Films
based
on
celebrated
plays,
from
B
R
Chopra's
Ittefaq
to
Vipul
Shah's
Aankhen
have
an
oppressively
stagey
air
to
them
that's
hard
to
get
rid
of.
Maharathi
manages
to
liberate
itself
from
the
climate
of
the
cloistered.
It
is
about
a
rich
old
cantankerous
tycoon
(Naseeruddin
Shah),
his
gold-digging
wife
(Neha
Dhupia)
and
their
suspicious
charlatan
of
a
chauffeur
(Paresh
Rawal).
It
manages
to
rise
above
the
stagey
syndrome,
thanks
mainly
to
a
stream
of
self-assured
actors
who
inhabit
the
deeply-lit
ebony-oriented
chambers
where
the
drama
of
marital
betrayal,
infidelity,
suicide
and
avarice
unfolds
with
reasonable
fluency.
What
ails
Maharathi
is
its
lack
of
mobility
in
narration.
You
really
can't
take
a
play
too
far
away
from
the
sets.
The
drama
is
not
about
locations
but
impulses.
Those,
the
characters
bring
out
with
a
feisty
relish,
making
the
diabolic
plot
both
a
sign
of
our
greedy
times
and
a
culture-unspecific
mirror
of
individual
bitterness
and
guilt.
Of
the
cast
Naseeruddin
Shah
is
understandably
the
best.
As
the
retired
film
producer
with
a
penchant
for
picking
the
wrong
proteges
now
married
to
a
woman
who
wants
him
dead.
Naseer
is
unsurpassably
funny
and
tragic,
imbuing
the
character
with
both
self-deprecating
humour
and
a
malicious
self-regard.
Naseer's
character's
suicide
mid-way
signals
the
film's
downslide.
The
plot
is
now
left
to
Paresh
and
Dhupia,
both
proficient
in
understanding
their
roles.
Neha
Dhupia
has
now
made
a
career
of
playing
sultry
vixenish
sirens
in
alternate
cinema.
She
excels
in
the
part
with
her
eyes
closed.
Paresh's
attempts
to
sound
urban
and
'cool'
are
a
little
strained.
He's
slightly
too
old
to
play
the
cocky
driver
who
first
teams
up
with
the
old
man
and
then
his
sultry
wife,
and
represents
the
kind
of
urban
youth
who
would
go
anywhere
that
money
takes
him.
Om
Puri
comes
in
late.
That's
something
the
audience
can't
afford
to
do.
Maharathi
isn't
as
gripping
as
you
would
like
a
film
of
this
genre
to
be.
But
the
director
knows
how
to
create
conflict
and
friction
among
the
characters
without
losing
the
underbelly
of
humour
that
divides
the
'mean'
from
the
boys.
Story first published: Saturday, December 13, 2008, 11:28 [IST]