Courtesy:
IndiaFM
Tuesday,
August
07,
2007
Curb
your
tendency
to
run
the
gamut
of
the
pun.
Cash
is
no
trash.
It's
as
nonsensically
nifty
as
any
of
those
cool
capers
from
Hollywood
like
Ocean's
Dus,
gyarah,
barah….whatever!
Dus
director
Anubhav
Sinha
goes
bust….women
of
every
shape
and
size
show
up
on
screen
to
giggle
and
heave.
And
take
on
the
boys
in
the
game
of
acquisition.
In
one
item
song
which
goes
Rahem
kare,
Choreographer
Rajiv
Goswami
makes
the
Brazillian
bombshell
point
her
palm
to
an
unmentionable
part
of
her
anatomy.
And
still,
Cash
steers
as
far
away
from
any
hint
of
vulgarity
as
conceivable.
The
hot
babes
with
their
catch-me-if-can
attitude
match
steps
in
the
strip-and-groove
game
with
the
cool
dudes
in
their
never-ending
collection
of
designer
glasses.
Is
Cash
co-sponsored
by
Ray-ban?
If
it
is,
then
this
is
as
close
as
director
Sinha
comes
to
Satyajit
Ray
in
this
urbane
caper
that
goes
from
hot
chick
to
ubane
chic
at
the
flick
of
trendy
wrist.
Or
wait
….is
Cash
a
free-flowing
endorsement
for
sun-tan
lotion?
As
the
cast
gets
sensuously
and
seductively
soaked
in
the
Cape
Town
sun
you
look
for
the
South
Africa
that
director
Feroz
Abbas
Khan
visits
in
the
other
release
this
Friday
on
the
life
of
Gandhi
and
his
son.
There
are
no
fathers
and
sons
in
Cash.
But
Suniel
Shetty(looking
extra-dapper
and
supremely
suave
in
his
svelte
suits
and,
yes,
cool
sunglasses)
has
an
adopted
uncle
with
whom
he
does
dirty
deals
and
finally
shoots
pointblank.
The
point,
if
you
must
know
is…there's
no
point
to
this
heera-heist.
Anubhav
Sinha
gate-crashes
into
a
zone
of
singy
amorality
where
boys
try
to
be
men
and
men
try
to
get
extra-pally
with
the
women.
James
Bond
meets
Brij
Sadanah
in
this
coolly
contemporized
version
of
Sadanah's
Chori
Mera
Kaam.
Diamonds
may
be
forever.
Cash
makes
them
dazzle
and
sparkle
for
two
hours
of
sinful
designer-entertainment.
Stylishly
mounted
and
edited
to
the
point
of
conveying
a
cutting
edge
of
glistening
gaiety
to
even
a
casual
conversation
on
the
road,
Cash
provides
a
crash-course
in
how
to
make
a
celluloid
diamond-heist
not
go
to
waste.
Waist
is
where
the
plot
gets
its
wriggle.
Shamita
Shetty
is
specially
spunky
and
spicy
as
she
woos
the
rather
oddly
made-up
Ajay
Devgan.
Yup,
she's
the
one
to
watch.
Devgan
plays
a
delectably
subverted
Superman-styled
double-life
character.
For
Shamita
he's
a
mellow
peace-loving
writer.
For
Diya
Mirza(who
also
has
the
hots
for
Suniel
Shetty….these
gold-digging
diamond
dames…I
tell
you!)
Devgan
is
a
Santa-Banta
reciting
entertainer-cum-heist-merchant.
After
a
while
it
becomes
hard
to
tell
who's
doing
what
to
whom
and
why.
Screenwriters
Yash-Vinay
go
back
to
all
the
capers
from
Victoria
203
to
Dhoom...
and
come
up
with
a
crime-pays
saga
that
keeps
the
adrenaline
flowing
and
the
cars,
motorboats
and
choppers
move.
The
dialogues
and
situations
are
genuinely
funny…specially
the
exchanges
between
Devgan
and
Shetty,
and
between
Zayed
Khan
and
Riteish
Deshmukh
who
play
a
couple
of
heist-hawkers
who
often
end
up
trying
to
commit
the
same
crime
at
the
same
place
Zayed
and
Riteish
infuse
their
ha-ha-ha
heroism
with
a
pop-panache.
You
can't
touch
these
wannabes,
really!
Not
with
the
aerial
and
water
stunts
swarming
the
dapper
frames
in
motions
of
curled-up
cosmpolitanism.
Ironically
the
most
entertaining
performance
comes
from
Howard
Roseneyer
as
a
nose-in-the-air
yatch
manager
pressurized
by
the
cops
to
blow
Ajay
Devgan's
lid.
There
is
a
genre
of
cinema
that
tilts
its
stylish
topi
to
the
art
of
jalebi
storytelling.
Wheels
wind
their
way
into
wheels,
and
then
some
more
wheels
in
this
pulse-pounding
ode
to
the
spirit
of
audacious
derring-do.
Don't
look
for
a
linear
cogent
narrative
design,
as
Anubhav
Sinha
merges
crimes
and
cops,
audacious
animation
and
heart-in-the-mouth
stunts
in
a
mix
that
keeps
you
watching….numb-stop.