Monday,
November
05,
2007
Sanjay
Leela
Bhansali
blends
commercial
cinema
with
art
with
his
latest
offering,
Saawariya,
where
he
introduces
Ranbir
Kapoor
and
Sonam
Kapoor.
He
is
considered
one
of
the
best
directors
in
the
country,
and
he
acknowledges
this.
More
from
the
man
with
the
guts
to
try
something
new.
Q.
Are
you
nervous
about
your
forthcoming
release,
Saawariya?
A.
Absolutely
not.
I
get
nervous
before
making
a
movie,
not
after.
I
keep
thinking,
before
I
make
a
film,
how
it
will
look,
what
people
will
say,
will
it
be
better
than
my
previous
works,
etc.
All
these
thoughts
make
me
nervous.
However,
the
satisfaction
I
get
after
completing
a
film
is
immense.
I
do
not
get
too
excited
with
the
success
of
a
film,
nor
do
I
get
too
disappointed
with
its
failure.
Q.
Did
the
script
demand
fresh
faces,
or
was
there
something
else
on
your
mind?
A.
I
have
worked
with
stars
in
all
my
films
till
date.
After
Black,
where
I
worked
with
Amitabh
Bachchan
and
Rani
Mukherjee,
I
wondered
to
myself,
"Now
what?" I
thought
I
could
either
make
an
offbeat
film,
or
return
to
mainstream
stuff.
The
appreciation
I
had
received
after
Black
could
be
sustained
only
if
I
got
new
actors
for
my
next.
I
challenged
myself
–
I
had
to
make
something
that
was
different
from
all
the
movies
I
have
directed
so
far,
and
so
I
took
the
first
step
towards
Saawariya.
The
two
of
them
–
Ranbir
and
Sonam
–
were
my
assistant
directors.
However,
when
they
came
to
work
for
me,
I
knew
that
they
were
here
to
act,
not
do
anything
else.
I
had
also
taken
screen
tests
of
both.
Working
with
newcomers
makes
me
feel
young
all
over
again.
Q.
You
had
already
gauged
the
talent
of
the
two
leads.
When
you
first
began
work
with
them,
what
was
your
experience?
A.
As
far
as
I
am
concerned,
both
did
not
know
how
to
act.
I
asked
them
to
enact
or
impersonate
their
favourite
hero
and
heroine.
After
the
training
in
acting,
I
made
them
train
in
dancing.
They
have
the
talent,
but
I
taught
them
how
to
use
it.
They
were
willing
to
learn
–
they
did
whatever
I
asked
them
to.
This
carried
on
for
one
and
a
half
years,
and
then
we
started
shooting.
They
were
quite
prepared
by
the
end
of
that
period.
I
used
to
get
angry
whenever
they
made
a
mistake,
and
the
media
has
presented
this
anger
in
a
different
light.
If
I
flew
off
the
handle,
it
was
understandable.
I
had
spent
one
and
a
half
years
on
them,
so
I
had
every
right
to
be
a
perfectionist.
If
I
ignore
their
faults
because
they
are
young,
then
they
will
make
more
mistakes
as
they
get
older.
Both
spent
four
years
with
me,
and
I
did
not
them
to
think
that
they
wasted
their
time
and
their
career.
Q.
What
are
your
expectations
from
Ranbir
and
Sonam?
A.
I
would
have
never
signed
them
on,
if
I
did
not
see
some
talent
in
them.
Both
are
going
to
go
a
long
way
–
they
are
good
looking
and
focused,
talented,
and
willing
to
learn.
It
is
very
important
to
have
intelligence
these
days,
and
these
two
have
loads
of
it.
They
are
not
like
other
star
kids
–
both
of
them
are
not
arrogant
because
of
their
background.
They
do
not
want
their
parents
to
be
embarrassed
because
of
them,
but
to
be
proud
of
them.
That
is
what
makes
both
Ranbir
and
Sonam
special.
Q.
This
movie
has
first-time
actors,
first-time
music
composer,
and
first-time
singer.
Don't
you
think
you
are
taking
a
risk?
A.
Isn't
it
a
risk
taking
experienced
ones
as
well?
Talent
is
the
only
thing
that
a
person
brings
with
him.
Experience
comes
with
time,
of
course.
If
I
had
taken
an
experienced
actor,
or
composer,
or
singer,
I
would
not
have
been
able
to
get
enough
time
with
them.
These
newcomers
gave
me
two
years
of
their
time.
Not
only
them,
even
older
singers
like
Kunal
and
Shreya
were
there
during
the
time
of
composing
the
music.
The
effort
of
those
two
years
brought
life
into
the
music
and
songs
of
Saawariya.
This
movie
is
my
dream,
and
everybody
has
helped
me
live
it.
Q.
Is
there
a
reason
why
you
gave
Moti
Sharma
a
chance
with
the
music,
instead
of
your
favourite,
Ismail
Darbar?
A.
I
have
worked
with
Moti
in
Devdas
and
Black
earlier.
Since
there
were
new
actors
and
new
singers,
I
saw
no
harm
in
getting
a
new
composer.
I
wanted
fresh
music,
with
passion
and
integrity.
Ismail
and
I
are
very
close,
almost
brothers,
and
that
is
why
he
would
not
take
my
work
seriously,
postponing
things,
etc.
I
did
not
want
that
to
happen
to
this
movie.
When
a
person
moves
away
from
his
work
towards
the
world
of
glamour,
I
believe
something
starts
missing
from
his
work,
something
that
used
to
make
him
stand
apart
at
one
point.
Q.
New
actors
and
huge
expectations.
You
are
a
one-man
show.
A.
That
is
not
true.
The
actors
and
singers
may
be
new,
but
they
have
proved
themselves.
Ranbir
and
Sonam
were
born
with
stardom
–
I
just
taught
them
how
to
act.
A
big
star
and
a
good
actor
are
two
different
things.
My
responsibility
was
to
make
them
good
actors.
This
is
the
first
Indian
film,
where
the
entire
movie
has
been
shot
in
a
set.
Omung
has
made
the
whole
set
so
beautifully.
He
took
this
responsibility
very
seriously.
The
music
had
to
be
better
than
the
music
in
'Khamoshi' and
'Hum
Dil
De
Chuke
Sanam',
and
that
was
Moti's
responsibility.
Rishi
Kapoor
and
Anil
Kapoor
have
had
their
share
of
stardom,
and
it
became
the
responsibility
of
their
children
to
be
better
than
their
fathers.
We
were
under
a
lot
of
pressure
to
be
better
in
everything,
and
we
all
dealt
with
that
pressure
positively.
Q.
Like
Kamal
Amrohi,
you
too
are
a
perfectionist.
Or
so
it
is
believed.
A.
I
don't
know.
I
believe
each
human
being
is
a
perfectionist
in
his
or
her
own
way.
I
still
faint
when
I
watch
'Pakeezah'.
Each
shot
has
Kamal
Amrohi's
passion
and
arrogance,
as
well
as
his
self-confidence.
I
can
make
something
like
that
only
after
I
have
made
five
films
or
so.
My
ability
to
tolerate,
my
patience
–
these
are
my
biggest
virtues.
I
can
tolerate
you
till
I
convince
you.
I
cannot
compromise
on
my
movies,
because
a
movie
is
for
keeps,
it
is
immortal.
I
don't
want
to
see
my
own
work,
50
years
later,
and
feel
that
I
was
not
honest
with
it.