Raaz
-
The
Mystery
Continues
is
a
success.
How
big
is
it
going
to
be?
Well,
that
would
be
for
everyone
to
see
once
the
first
week's
collections
would
be
out
but
if
the
first
weekend
collections
are
any
indication,
Mohit
Suri
has
the
biggest
money
spinner
of
his
five
film
career
(Zeher,
Kalyug,
Woh
Lamhe,
Awarapan,
Raaz-
The
Mystery
Continues)
in
hand.
As
collections
keep
pouring
in
from
A,
B
as
well
as
C
centers
of
the
country,
he
talks
to
us
about
things
associated
with
his
latest
chills-n-thrills
affair.
I
was
shattered
with
the
failure
of
Awarapan
I
remember
the
time
when
Awarapan
was
hardly
getting
an
audience
for
itself
in
the
theaters.
I
was
walking
on
the
road,
very
disappointed
with
the
fate
of
the
film,
when
a
stranger
came
across
to
me
and
said
that
it
was
my
best.
I
was
almost
in
tears
then
because
it
only
made
me
feel
worst.
I
couldn't
accept
that
Awarapan
had
failed.
You
know
your
product
whether
it
is
good
or
bad.
When
your
bad
movie
doesn't
work,
you
don't
feel
bad.
But
what
is
really
heartbreaking
is
when
you're
good
film
doesn't
work
and
people
say
things
like
that
man
I
met.
I
decided
that
I
won't
turn
to
alcohol
to
get
out
of
my
sorrow.
I
didn't
want
to
upset
any
people.
I
immediately
caught
on
to
more
work
and
immersed
myself
deeper
and
deeper
into
coming
up
with
a
film
which
would
definitely
work
this
time
around.
I
was
as
honest
as
I
could
get
Today,
after
the
success
of
the
film,
when
people
tell
me
that
it
is
my
best
work
till
date,
I
feel
relieved.
More
so,
because
this
time
around
my
effort
has
brought
in
audience
and
hence
money
as
well.
See,
I
was
successful
in
my
first
two
films
(Zeher,
Kalyug).
In
case
of
Woh
Lamhe,
I
got
what
I
wanted
from
it
because
it
was
never
meant
to
be
a
mainstream
commercial
film.
However,
Awarapan
was
a
setback.
Anyways
I
moved
on
and
said
to
myself
that
along
with
good
cinema,
I
also
have
to
make
honest
cinema.
Your
movie
may
well
be
termed
as
a
'senseless
cinema'
but
it
should
not
be
labeled
as
dishonest.
What
I
did
in
Awarapan
too
was
an
honest
effort
and
here
for
Raaz
-
The
Mystery
Continues
as
well,
I
stayed
true
to
my
conviction.
Of
course
the
right
release
timing
is
important
Kalyug
clashed
with
Ek
Ajnabee
and
Neal
N
Nikki.
None
of
the
two
films
worked
but
Kalyug
came
trumps.
I
was
assured
that
a
good
film
'always'
works
at
the
box
office
regardless
of
the
release
timing.
Well,
I
was
proved
wrong
in
case
of
Awarapan
which
now
clashed
with
Aap
Ka
Surroor
and
Apne.
Both
these
films
worked
but
mine
didn't.
What
could
I
have
said
now?
Anyways,
I
started
work
on
Raaz
-
The
Mystery
Continues,
spent
9
months
to
write
it,
shot
the
film
for
a
long
period
of
time
as
well
and
finally
worked
on
the
post
production
for
four
months.
Then
for
the
right
release
timing,
my
producers
went
an
extra
mile
to
lock
23rd
January
as
the
D-Day!
They
did
a
fantastic
job
in
the
promotion
and
made
sure
that
Raaz
-
The
Mystery
Continues
got
it's
audience
by
all
means.
On
the
sets,
only
I
knew
about
how
a
scene
would
turn
out
It
was
quite
funny
to
be
shooting
those
scenes
where
special
effects
had
to
be
added
on
during
the
post
production
process.
There
were
points
when
actors
didn't
know
what
they
were
doing.
Only
I
knew
what
I
had
envisaged,
it
was
a
very
different
experience
for
my
actors
since
they
were
dealing
with
imaginary
stuff.
For
example:
the
scene
where
the
car
gets
attacked
by
animals.
Now
none
of
them
existed
when
the
scene
was
being
canned
but
they
were
all
acting
in
my
imagination.
There
were
scenes
where
some
actors
were
wearing
green
costumes
and
Emraan,
Kangna
and
Adhyayan
were
acting
around
them.
Even
the
cameraman
was
unaware
where
to
place
the
camera
for
the
scene
because
only
I
was
aware
about
the
placement
of
my
unreal
characters.
Of
course,
I
was
worried
about
comparisons
with
Raaz
I
would
be
lying
if
I
said
that
I
wasn't
worried
about
the
comparisons
with
Raaz.
I
knew
that
they
were
bound
to
take
place.
Moreover,
I
always
looked
at
my
own
films
for
comparisons
as
well.
If
I
would
have
just
got
stuck
to
Raaz,
I
wouldn't
have
been
able
to
work
at
all.
At
the
age
of
22,
I
made
my
first
film.
I
hadn't
shot
anything
in
my
life
when
I
directed
Zeher.
During
the
making,
people
said
that
I
would
not
be
able
to
make
films
as
there
were
30
year
old
contemporaries
who
were
still
trying
to
set
their
feet
in
the
industry.
But
then
Kalyug
got
me
a
lot
of
critical
acclaim
and
people
moved
on
to
the
next
topic.
They
said
that
I
should
not
be
making
Woh
Lamhe
because
it
was
someone
else's
story.
So
you
know,
I
have
always
lived
with
such
comparisons.
I
have
raised
the
bar
for
myself.
Not
that
I
am
making
masterpieces
because
I
am
still
learning
on
the
job.
Story first published: Wednesday, January 28, 2009, 14:03 [IST]