By:
Priyanka
Sinha
IndiaFM
Tuesday,
August
28,
20
It
was
with
great
trepidation
that
I
watched
Chak
De!
India
after
several
assurances
and
I
am
willing
to
admit
that
I
was
pleasantly
surprised.
There
was,
to
begin
with,
Shahrukh
Khan
looking
absolutely
dishy
in
the
carefully
careless
look.
He's
been
complaining
about
the
facial
fuzz
but,
really,
he
should
keep
it.
And
the
shades
of
silver
showing
up
are
not
too
bad
either.
Khan
can
go
ahead
and
age
gracefully
for
the
years
sit
well
on
him,
enhancing,
rather
than
taking
away
from
his
sex-appeal.
Going
by
the
response
from
the
women
in
the
audience,
I
am
certain
that
they
would
agree.
Speaking
of
women
brings
me
to
the
other
most
appealing
part
about
the
film-the
gender
issue.
The
bit
about
women"s
empowerment.
The
film
is
being
touted
as
a
sporty
film
which
it
most
certainly
is,
but
there
are
several
themes
that
leap
out
as
you
watch
the
story
unravel
before
you
on
the
screen.
And
the
attitude
towards
women
is
one
such.
It
isn"t
just
that
hockey,
our
national
game,
is
not
given
enough
importance-the
indifference
and
apathy,
if
one
were
to
go
by
the
facts
is
even
more
abject
when
it
comes
to
women
players.
Cricket
may
be
a
craze
in
India
but
very
little
attention
is
paid
even
to
our
women
cricketers
who
have
several
proud
achievements
to
their
credit.
Some
lame
efforts
were
made
--
Mandira
Noodlestrap
Bedi
was
roped
in
to
popularise
women's
cricket
though
not
much
came
of
it.
Sania
Mirza,
the
face
of
Indian
women"s
tennis,
is
a
happy
exception
and
not
the
rule.
The
attitude
towards
women
sportspersons
I
think
can
safely
be
divided
into
the
indifferent
and
the
frivolous.
While
the
first
is
linked
to
the
notion
that
expending
resources
on
sports
played
by
women
is
wasteful,
the
second
believes
that
as
far
as
women
are
concerned,
only
sports
with
the
perception
of
glamour
attached
to
them,
such
as
tennis,
stand
a
chance.
A
glamorous
postergirl
for
a
sport
may
add
to
its
following,
but
it
is
certainly
not
enough
as
sportswomen
like
Anjali
Bhagwat
will
tell
you.
Which
brings
me
back
to
the
film
--
it
was
indeed
a
relief
that
the
girls,
none
of
them
was
presented
like
a
prom
queen
who,
scores
more
points
with
the
M&B
hero
like
coach
batting
her
eyelids,
goes
through
the
motions
of
falling
in
love
and
walks
into
the
sunset
or
the
shaadi
mandap.
Each
character
etched
with
care
was
endearing
and
as
in
life,
even
the
worst
was
not
without
a
redeeming
side.
There
is
Preeti
Sabharwal,
who,
in
addition
to
a
pretty
head
is
shown
to
be
a
self-respecting
young
woman,
an
achiever
to
boot
who
thinks
nothing
of
asking
her
pompous
fiancee,
a
successful
cricketer,
to
take
a
hike.
Vidya,
the
captain
of
the
team,
the
maska
-chaska
girl
in
a
de-glam
look
is,
however,
the
coach's
favourite
because
of
the
quiet
maturity
she
displays.
Bindiya
the
bad
girl
is
ambitious,
difficult
and
well,
almost
impossible
though
undeniably
talented.
I
could
go
on.
In
spite
of
the
few
post-release
interviews
that
the
girls
have
given,
I
can't
recall
their
real
names
but
the
onscreen
characters
stay
with
you
a
while
after
the
lights
come
on.
A
grouse
that
most
women
have
with
mainstream
cinema
is
the
bimbette
stereotype
that
is
played
out
over
and
over
again.
It's
been
a
while
since
Hema
Malini"s
inimitable
Basanti
in
Sholay
has
been
replicated.
Urmila
Matondkar"s
Milli
in
Rangeela,
Chitrangada
Singh"s
Geeta
in
Hazaaron
Khwaishein
Aisi
and
Tabu"s
Nina
in
Cheeni
Kum
come
to
mind.
The
latter
two,
however,
belong
to
the
genre
that
is
referred
to
as
multiplex
cinema
for
an
urban
audience
and
not
the
more
popular
masala
movies.
Sridevi,
and
to
a
lesser
degree,
Madhuri
Dixit,
were
the
last
divas
who
shared
equal
screen
space
with
the
leading
men
of
their
times
which
was
indeed
long
ago.
Is
the
lot
of
women
hockey
players
in
India
going
to
improve
after
Chak
De!
India?
I
don't
think
so.
But
I
most
certainly
hope
that
the
way
roles
are
written
for
women
in
Hindi
films
does.
And
yes,
a
certain
Mr
Sahni
can
take
a
bow.