For
654
weeks,
this
man
has
watched
DDLJ
twice
every
day.
From
the
projector
room
of
Maratha
Mandir
Tujhe
dekha
toh
yeh
jaana
sanam..." he
hums
as
he
sits
on
his
high
stool,
staring
at
the
projection
window
and
occasionally
at
the
sparse
but
animated
audience
in
the
hall
below.
Then,
with
a
resounding
snap
and
a
jerk,
he
changes
the
reel.
The
audience
claps
and
cheers,
then
there's
a
loud
whistle
as
Raj
Malhotra
utters
the
famous
words:
"Bade-bade
shehron
mein
choti-choti
baatein
hoti
rehti
hain."
It's
the
654th
week
of
Dilwale
Dulhania
Le
Jayenge
at
the
Maratha
Mandir
cinema
hall
and
Jagjivan
Vitthaldas
Maru
(58)
doesn't
care
if
Yash
Raj
belted
out
another
dud
in
Tashan.
As
the
man
who
has
completed
nearly
13
years
of
manning
the
projector
at
Maratha
Mandir,
Jaggu,
as
he's
fondly
called,
remains
very
much
in
love.
With
Yash
Raj;
with
Raj
and
Simran;
and
with
the
movie,
that's
running
its
uninterrupted
course
straight
into
the
record
books
as
the
longest
running
film,
ever.
After
all,
Jaggu's
been
running
with
it,
since
Day
One.
Having
started
in
1972
as
a
young
die-hard
Bollywood
fan,
Jaggu
was
first
employed
as
the
projector
technician
at
the
Gaiety-Galaxy
cinema
in
Bandra,
earning
a
princely
sum
of
Rs
300
a
month.
His
father's
business
had
collapsed
and
Bollywood
was
bailing
him
out.
He
shifted
to
Maratha
Mandir
a
few
years
later
and
has
been
here
since.
He
remembers
rolling
out
the
Sholay
reels
in
1982
for
two
weeks,
but
says:
"Sholay's
popularity
is
nothing
in
comparison
to
DDLJ's.
Now,
there
are
dozens
of
familiar
faces
that
I
can
spot
here
every
weekend,
some
have
been
coming
for
years."
The
fair
and
medium-built
technician
hails
from
the
tiny
town
of
Mohabbatpara
in
Gujarat.
A
Std
X
pass,
Jaggu
starts
his
day
at
10
am,
after
a
long
commute
from
Vasai
to
Mumbai
Central.
His
shift
ends
at
6
pm.
"I
still
can't
believe
how
this
movie
attracts
such
a
huge
audience;
the
halls
still
go
jam-packed
on
festival
days
occasions
and
weekends.
Will
you
believe
it,
the
film
actually
did
not
do
well
in
the
first
week
of
its
release
in
our
theatre," he
wonders
aloud.v
His
own
favourite
movie
is
Mother
India
and
his
all-time
favourite
star
pairing
is
Raj
Kapoor
and
Nargis.
Shyly,
he
recalls
how
when
they
were
newly
married,
his
wife
Bharti
would
be
hugely
excited
about
his
work.
"People
have
this
misconception
about
our
job
that
it's
all
fun
watching
a
film
all
day.
But
the
reality
is
that
we
need
to
be
alert
at
all
times,
to
keep
checking
if
the
film
reel
is
playing
well
or
not.
The
reels
need
to
be
handled
with
utmost
care
any
breakage
or
scratch
spoils
the
quality
on
screen."
He
says
automated
machines
for
reel-rolling
were
introduced
only
about
five
years
ago.
"Before
that,
we
had
to
sit
and
roll
the
reels
manually.
It's
not
an
easy
task
you
know,
we
sweat
and
toil
to
keep
the
show
going."
Any
bloopers?
He
laughingly
recalls
one
day
in
1980,
during
the
screening
of
the
film
Dard
starring
Rajesh
Khanna
and
Mumtaz.
At
the
end
of
Part
One,
the
audience
began
to
get
on
to
their
feet
an
sat
down
abruptly
as
he
began
to
play
Part
Two.
"I'd
forgotten
to
give
the
intermission
time," he
says.
"Luckily,
no
one
created
a
scene
and
everybody
simply
sat
down
to
watch
the
second
part."
But
films
made
nowadays
are
no
good,
he
says,
explaining
why
he
won't
let
his
four-year-old
grandson
watch
any
new
movies.
Manoj
Desai,
the
proprietor
of
Maratha
Mandir,
calls
Jaggu
an
"excellent
technician
and
a
dedicated
employee".
"He
joined
as
my
employee
in
Gaiety
in
1972," Desai
says.
"He
has
been
like
my
son.
Without
him,
I
think,
the
screening
of
DDLJ
will
lose
its
essence."