Winds
of
change
are
blowing,
lashing
against
conventional
Hindi
cinema,
our
very
own
Bollywood.
Not
sounding
too
violent
or
shocking
the
audience
out
of
their
wits,
the
intended
move
is
to
capture
the
ebb
and
flow
of
the
times.
Be
it
so
with
Imran
Khan
the
heartthrob
of
the
nation
having
shot
to
fame
with
his
debut
venture
Jaane
Tu
Ya
Jaane
Na,
very
much
following
his
uncle
and
mentor
Aamir
Khan's
footsteps
to
stardom
till
he
took
a
U-turn
and
picked
up
Kidnap
from
those
which
had
fallen
into
his
kitty.
What
makes
him
stand
apart
with
Kidnap
is
the
negative
hue
he
has
chosen
and
the
baddie
image
he
has
opted
for.
We
wonder
why
the
hoopla
when
King
Khan
himself
had
done
negatives
role
in
his
struggling
days
with
Baazigar,
Anjaam
and
Darr
and
fought
his
way
to
the
echelons
of
success?
Well
on
close
scrutiny,
the
difference
is
perceptible.
The
heart
of
the
matter
lies
that
Shahrukh
had
done
a
host
of
goody
roles
in
movies
like
Raju
ban
Gaya
Gentleman,
Dil
Aashna
Hai
and
others
till
he
landed
upon
Baazigar.
He
essayed
villany
to
perfection
in
Baazigar,
Darr
and
Anjaam
and
went
onto
pick
up
romantic
movies
Dilwale
Dulhania
Le
Jayenge,
Kuch
Kuch
Hota
Hai
and
so
forth.
The
evident
difference
lies
that
Imran
has
been
bold
enough
to
do
not
just
a
meaty
negative
role
but
one
tinged
with
seductiveness
and
brazen
looks
right
in
his
second
movie
even
before
having
fastened
his
place
secure
and
tight
in
the
hearts
of
the
audience
completely.
Even
before
having
culled
out
an
out
and
out
romantic
hero
image
akin
to
his
uncle,
he
opted
to
swim
against
the
tide.
That
Imran
Khan
has
made
a
decision
as
bold
as
this
reflects
the
new
generation
of
artists
who
wish
to
be
known
as
character
artists
and
not
mere
stars
per
se
by
escaping
the
fetters
of
stereotyping.
Neil
Nithin
Mukesh
in
Johnny
Gaddaar
has
also
aptly
sensed
the
pulse
of
the
hour.
Surpassing
all
nitty-gritty
affairs
while
Imran
has
no
qualms
in
accepting
his
fears
surrounding
the
success
of
Kidnap
and
the
audiences'
response,
he
foresees
a
future
for
hindi
cinema
backed
by
the
burgeoning
multiplexes.
Rising
upto
the
challenge
and
carving
a
niche
for
themselves
while
deeply
rooted
within
the
genre
is
commendable
indeed.
It
cannot
be
surmised
that
his
predecessors
have
done
that
too
with
Akshay
kumar
in
Ajnabee,
Saif
Ali
Khan
in
Omkara
and
Being
Cyrus
and
so
forth.
But
with
youngsters
like
Imran
and
Neil
willingly
braving
themselves
for
the
storm
without
anything
to
stake
claim
to
is
worth
the
applause.
The
new
age
Hindi
movies
and
these
artists
are
defined
by
a
newly-fangled
repertoire
that
no
longer
finds
them
seeking
refuge
in
the
cliched
or
rather
the
tried-and-tested
formulas
of
yesteryears
but
something
innovative,
experimental
and
worth
the
effort
they
put
in.
So
too
when
we
talk
about
the
heroes,
the
heroines
are
by
no
far
left
behind.
Imran
minces
no
words
in
praising
his
co-star
Minissha
Lamba
for
her
brazing
upfront
attitude
in
Kidnap.
Hindi
cinema
is
undergoing
a
revolutionary
change
and
the
industry
and
the
artists
are
all
geared
for
it.
Its
no
longer
the
chocolate
hero
image
that
strikes
you,
but
one
with
shades
of
grey,
oodles
of
courage
and
with
nerve
to
stand
up
for
their
villainy.
However
it
needs
to
be
seen
whether
our
innocent
or
not-so-innocent
audience
as
we
may
take
the
privilege
to
say
in
these
turbulent
modern
times
are
ready
for
it
?