"Shreyas is innately funny" - Amrita Rao
After
a
sensitive
cameo
act
in
Shaurya,
you
are
back
doing
a
lighthearted
film
like
Welcome
to
Sajjanpur...
How
does
it
feel?
I
am
super
duper
excited
(laughs).
Being
a
part
of
a
Shyam
Benegal
movie
was
actually
a
high
point
for
me
when
I
first
read
the
script.
He
is
somebody
who
is
liked
and
revered
by
everyone
in
my
community.
In
fact,
not
many
people
know
that
we
belong
to
same
community
and
we
speak
the
same
language
(Konkani).
So,
people
like
Girsh
Karnad,
Ananth
Nag,
and
Shyam
Benegal
have
always
been
looked
upon
by
our
community.
Then
of
course
I
happened
to
see
Zubeidaa
when
I
was
studying
and
that
is
one
film
that
I
still
count
as
one
of
my
favorite
films.
So
when
Shyamji
called
me
for
this
role,
I
didn't
ask
him
any
questions
and
I
just
said
yes
to
the
film.
Because,
I
so
wanted
to
be
on
board
under
his
direction.
Did you ever ask him why did he think of you for this role? I did ask him and he said that he had seen me in Vivah and felt that I most appropriately suited the role in terms of look and age and all that he was looking for. So yes…I got lucky (laughs).
First
things
first,
where
is
Sajjanpur?
Does
it
exist
or
is
it
a
fictitious
place?
Whatever
we
have
shown
about
Sajjanpur
does
exist
but
at
the
end
of
the
day
a
name
really
doesn't
matter
because
there
is
a
place
called
Sujjanpur
in
India
and
there
is
another
place
called
Sarhanpur
in
India.
Like
wise
there
is
Sajjanpur;
the
film
set
in
Sajjanpur,
is
thoroughly
entertaining
and
you
will
just
laugh
out
loud
and
leave
the
cinema
hall
feeling
good.
Not
just
that,
in
fact
when
you
come
out
of
the
theatres,
you
will
realize
that
in
retrospect,
some
of
the
things
which
you
laughed
about
during
the
film
are
some
of
the
grave
issues
that
our
country
is
facing.
Even
today
in
the
so-called
modern
India
there
are
villages
like
Sajjanpur
which
face
the
issues
that
the
film
portrays.
What
is
the
film
all
about?
The
film
is
a
fascinating
story
of
the
people
living
in
this
village
called
Sajjanpur.
Mahadev
(Shreyas
Talpade)
is
the
protagonist
of
the
film
and
he's
the
common
factor
amongst
all
the
characters
in
the
film.
He
is
the
only
literate
guy
in
the
village
and
everybody
comes
to
him
to
write
their
letters.
Apart
from
being
a
light
hearted
comedy,
the
film
is
a
satire
to
some
extent.
We
are
supposed
to
play
ourselves.
Nobody
is
trying
too
hard
to
be
funny
or
resorting
to
slapstick
comedy.
The
village
Sajjanpur
is
full
of
mad-hatters
and
we
want
people
to
come
and
forget
their
own
world
come
into
this
small
village
and
have
fun
with
us
(laughs).
The
film
was
earlier
called
Mahadev
Ka
Sajjanpur.
Why
did
the
title
change
to
Welcome
to
Sajjanpur?
Mahadev
Ka
Sajjanpur
is
a
title
you
might
like
after
you
have
seen
the
film
and
you've
fallen
in
love
with
the
characters.
Only
then
you
would
connect
with
the
title
Mahadev
Ka
Sajjanpur.
But
Welcome
to
Sajjanpur
for
the
lay
person
is
more
inviting
and
welcoming.
You
are
playing
a
village
belle
for
the
first
time.
Tell
us
something
more
about
your
character?
I
play
Kamla
in
the
film.
Like
I
said,
Kamla
is
illiterate
and
cannot
read
or
write.
She
plays
a
potter
and
it's
a
very
rustic,
earthy,
rural
Indian
character.
Sajjanpur
is
her
world,
she
cannot
see
beyond
Sajjanpur
because
she
has
never
ventured
out.
She
comes
to
Mahadev
to
write
her
letters
and
of
course
hilarious
situation
revolve
around
it.
How
easy
or
difficult
was
it
getting
into
the
skin
of
the
character?
There
were
aspects
to
my
character
that
were
not
that
difficult
while
some
aspects
were
indeed
challenging.
For
e.g.
the
costumes
worn
by
my
character
Kamla
in
the
film
are
extremely
earthy
and
authentic.
Pia
Benegal
has
worked
on
the
costumes
and
she
worked
very
meticulously.
I
had
to
work
on
getting
the
dialect
right.
We
speak
Bagelkhandi
in
the
film
which
is
a
dialect
from
North
India.
It's
a
different
dialect
of
Hindi
just
like
Bihari
or
Bhojpuri
or
Haryani.
We
had
Ashok
Mishra,
who
has
written
the
dialogues
and
screenplay
of
the
film,
and
is
actually
from
that
district,
assisting
us
in
getting
the
dialect
right.
It
was
an
amazing
experience
speaking
the
language
and
very
different
from
the
usual,
routine
stuff.
You
are
paired
with
Shreyas
Talpade
for
the
first
time?
How
was
the
experience
working
with
him?
Shreyas
and
I
bonded
well
throughout
the
making
of
the
film.
In
fact,
I
remember,
the
first
time
I
saw
Shreyas
was
on
the
sets
of
Om
Shanti
Om.
Farah
knew
that
I
was
supposed
to
work
with
him
and
she
called
him
into
the
van
and
he
came
in
his
old
man
get
up.
That
was
my
first
glimpse
of
Shreyas
Talpade
(laughs).
After
that
we
had
a
couple
of
workshops
with
Mr.
Shyam
Benegal,
which
is
when
I
started
to
get
to
know
Shreyas
better.
Post
that,
on
the
sets,
when
I
saw
Shreyas
working,
he
was
completely
into
his
character
Mahadev.
He
was
not
only
effortless
with
his
dialogue
delivery
but
was
also
improvising
on
the
dialect.
I
got
very
impressed
and
I
felt
that
I
should
work
very
hard
on
my
lines
too
(laughs).
Did
he
play
any
pranks
on
you
as
he
is
known
to
be
a
prankster?
There
were
no
pranks
as
such
but
he
is
innately
funny.
He
has
this
subtle
sense
of
humor
and
because
of
that
the
scenes
in
the
film
are
so
funny.
We
were
constantly
improvising
and
he
used
to
always
come
up
with
such
funny
additions
that
we
couldn't
stop
laughing.
It
was
indeed
a
really
nice
experience.
So
where
all
have
you
shot
this
film?
We've
shot
almost
the
whole
film
at
Ramoji
Film
City
in
Hyderabad.
We
had
recreated
the
whole
village
in
a
set.
The
art
director
has
done
a
fabulous
job.
Welcome
to
Sajjanpur
is
directed
by
one
of
the
finest
directors
of
our
country,
Shyam
Benegal.
In
fact
not
many
actresses
get
a
chance
to
work
with
a
legend
like
him,
so
how
has
it
been
working
with
him?
Mr.
Benegal
is
someone
whom
I
have
always
looked
up
to
and
admired.
In
fact
the
very
name
Mr.
Shyam
Benegal
comes
with
certain
pre-conceived
notions
such
as
an
art-filmmaker
or
a
filmmaker
who
only
makes
serious
films.
But
I
don't
think
that
is
true.
I
have
always
perceived
Shyam
Benegal
as
somebody
who
was
ahead
of
his
time,
somebody
who
made
wholesome
cinema,
which
had
profound
actors
with
great
scope
for
performances.
Each
of
his
films
touched
upon
a
new
topic.
In
fact,
I
think
20
years
ago,
during
his
time
everybody
was
adopting
a
safe&commercial
formula.
He
swam
against
the
tide,
and
made
films,
which
20
years
later,
today
the
young
filmmakers
are
trying
to
achieve.
Today
when
I
work
with
a
Shyam
Benegal,
I
don't
see
it
any
different
from
working
with
a
contemporary
young
director.
He
may
be
vastly
experienced,
but
is
still
young
and
contemporary
in
his
outlook.
He
doesn't
believe
in
wasting
time
on
the
sets
and
is
thorough
with
his
homework.
He
also
gives
his
actors
the
scope
to
improvise
which
makes
the
whole
experience
all
the
more
enjoyable.
Have
you
been
a
fan
of
his
films?
Which
is
your
favorite?
Of
course...Like
I
said...I
loved
Zubeidaa.
I
loved
Mandi;
Junoon
was
a
nice
film,
Kalyug
was
good
too
and
Ankur
his
debut
film
as
a
director
too
is
one
of
my
favorites.
Do
you
think
a
film
like
Welcome
to
Sajjanpur
would
appeal
mainly
to
the
people
in
smaller
towns
and
interiors
or
will
it
find
an
audience
even
amongst
the
urban
multiplex
going
public?
I
think
it's
a
film
that
will
be
liked
by
everybody.
The
multiplex
audiences
are
going
to
love
the
film
and
at
the
same
time
even
the
masses
in
the
smaller
towns
are
also
going
to
adore
the
film.
At
least
that's
what
we
are
hoping.
It's
a
very
normal,
relatable,
attractive,
fun
film
presented
in
a
contemporary
fashion.
Talking
about
your
career,
your
first
film
Ab
Ke
Baras
sank
at
the
B.O.,
you
were
noticed
in
The
Legend
of
Bhagat
Singh,
got
your
first
big
hit
with
Ishq
Vishk,
had
some
really
big
hits
like
Masti&Main
Hoon
Naa
and
then
after
a
gap
of
few
years
you
probably
had
your
biggest
hit
with
Vivah.
Post
Vivah,
a
lot
of
people
feel
your
career
hasn't
gone
the
way
it
should
have.
Do
you
feel
the
same
too?
Well...to
be
frank...sometimes
I
do
because
post
Vivah
I
immediately
did
a
South
film
and
that
took
away
my
focus
and
also
took
away
a
lot
of
my
time.
I
wanted
to
do
it
as
an
experiment
and
to
discover
a
different
experience
of
acting,
mouthing
lines
and
reacting
to
lines
you
don't
understand.
I
also
got
a
chance
to
work
with
the
biggest
superstar
of
Telugu
film
industry
Mahesh
Babu
so
it
was
a
good
experience
for
me.
The
South
Indian
sensibilities
are
different
from
people
in
the
Hindi
film
industry.
But
still,
Vivah
is
a
film
and
a
role
that's
given
me
so
much
of
positive
equity
among
the
masses
and
ultimately
nobody
can
take
that
away
from
you.
Even
today
when
the
film
is
aired
on
TV
the
TRP
is
soaring
high.
In
fact,
recently,
when
I
was
shooting
in
Jodhpur,
I
came
out
of
my
van
and
what
I
see
is
this
the
whole
group
of
people
waiting
for
me
and
calling
me
'Poonam
Poonam'
I
think
for
them
I
will
always
be
their
Poonam.
But
don't
you
think
you
could
have
cashed
in
on
the
success
of
Vivah
and
signed
some
big
films?
I
don't
think
that
way
but
yes
the
people
who
wanted
to
approach
me
for
a
role
did
do
so.
I
was
offered
Anil
Kapoor's
Shortcut
even
before
Vivah
released.
There
was
another
film
too,
which
was
planned
but
fizzled
out
because
the
maker
made
some
other
movie.
So
I
have
always
had
producers
and
directors
approaching
me
but
its
just
that
they
looked
at
me
differently
after
Vivah.
After
all,
Vivah
is
one
of
the
rare
few
heroine
oriented
films
in
the
country
which
worked.
What
are
the
other
film
that's
on
your
plate?
Are
you
also
doing
any
more
South
films?
No
I
am
not
doing
any
South
films
because
like
I
said
it
takes
away
a
lot
of
your
time
and
your
focus
as
well.
You
are
completely
disconnected
from
Bollywood.
Doing
a
Telugu
film
is
as
good
as
doing
a
Thai
film.
I
am
doing
quite
a
few
interesting
roles
this
year.
There
is
Anil
Kapoor
Productions'
Shortcut
which
has
me
playing
a
very
glamorous
role.
It's
a
thriller
with
a
right
mix
of
comedy,
romance
and
some
twists.
Then
I
have
Victory
with
Harman
Baweja.
I
play
a
girl
from
Jaisalmer.
She
is
a
medical
student
from
a
small
town
in
India,
which
is
very
highly
influenced
by
tourism;
there
is
this
trace
of
modern
yet
ethnic
element
to
her
character.
2
of
your
biggest
hits
have
been
with
Shahid
Kapoor.
Any
plans
to
do
more
films
with
him
since
people
feel
you
make
a
super
pair?
Well,
that's
the
best
part
about
it
because
Shahid
and
myself
also
enjoy
working
with
each
other.
To
top
it
all,
its
very
complimenting
when
people
walk
up
and
say
'Shahid-
Amrita
Super
Hit
jodi'
because
in
this
generation
perhaps
we
are
the
only
pair
who
have
this
'Super
Hit
jodi'
tag
line.
We
have
grown
up
watching
SRK-
Kajol,
Aamir-
Juhi
,
Anil-
Maduri
and
Govinda-
Karisma.
It
is
very
encouraging
for
both
of
us
because
when
your
audience
actually
wants
to
see
you
on-screen
together
then
I
think
half
of
your
battle
is
won,
and
its
definitely
an
advantage.
The
industry
has
seen
a
lot
of
new
talent
like
Ranbir,
Harman,
Imran,
Sikander
make
their
presence
felt.
What
do
you
think
of
the
new,
emerging
talent?
Any
of
them
that
you
would
like
to
work
with?
I
am
working
with
Harman
in
Victory.
I
would
certainly
like
to
work
with
Ranbir,
Imran.
I
think
the
Generation
Next
of
Bollywood
is
stepping
in
and
the
young
batch
is
just
filling
up.
When
Shahid
and
I
had
stepped
in,
the
Gen-next
had
just
about
shown
its
presence,
there
were
not
enough
actors
of
our
age
to
work
opposite
and
we
both
faced
that
situation
initially.
Now
fortunately
things
are
changing.
The
more
the
merrier.
(Laughs)
Lastly
give
us
three
good
reasons
to
watch
Welcome
to
Sajjanpur
One
because
I
am
there
in
it,
two
because
it's
a
Shyam
Benegal
film
and
finally
because
it's
great
film
(laughs)