By:
Joginder
Tuteja,
IndiaFM
Wednesday,
July
11,
2007
There
was
a
time
[around
a
decade
or
more
back]
when
good
music
was
primarily
associated
with
love
stories
or
family
dramas.
Neither
the
film
makers
made
an
extra
effort
nor
'aam
junta'
had
major
expectations
from
listening
to
something
that
could
qualify
as
a
chartbuster
from
the
musical
score
of
a
hardcore
action
movie.
But
not
anymore!
Films
like
Mohra,
Kaante,
Musafir,
Dhoom
franchise
and
last
but
not
the
least,
Dus,
changed
the
trend
as
at
least
of
couple
of
major
foot
tapping
tracks
[read
item
numbers],
became
a
basic
requirement
for
an
action
film
to
be
promoted
aggressively.
Not
just
these
tracks
were
used
for
eye
candy
purpose,
they
were
also
used
for
promoting
the
action
sequences
of
the
film
while
playing
in
the
background
of
the
razor
sharp
promos.
'Mast
Mast'
[Mohra],
'Rama
Re'
[Kaante],
'Ishq
Kabhi
Kariyo
Naa'
[Musafir],
'Dhoom
Machale'
[Dhoom],
'Dhoom
Again'
[Dhoom
2],
'Dus
Bahane'
and
'Deedar
De'
[Dus]
are
some
of
the
examples
that
immediately
come
to
one's
mind.
This
is
why
the
score
of
Cash
is
expected
to
be
special
with
expectation
being
pretty
high,
if
not
sky
high.
Reasons
are
aplenty.
First
and
foremost
the
film
belongs
to
action
genre
which
gives
it's
composer
duo
of
Vishal
and
Shekhar
ample
opportunity
to
go
wild
in
a
way
only
they
can.
Secondly,
the
film
has
eye
candy
in
the
form
of
Shamita
Shetty,
Diya
Mirza
and
Esha
Deol
which
means
ready
ammunition
waiting
to
explode
if
there
are
right
ingredients
in
place
to
make
them
dance
to
the
beats.
Thirdly,
the
film
brings
together
Anubhav
Sinha
and
Vishal-Shekhar
after
'Dus'
(they
did
have
a
'qawalli'
in
Tathastu
though).
Nothing
works
like
a
tried
and
tested
combination!
Fourthly,
on
checking
the
credit
details
one
realizes
that
Vishal
Dadlani
is
present
throughout
the
album
in
the
capacity
of
a
singer.
Well,
he
has
sung
a
song
or
two
in
his
earlier
albums
too
but
an
entire
soundtrack
is
a
first!
In
fact
except
for
a
solo
track
by
Panchhi
Jalonvi,
Vishal
also
writes
the
remaining
tracks.
So
without
waiting
any
further,
one
jumps
into
Cash
with
the
volume
being
raised
to
the
maximum
possible.
It
was
not
a
bad
choice
after
all
to
have
pumped
up
the
volume
since
the
opening
track
Cash
has
just
about
everything
that
one
expects
from
Vishal
Shekhar
when
they
are
in
the
mood
to
go
unconventional
and
create
a
new
sound.
An
out
and
out
western
track
with
elements
of
rap-n-reggae
thrown
in
good
measure
for
creating
a
rocking
feel,
Cash
is
sung
by
both
Vishal
and
Shekhar.
What
impresses
further
is
Sunidhi
Chauhan
who
modulates
her
voice
once
again
and
makes
a
smashing
entry
by
taking
the
song
to
a
different
level
altogether.
An
item
song
that
is
expected
to
play
in
the
opening
title
rolls,
Cash
follows
the
theme
of
the
movie
as
it
talks
about
how
cash
makes
the
life
go
around.
Another
version
of
the
song
comes
later
with
the
sound
of
a
hovering
helicopter
in
the
background
creating
an
action
feel.
R.D.
Burman
would
have
been
proud
today
on
hearing
'Naa
Puchho'
as
it
is
a
homage
to
the
maestro's
style
of
composing
a
melody.
Vishal-Shekhar
keep
the
feel
of
the
late
70s/early
80s
intact
but
while
doing
so
they
add
on
their
own
bit
of
the
technology
available
in
21st
century
and
create
a
smashing
impact
out
of
'Naa
Puchho'.
Hear
the
manner
in
which
fast
forward
technique
is
used
(or
has
Vishal
actually
sung
it
that
fast?)
to
make
the
opening
words
of
'Naa
Puccho'
flow
rapidly
and
you
would
know
what
we
mean!
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