It's
tricky
being
an
actress.
More,
if
you're
Gul
Panag.
If
you
glance
through
her
filmography,
you'll
come
across
films
that
are
more
critically
acclaimed
than
commercially.
But
in
her
tenure
as
an
actress,
she
has
shown
in
few
films,
if
not
many,
a
woman's
guile
and
heart,
pride
and
desperation.
And
mind
you,
all
those
performances
in
Dor,
Manorama
and
Straight
can
only
come
from
an
actress
who
is
never
afraid
to
take
a
risk.
It
is
that
combination
of
talent
and
courage
that
Gul
has
shown
over
the
years
which
make
her
do
roles
she
wants
to,
and
not
the
other
way
around.
Think
of
it
this
way
and
ask:
Will
Hello
Darling
describe
her
any
better?
Whether
she's
playing
a
hard-boiled
or
soft-boiled
character,
one
never
knows
with
Gul
Panag
which
way
the
shell
is
going
to
crack
open.
If
you're
an
actress,
the
quest
for
a
decent
part
on
the
screen
is
still
a
difficult
one.
'Long-suffering'
is
an
attitude
you
may
have
to
strike
in
a
majority
of
roles,
while
staying
decorative
enough
to
offer
the
leading
man
the
promise
of
something
more
than
conversation.
The
'supporting'
or
'character'
parts
she
is
commonly
allotted,
despite
being
the
most
combustible
actress
talent
of
her
generation,
have
made
Panag
uniquely
adept
at
turning
herself
from
an
object
into
a
subject.
This
special
correspondent
chats
with
one
of
three
leading
ladies
of
Hello
Darling:
Gul
Panag,
on
the
many
intelligent
questions
which
are
always
thrown
to
her
every
time
I
interview
her
because
when
she
talks....she
talks
sense.
Welcome
darling!
Selection
of
films
Hello
Darling
isn't
a
deliberate
move
on
my
part
to
do
a
film.
I
signed
the
film
two
years
ago.
At
the
time
of
signing
Hello
Darling,
I
also
did
a
film
called
Straight
which
was
started
and
released
before
this
one.
I
was
also
a
part
of
Summer
2007.
For
me,
Hello
Darling
wasn't
about
a
big
banner
film.
I
liked
the
story
at
the
concept
level
and
I
was
more
than
willing
to
work
with
new
and
interesting
people.
Comically
unhinged
My
character
is
not
the
one
that
has
all
the
comic
lines.
All
the
situations
I'm
in
are
what
make
it
funny.
Celina
and
Eesha's
characters
are
truly
comic
to
some
extent.
Mine
is
a
pretty
straight
forward
character.
I
don't
consciously
try
and
make
my
lines
funny
because
if
it's
written
well,
it'll
be
funny
anyway.
You
can't
composite
on
the
right
thing.
Ranvir,
Purab,
Vinay
These
comic
talents
are
meant
for
people
who
can
read
between
the
lines.
They
are
two
different
schools
of
comedy.
A
mainstream
comic
film
like
Hello
Darling
is
different
from
a
comic
film
like
Bheja
Fry.
I
think
there
are
two
different
schools
of
comedy.
Promotions
I
will
promote
any
of
my
film
with
heart
and
go
all
out.
That's
how
it
should
be,
right?
Your
commitment
will
remain
the
same
but
the
question
is
how
much
the
producer
is
willing
to
market
and
promote
it.
If
producers
are
roping
in
actors,
we
should
all
be
obliged.
If
Aamir
Khan
had
promoted
my
film
Straight,
it
would've
worked
and
how
because
with
great
power
comes
a
greater
reach.
Old
School
Subhash
Ghai
is
definitely
old
school
in
terms
of
where
he
comes
but
as
a
person
he
is
able
to
hold
his
ground
with
new
school
too.
Someone
else
would've
been
stuck
in
their
1980's
time
capsule
but
Subhash
Ghai
isn't.
It's
incredible
how
someone
with
his
history
has
so
much
youth
appeal.
Javed
Jaffrey
He
doesn't
seem
to
grow
old.
There
must've
been
some
genetic
modification
done
to
him.
Javed
doesn't
seem
to
age.
He
is
a
living
example
of
how
you
can
preserve
the
way
you
look.
Humorous
Vinay's
humour
and
Javed's
humour
is
very
different.
Vinay
gives
one
liners
and
Javed
can't
stop
in
his
own
style.
In
Vinay's
case,
the
moment
you
try
and
think
about
the
joke,
the
punch
is
gone.
There
is
no
time
to
rethink
too.
Dynamics
of
films
The
dynamics
of
Lafangey
Parindey,
Aisha
and
Hello
Darling
are
very
different.
If
you
look
at
it,
you
can't
compare
actors
from
one
section
of
the
industry
with
the
others
because
the
market
has
a
certain
function
and
you
can't
challenge
it.
We
also
determine
a
lot
on
the
choices
we
make.
Eesha
Koppikar
Eesha
is
an
extremely
competent
actor.
I
loved
her
in
Kya
Kool
Hai
Hum.
She
is
really
versatile
and
has
an
incredible
comic
timing.
She
is
very
hard
working.
She
is
a
kind
of
person
who'll
be
sitting
in
the
corner
on
the
set
and
will
be
rehearsing
her
lines
again
and
again.
Eesha
is
just
at
it.
Celina
Jaitley
Hello
Darling
was
my
first
interaction
with
Celina.
In
fact,
before
working
together
for
this
film,
I'd
not
even
met
her
socially.
We've
just
shared
an
occasional
'hi'
and
'hello'
and
just
exchanged
our
numbers
but
that's
it.
But
when
eighty
percent
of
the
film
is
about
these
three
girls,
you
begin
to
enjoy
each
other's
company.
Celina
is
a
very
intelligent
woman.
You
can
have
a
conversation
with
her
on
any
subject
under
the
sun,
whether
it's
astrology,
politics,
human
rights
or
astronomy.
Chunky
Pandey
Chunky
is
a
rock
star.
Honestly.
I've
had
a
crush
on
Chunky
Pandey
since
Tezaab.
Every
time
I've
kept
bumping
into
him
socially
and
in
parties,
I
have
to
tell
him
about
my
gigantic
crush.
Even
today
he
looks
quite
close
to
what
he
used
to
look
in
Tezaab.
He
is
a
great
guy
who
has
got
a
great
sense
of
humour.
He
is
a
great
conversationalist.
Harassment
I
think
there
are
people
who
can
be
propositioned
and
there
are
people
who
can't
be
propositioned,
in
just
the
way
they
are.
I
firmly
believe
that
belongs
to
the
latter.
Any
man
who
attempts
at
propositioning
a
woman
does
it
with
a
knowledge
that
I
can
get
away
with
that
woman.
There
isn't
any
underlying
message
in
the
film.
The
message
is
clear
throughout
the
film.
Hello
Darling
is
a
film
on
sexual
harassment.
Director
-
Manoj
Tiwari
Manoj
is
a
wonderful
guy
and
he
is
truly
funny
in
any
given
situation.
He
is
the
one
who
understands
the
gist
of
comedy
and
its
timings.
He
has
been
with
Subhashji
on
many
of
his
films
and
has
worked
in
a
few
films
before
too.
Manoj
doesn't
try
and
pretend
to
be
what
he's
not.
He
is
just
there.
That's
so
nice.