Thursday,
October
11,
2007
Farah
Khan
confesses
that
the
concept
of
her
second
film
as
a
director
–
the
Shahrukh
Khan-Deepika
Padukone-starrer
Om
Shanti
Om
was
generated
from
her
show
Bombay
Dreams.
"While
I
was
watching
the
show,
I
realized
that
for
the
NRI
audiences,
black-and-white
films
have
been
frozen
in
their
hearts
forever,
especially
because
of
the
kind
of
costumes
that
the
actors
used
to
wear," Farah
said
when
I
met
her
for
this
interview
at
Hotel
Land's
End
in
Bandra.
She
continued:
"I
thought
that
the
70s
were
the
most
interesting
period,
be
it
Sholay
with
Amitabh
Bachchan
and
Dharmendra
or
Amar
Akbar
Anthony
with
Amitabh
Bachchan,
Rishi
Kapoor
and
Vinod
Khanna.
Things
went
downhill
only
from
the
80s.
Styling
was
very
unique
in
the
70s."
Inspired
by
the
phase,
the
first
half
of
Om
Shanti
Om
has
been
set
30
years
back,
in
1971.
Even
in
Main
Hoon
Na,
Farah's
maiden
venture
as
a
director
–
she
made
Shahrukh
wear
bell-bottoms
like
in
the
good
old
70s.
Now,
Om
Shanti
Om
has
been
treated
like
a
period
film.
"We
made
it
a
point
to
do
a
lot
of
referencing
during
the
pre-production
stage
of
the
film.
We
got
lots
of
junior
artistes
from
the
70s.
In
fact
we
had
to
hunt
for
the
cars
which
were
in
vogue
back
then.
Ultimately,
we
managed
to
lay
our
hands
on
the
Mercedes
that
once
belonged
to
Rajesh
Khanna
and
Hema
Malini.
We
hired
the
godown
of
R.K.
Studios
where
a
lot
of
used
costumes
and
cars
were
lying,"
the
director
recalled.
Farah's
choice
of
Shreyas
Talpade
was
finalized
after
she
watched
him
in
Subhash
Ghai's
Apna
Sapna
Money
Money.
As
for
today's
actresses,
the
director
thinks
none
have
the
poise
and
the
dignity
that
the
leading
ladies
of
the
70s
had.
"Deepika
has
this
old-world
charm
and
beauty
about
her.
I
did
a
'look
test' with
her
before
taking
her
as
my
leading
lady.
What
I
liked
about
her
is
that
she
is
at
home
in
all
kind
of
costumes.
Deepika
fits
the
role
well,
like
Hemaji
in
the
70s."
To
prepare
the
newcomer
for
the
role,
Farah
gave
her
voice
training
and
dance
classes,
besides
the
three-month
acting
course
with
Anupam
Kher.
Deepika's
previous
experience
of
acting
in
a
Kannada
film
was
an
added
help.
King
Khan,
too,
promptly
agreed
to
Farah's
proposal
to
get
six
pack
abs.
"Shahrukh
just
asked
for
three
months
and
he
worked
hard.
He
told
me
that
if
he
did
not
get
the
six
packs
he
would
not
take
off
his
shirt
in
front
of
the
camera.
I
always
felt
that
he
should
do
an
item
song
at
least
once.
I
think
it
is
a
great
makeover
at
the
age
of
42
when
others
become
too
old.
I
have
shot
Shahrukh
like
Ramgopal
Varma
shoots
his
heroines."
Farha
thinks
Om
Shanti
Om
takes
a
"mad
look" at
the
film
industry
today,
revealing
its
happy
side
which
she
has
always
seen
till
date.
The
director
is
grateful
to
all
the
31
stars
who
consented
to
take
part
in
a
sequence
in
her
film,
adding
to
its
glamour
quotient.
"Mithun
caught
the
first
flight
from
Kolkata,
while
Dharamji
and
Jeetuji
agreed
to
come
within
just
half-an-hour
of
me
and
Shah
Rukh
calling
them
and
requesting
them
to
oblige
us
by
making
special
appearances
in
our
film.
I
feel
that
the
ideal
combo
of
the
70s
would
have
been
Dharamji
and
Amitabh
Bachchan,"
Farah
mused.
But
with
each
great
idea
comes
a
small
glitch.
Farah's
grandiose
idea
of
bringing
together
Dilip
Kumar,
Shammi
Kapoor
and
Dev
Anand
went
for
a
toss
when
the
latter
refused
to
do
a
special
appearance.
In
this
day
and
age,
Shahrukh
is
the
best.
She
confesses
that
she
finds
it
difficult
to
work
with
other
actors
after
having
worked
with
him.
"Frankly,
Shah
Rukh
and
I
did
not
know
the
budget
for
Om
Shanti
Om
when
we
launched
the
project.
I
feel
it
is
tacky
to
talk
about
your
budget
before
your
film
is
released.
If
you
make
a
movie
in
Rs
10
crores,
it
can
be
good."
As
on
the
professional
front,
the
going
is
great
on
the
personal
front
too
for
Farah.
The
mother-to-be
is
expecting
triplets
by
March
next
year.
She
confesses
that
she
has
happily
retired
from
choreography
and
will
work
on
a
project
only
if
it
is
her
own.
In
fact,
she
has
vowed
not
to
take
up
any
choreography
work
even
if
it
is
her
husband
Shirish
Kunder's
film
or
her
brother
Sajid
Khan's
film.
Post-release
of
Om
Shanti
Om,
Farah
would
start
work
on
the
script
of
Happy
New
Year.
"The
script
of
that
film
was
not
happening
the
way
we
wanted
it
to.
Hence
we
have
kept
the
project
on
hold
till
Om
Shanti
Om
is
released," Farah
explained.
As
of
now,
Farah
is
basking
with
pride
for
the
way
Om
Shanti
Om
has
shaped
up.
She
had
loved
the
compositions
of
Anu
Malik
in
her
maiden
venture
as
a
director
Main
Hoon
Na.
"But
I
wanted
a
change
in
Om
Shanti
Om,
especially
after
Indian
Idol
3.
I
desperately
needed
a
break
from
Anu
who
was
my
co-judge
on
the
show
Indian
Idol
2,"
said
the
plain-speaking
woman.