
always,
in
any
case,
want
to
do
that
and
I
have
done
that
within
a
commercial
framework.
I
always
wanted
to
make
unusual
movie
and
I
have
had
unusual
plot
as
well.
Now
I
can
safely
say
that
I
haven't
seen
this
story
in
any
Hindi
movies
so
far.
There
is
a
huge
drama
that
happens
in
the
film
effortlessly.
Off
course
you
will
find
it
when
you
see
it.
I
think
the
plot
and
story
works.
Performances
are
nice
and
I
am
really
happy
with
the
music,
which
is
being
liked
by
the
people.
You
might
have
had
some
memorable
incidents
on
the
set,
share
some
with
us.
Yes,
but
the
worst
is
when
Sushmita
hurt
herself.
As
a
director
you
don't
want
any
actor
to
be
hurt
ever.
Even
when
I
have
done
more
physical
actions
like
rape
scenes
or
fighting
sequences
in
my
earlier
movies
any
actor
has
never
been
hurt.
This
time
in
a
dance
sequence
she
aggravated
her
back
badly.
But
this
time
it
was
just
a
bad
luck.
Well,
when
it
has
to
happen,
it
happens.
Tell
us
something
about
the
snake
story
that
happened
while
shooting
ZR.
Is
it
true
that
Sushmita
prayed
before
snake?
Yes.
We
have
photographs
of
it.
I
was
shooting
in
a
club,
which
was
quite
open.
There
was
a
cobra
sitting
there.
I
am
not
an
animal
lover
so
I
said
"let's
get
out
of
here." I
didn't
want
to
stop
shooting
though.
And
before
I
knew
it,
she
sat
in
front
of
the
cobra
and
started
praying.
She
has
lot
of
guts
and
complete
conviction
and
faith.
She
is
great
believer
of
Lord
Shiva
and
obviously
the
Snake
God.
She
convinced
that
the
Snake
God
has
visited
us
where
we
are
shooting
and
we
have
to
pay
sort
of
respects
to
it.
Where
have
you
shot
this
film?
We
have
shot
in
Mumbai.
What
is
the
USP
of
this
film?
Why
should
people
go
and
watch
Zindaggi
Rocks?
Well,
the
USP
of
every
film
is
generally
its
story.
Yes,
you
can
have
very
big
stars
to
pull
audience
but
beyond
that
the
foundation
of
the
movie
is
the
story.
I
would
certainly
say
that
a
strong
plot
and
powerful
story
and
add
to
a
complete
beautiful
and
wonderful
person
called
Sushmita
Sen.
There's
Shiny
Ahuja,
whom
people
are
increasingly
liking
as
a
good
performer.
While
from
the
promos
one
can
easily
detect
the
emotional
part
of
the
movie
which
is
what
finally
touches
an
audience.
That's
how
we
could
pull
them
in
and
I
am
hoping
they
will
find
something
that
will
make
them
laugh
and
cry
as
well.
What
after
Zindaggi
Rocks?
There
are
two
scripts
with
me
and
I
am
in
the
process
of
choosing.
What
is
happening
to
your
English
movie
Hope
and
a
Little
Sugar?
This
film
has
been
made
totally
in
the
format
of
the
English
movie,
which
means
there
are
no
mixing
songs.
The
language
is
off
course
English
but
the
emotional
tone
is
softer
and
more
the
way
English
movies
are
and
less
like
Hindi
movies.
For
me
it
was
a
very
good
experiment.
I
was
given
this
offer
and
I
just
jumped
because
it
gave
me
the
opportunity
to
write
an
unusual
script
without
thinking
that
it
will
work
on
box
office
or
not.
Sometimes
you
have
to
keep
your
mind
a
lot
with
the
Hindi
films
so
I
didn't
have
to
do
that.
This
movie
is
very
close
to
my
heart.
It's
a
Sikh-Muslim
love
story
with
the
backdrop
of
9/11.
How
something
like
this
has
changed
a
normal
person
like
you
and
me.
It's
called
Hope
and
a
Little
Sugar
as
it
has
resolution
that
looks
to
a
future
where
we
can
all
live
with
each
other
even
though
our
religion
may
be
different.
This
movie
is
a
part
of
the
festivals
first
before
the
release.
Your
last
film
Film
Star
didn't
have
a
theatrical
release
and
was
released
only
on
DVD.
Do
you
feel
bad
about
it?
No
it
wasn't
released
on
DVD.
It
was
first
released
by
Sahara
on
television.
Yes,
off
course
it's
disappointing
as
any
director
wants
to
have
a
theatrical
release
of
their
film
and
not
on
television.
But
I
am
not
the
producer
so
there
is
nothing
much
I
can
do
about
it.
I
do
wish
that
it
could
have
released
in
theatres
but
it
wasn't,
so
you
live
and
you
learn.
Even
though
it
was
a
television
release,
they
should
have
done
the
promotion
on
television
to
get
more
viewership
so
I
think
that's
the
real
failing.
Since
you
have
consistently
made
a
certain
kind
of
film,
do
you
think
a
director
should
stick
to
a
specific
genre
in
which
he/she
is
successful?
No
I
don't
think
a
director
must
certainly
not
stick
to
any
one
kind
of
movie
or
genre,
because
it
means
you
are
limiting
yourself.
Yes,
a
director
is
certainly
good
at
one
kind
or
better
at
one
kind
than
the
other
kind
of
cinema.
So
you
should
milk
it
for
all
its
worth
and
make
sure
that
you
squeeze
all
your
plots
that
are
there
in
your
head
and
fits
into
that
genre.
My
favorite
is
a
dramatic,
intense
and
emotional
story
and
that
is
the
genre
I
personally
like
to
work
on
so
I
am
naturally
towards
that.
But
if
there
is
a
time
when
I
feel
I
am
comfortable
enough;
I
would
like
to
try
my
hands
on
comedy.
I
am
a
funny
person
in
real
life
but
that
doesn't
mean
that
you
will
make
funny
movies.
And
comedy
is
very
difficult
to
do.
I'll
plan
to
do
it
sometime
later
but
not
immediately.
I
think
for
a
while
I
will
continue
in
the
slightly
dramatic,
thriller
genre.
But
I
would
like
to
try
all
for
sure.
You
had
written
the
screenplay
of
Dil
To
Pagal
Hai.
After
that
you
didn't
work
with
Yash
Chopra
in
any
of
the
films?
Yes
but
that
was
long
ago.
It's
not
my
kind
of
movie.
I
have
co-written
it.
When
the
offer
came
from
them
asking
me
to
develop
a
certain
story
they
had
in
mind
into
a
screenplay
it
sounded
interesting
at
that
time.
But
basically
there
was
no
story.
They
showed
these
two
people
who
don't
meet
till
halfway
point
of
the
film
but
there
is
a
kind
of
love
happening.
However
now
I
write
only
for
myself.