He
has
defied
both
critics
and
commercial
box
office
to
rake
in
success.
He
doesn't
break
the
rules
just
to
break
the
rules.
He
backs
it
up
because
he
thinks
he
can.
That's
how
level
headed
he
is
when
it
comes
to
direction.
He
is
the
new
school
in
the
age
where
old
fools
still
exist
in
movie
making.
It
is
difficult
to
capture
Anurag
Basu's
presence
in
print.
The
last
time
I
met
him
was
at
the
red
carpet
world
premiere
in
London's
Odeon
Leicester
Square
where
his
highly
acclaimed
film
Life
In
A
Metro
was
screened
starring
the
celebrity
big
brother
winner
that
year,
Shilpa
Shetty.
Almost
the
who's
who
of
the
British
Film
Industry
graced
the
red
carpet.
And
there
was
Basu
in
his
loosened
denims
and
a
plain
black
shirt.
He
doesn't
look
like
those
lost
out
guys
who
make
cinema.
He
looks
like
an
active
and
sometimes
I
guess
hyperactive
middle
aged
film
geek.
Having
made
some
diverse
cinema
which
put
him
on
the
ladder
of
success,
Anurag
is
now
on
the
verge
of
the
most
difficult
phase
in
movie
making
-
a
phase
of
path
breaking
cinema,
a
phase
where
he
needs
to
prove
his
mental
strength
as
a
director
and
a
phase
that
will
boost
a
lot
of
aspiring
filmmakers
to
make
stories
where
language
is
no
barrier.
In
short,
a
phase
where
Bollywood
will
be
re-written.
With
a
lot
of
expectations
riding
high
on
Kites,
this
correspondent
met
the
super
talented
director
over
some
delicious
lunch
at
TGIF
in
Andheri
to
gauge
where
and
at
what
distance
will
his
most
ambitious
film
Kites
reach.
Whatever
the
verdict,
Basu
is
flying
high
already.
Will
the
Kites
fly
high
come
May
21?
I
am
a
little
nervous
guy.
I
am
scared
to
be
confident
and
a
bit
over
confident.
I
am
always
apprehensive
before
the
release
of
any
of
my
films.
The
film
is
just
a
few
weeks
away.
There
is
a
lot
of
honesty
which
has
gone
in
the
film.
So
let's
see
how
high
our
audiences
can
take
the
film
when
it
releases
in
May.
Is
the
use
of
Spanish,
Hindi
and
English
language
in
the
film
makes
Kites
path
breaking?
The
film
just
took
shape
naturally.
Initially
we
thought
that
the
film
is
targeted
to
the
west
but
then
we
found
out
that
love,
as
the
subject
in
the
film,
speaks
no
language.
It
is
universal.
There
was
this
Spanish
girl,
Barbara
Mori,
who
didn't
know
Hindi
and
there
was
Hrithik
Roshan
who
didn't
know
Spanish.
So
we
didn't
force
any
language
on
anybody.
After
seeing
seventy
percent
of
the
film,
my
producers,
Reliance
Big
Pictures
and
Rakesh
Roshan
thought
that
the
film
is
path
breaking
because
it
will
appeal
to
everybody
across
the
globe.
Why
did
a
director
and
producer
like
Rakesh
Roshan
opt
you
to
direct
Kites
when
he
could've
directed
the
film
himself?
Till
today
I
have
a
question
in
my
mind
as
to
why
did
he
take
me
as
a
director
for
Kites?
Rakesh
Roshan
had
seen
my
film
Gangster.
During
that
time,
Life
In
A
Metro
wasn't
released.
He
called
me
and
said,
"I've
got
a
story
for
Hrithik
in
mind.
I
want
you
to
direct
it." At
that
time,
I
said,
"No."
Knowing
Hrithik's
star
status,
I
always
wondered
why
would
Hrithik
do
my
film.
I
was
a
small
director
who
was
busy
with
an
ensemble
cast
film
titled
Life
In
A
Metro.
Plus,
I
had
also
heard
that
he
is
doing
a
Rajkumar
Hirani
film,
Aditya
Chopra's
film,
etc.
But
Rakesh
gave
me
an
idea
to
work
on.
Then
when
I
met
him
at
the
2007,
IIFA
Awards
in
Yorkshire,
he
told
me,
"Have
you
done
something
about
the
idea
Anurag?"
That's
when
on
the
way
back
to
India
on
the
flight
I
started
writing
the
script.
Kites
isn't
the
usual
Film
Kraft
films
which
we're
used
to
seeing.
Hrithik
took
a
walk
around
his
hall
and
instantly
said,
'yes'
to
the
film.
What
about
your
like
mindedness?
Rakesh
Roshan
and
Anurag
Basu
are
two
different
people.
Our
tastes,
likes
and
dislikes
are
different
but
we
shared
one
thing
in
common
-
to
make
a
good
and
an
honest
film.
I
will
not
say
that
we
had
any
issues
on
and
off
the
sets.
But
we
did
have
arguments
regarding
the
film
and
arguments
are
a
part
of
any
creative
process.
That's
what
makes
a
good
cinema.
Are
we
going
to
see
a
different
Hrithik
Roshan
emerge
out
of
Kites?
Yes
you
are.
As
an
actor,
Hrithik
has
always
played
difficult
characters.
He
is
very
natural.
He
prepares
a
lot,
reads
his
script,
does
his
rehearsals
and
then
comes
on
the
sets.
For
this
film,
I
didn't
want
that.
I
wanted
to
throw
him
in
the
middle
of
the
sea
this
time
with
no
preparations.
I
wanted
to
see
what
happens
if
Hrithik
is
unprepared.
It
was
very
difficult.
I
wanted
an
imperfect
Hrithik
in
Kites,
and
he
is
very
good
in
that.
We
had
a
ball.
You'll
see
a
completely
new
Hrithik
in
Kites.
And
why
a
title
like
Kites
for
a
romantic
love
story?
In
the
film,
I
needed
some
metaphor.
The
title
Kites
isn't
forced
in.
There
is
a
saying
that
kites
fly
high
in
the
sky,
not
with
the
wind
but
against
the
wind.
Hrithik
and
Barbara
are
the
kites
who
are
flying
high.
Their
love
is
unstoppable
and
they
go
against
the
world
but
there
is
someone
who
is
controlling
these
kites.
And
when
they
fly
too
close,
there
is
a
risk
of
losing
one.
We
took
the
title
Kites
from
one
of
the
dialogues
in
our
film.
Are
you
a
changed
director
after
directing
Kites?
I
never
change
my
approach
on
filmmaking.
The
budget
of
Kites
is
no
way
nearer
the
budget
of
the
films
I
have
directed
in
the
past.
Kites
is
a
biggie.
As
far
as
technology
is
concerned,
yes,
I
have
learnt
many
things
from
the
film.
Like
the
action
sequences
and
all.
I
wanted
to
do
such
scenes.
Also,
thanks
to
Rakesh
Roshan,
there
were
no
budget
constraints
in
Kites.
I
am
a
little
spoiled
after
making
Kites
(laughs).
More
than
the
audiences
and
the
critics,
it's
the
film
fraternity
who
has
a
huge
expectation
from
Kites.
Are
you
and
the
cast
of
your
film
chewing
your
finger
nails?
Everyone
associated
with
the
film
is
tensed
right
now.
We
have
all
challenged
ourselves.
I
have
challenged
myself
by
directing
a
film
like
Kites,
Hrithik
has
done
the
same
by
selecting
a
different
approach
to
acting,
Rakesh
Roshan
has
taken
a
challenge
producing
this
film
and
Barbara
Mori
has
taken
a
huge
challenge
doing
an
Indian
film.
It's
a
big
risk
but
taken
with
confidence
and
courage.
Our
comfort
level
is
uncomfortable
at
the
moment
(laughs).
Brief
us
something
about
the
beautiful
Barbara
Mori
I
tell
all
my
actors
not
to
act.
I
want
them
to
be
themselves
and
their
characters
in
the
film.
Barbara
Mori
doesn't
act
either.
She
is
so
natural
that
you
will
fall
in
love
with
her.
She
doesn't
do
any
scene
or
shot
if
she
isn't
convinced.
She
isn't
a
fake.
How
difficult
was
it
to
converse
with
Barbara
Mori?
People
from
the
West
have
their
agents
and
all
coming
in
the
way
of
narration.
So
when
I
went
to
narrate
Barbara
the
script
in
Los
Angeles,
I
wanted
to
do
it
in
the
traditional
Bollywood
way.
I
narrated
her
the
story
with
my
bad
Hindi
accent
mixed
with
English.
But
her
English
was
worse
than
mine
(laughs).
While
looking
at
her
while
narrating,
I
thought
she
is
the
best
choice
for
Kites
and
she
said
a
'yes' immediately
after
the
narration
was
complete.
She
had
seen
my
film
Gangster
before
our
narration.
How
does
Hrithik
communicate
with
his
director?
We
want
to
know.
He
comes
to
the
set
and
hands
over
himself
to
the
director.
Nobody
knows
this
but
there
is
a
director
in
Hrithik's
mind.
He
can
sense
the
whole
film.
Most
of
our
actors
in
the
industry
have
got
a
selfish
approach.
But
Hrithik
thinks
about
the
film
as
a
whole.
On
the
second
day
of
the
shoot,
I
briefed
Hrithik
on
how
he
should
act
in
that
scene
but
missed
out
small
details.
When
I
took
the
shot,
I
noticed
that
he
had
done
exactly
what
I
had
missed
out
while
briefing
him.
That
is
Hrithik
Roshan
for
you.
And
we
hear
that
you
are
a
sound
person
too?
(Laughs)
Yes.
I
write
with
a
sense
of
music
in
my
mind.
I
have
all
my
temporary
tracks
with
me
when
I
go
to
shoot.
I
can't
write
or
function
if
my
I-Pod
isn't
glued
to
my
ears.
I
can
never
do
without
songs.
I
hate
lip-syncs
songs.