Suresh Nair's Writing Secrets
Have
you
had
any
professional
training
in
terms
of
screen-writing?
It's
very
hard
to
say,
I
have
read
all
these
books
on
and
off
but
ultimately
the
story
comes
from
your
heart.
You
have
to
write
a
script
as
per
your
gut
feel
and
as
to
how
the
story
should
develop.
There
is
a
formula
when
you
do
a
thriller
or
an
action
film.
But
all
movies
can't
have
a
pattern
you
have
to
write
it
the
way
the
story
flows.
If
you
watch
some
of
the
movies
which
the
west
has
come
up
with
like
a
Sideway
or
Lost
In
Translation
they
break
all
dimensions
of
standard
scriptwriting.
Its
finally
about
how
you
tell
the
story,
it
doesn't
matter
if
it
doesn't
follow
a
coached
perspective.
There
are
times
when
people
tell
me
arre
yaha
graph
upar
hona
chahiye,
yaha
graph
drop
ho
raha
hai
and
then
when
I
watch
some
of
these
really
interesting
Hollywood
films
I
am
like
where
is
the
graph,
I
don't
see
any
graph.
Its
all
about
how
you
tell
a
story
nothing
else
matters.
Do
you
thinking
writing
in
team
helps
or
writing
alone
is
much
better?
I
think
both
have
their
advantages.
Writing
alone
is
also
very
exciting
in
terms
of
the
fact
that
you
have
to
do
it
alone.
Sometimes
it
helps
to
write
a
film
with
a
partner
as
you
can
utilize
somebody
else's
strength.
There
are
areas
where
you
might
not
be
able
to
do
justice
to
a
scene
and
your
writing
partner
might
be
able
to
do
it
a
better
job
to
the
scene.
I
enjoy
both.
The
upside
of
writing
as
a
team
is
that
when
critics
watch
your
movie
and
decide
that
the
script
is
the
culprit,
you
can
at
least
heave
a
sigh
of
relief
that
you
are
not
alone
and
the
blame
can
be
shared
with
someone!
It's
great
fun
to
write
in
a
team
as
long
as
you
work
with
people
with
the
same
wavelength.
In
your
own
words
tell
us
the
difference
between
a
story,
screenplay
and
dialogues
when
it
comes
to
screen-writing?
The
story
is
actually
the
foundation
of
the
whole
film.
When
you
break
that
story
down
into
scenes
in
a
way
that
it
can
be
executed
as
a
film,
it
becomes
the
screenplay
and
dialogues
are
actually
what
they
say
in
the
film.
And
all
this
makes
a
script.
Do
you
agree
with
the
fact
that
script-writers
in
India
don't
get
their
due
credits
as
much
as
in
Hollywood
and
other
foreign
cinemas?
Yes
I
think
so.
Monetarily
I
think
there
is
a
big
discrepancy
as
the
writers
here
don't
get
paid
well.
The
situation
might
have
improved
in
some
cases
but
they
still
don't
get
paid
to
the
extent
they
should
be.
The
standard
Hollywood
format
of
the
writer's
regulation
is
that
the
writer
gets
a
certain
percentage
of
the
budget
of
the
film,
that
kind
of
format
is
not
followed
here.
The
first
place
where
the
budget
cut
takes
place
is
the
script
and
the
writer
is
the
one
who
gets
the
pinch
of
it.
Very
few
directors
I
think
actually
acknowledge
a
writer
when
they
talk
about
a
film.
I
find
it
odd
when
director's
talk
about
the
story,
I
think
they
should
give
due
credit
to
the
writer
Also
don't
you
agree
that
there
is
hardly
any
original
writing
going
in
India?
Writers
just
adapt
from
foreign
DVDs
I
don't
think
it's
the
writers
fault
because
I
don't
think
any
self
respecting
writer
goes
to
a
director
and
says
look
I
have
a
great
idea
and
here's
the
DVD
of
the
idea.
The
problem
is
that
you
get
to
come
up
with
only
a
few
original
ideas
because
most
directors
want
to
do
a
remake.
I
don't
think
writers
would
go
around
trying
to
make
a
copy
of
a
film,
unless
they
want
a
quick
buck.
Most
writers
who
genuinely
enjoy
the
process
of
writing
would
definitely
do
an
original
script.
So
why
blame
the
writers
the
writes
are
just
doing
their
job.
Most
of
the
writers
are
hired
they
write
what
is
given
to
them.
Do
you
think
the
scene
off
lately
is
changing
for
writers
in
India
and
is
getting
a
little
better?
Yes
definitely.
I
think
the
current
lot
of
directors
are
far
more
conscious
about
the
writing
process
and
are
far
more
interested
in
the
way
they
deal
with
writers.
I
have
thoroughly
enjoyed
working
with
Vipul
for
Namastey
London
and
Sujoy
for
Jhankar
Beats.
Directors
today
are
ready
to
experiment
and
also
understand
the
writing
process
much
better.
Many
of
the
directors
play
a
huge
part
in
helping
out
during
the
writing
process.
The
writer
is
ultimately
putting
the
director's
vision
on
paper
so
it
is
very
important
that
the
director
be
involved
in
the
process.
Which
Indian
writers
do
you
admire?
My
all
time
favorite
are
Salim
Javed.
Which
foreign
writers
do
you
admire?
Charlize
Hoffman
and
Woody
Allen.
Can
you
earn
a
living
out
of
writing
or
are
writers
grossly
underpaid
in
India?
I
think
once
you
get
a
steady
flow
of
work
I
don't
think
income
is
a
problem.
I
think
today
the
pay
scale
of
writers
is
much
better
than
it
was
five
or
ten
years
back.
I
guess
it's
much
easier
to
make
a
living
out
of
being
a
scriptwriter
than
an
author
Do
you
write
a
particular
script
keeping
an
actor
in
mind
or
an
actor
is
roped
in
depending
on
the
script?
It
depends.
Sometimes
you
know
who
the
actor
is
going
to
be.
Like
for
instance
for
Namastey
London
I
knew
that
Akshay
was
going
to
play
the
lead
as
he
is
Vipul's
friend.
We
were
not
sure
about
Katrina.
But
I
wrote
the
script
keeping
her
in
mind
because
that
was
the
perfect
casting.
The
story
was
of
a
London
born
girl
and
she
was
the
perfect
casting.
If
I
have
an
option
then
I
better
not
keep
the
actor
in
mind
while
writing
the
script
as
I
can
get
a
better
perspective
of
exploring
a
character.
You
are
not
limited
to
the
fact
while
writing
as
to
what
the
actor
is
good
at.
Finally
what
advise
do
you
give
a
writer
who
has
a
script
in
hand?
How
should
he
approach
a
producer?
I
suppose
the
only
way
is
to
go
and
give
your
script
to
directors.
Though
you
might
say
that
a
lot
of
directors
are
copying
stuff,
there
are
still
directors
who
are
ready
to
read
scripts
and
going
through
them.
If
you
see
last
year
along
with
big
blockbuster
films
there
were
also
small
interesting
films
which
somebody
is
making.
Even
now
I
have
people
coming
and
telling
me
about
the
kind
of
films
they
want
to
make
which
is
very
exciting.
People
are
much
more
open
to
ideas
now.
Prev