It's
pretty
strange
but
what
would
you
write
about
a
debutant
director
whose
film
has
just
released?
But
the
answers
which
seem
blocked
as
of
now
come
to
life
when
you
meet
the
director
in
flesh.
Danish
Aslam
comes
across
as
a
man
who
knows
his
game
and
how
to
play
it..
He
got
a
writer
on
board,
he
got
a
producer
to
make
his
debut
titled
Break
Ke
Baad.
UK's
Harrow
Observer
columnist
brings
you
the
second
and
the
last
part
of
an
exclusive
interview
with
the
definitive
Danish
Aslam.
"There
are
only
three
to
four
permutations
and
combinations
in
any
love
story"
You
don't
need
to
go
out
of
the
box
or
bizarre
when
you
make
a
love
story.
Love
Aaj
Kal
was
a
nicely
told
story
and
nothing
was
bizarre
about
its
love
story.
The
strength
of
the
love
stories
in
today's
time
comes
from
the
strength
of
the
character
you
portray.
There
are
only
three
to
four
permutations
and
combinations
in
any
love
story.
You
can't
really
deviate
too
much
from
that
central
track.
For
me,
Abhay
and
Aliya
are
the
strength
of
the
film
and
not
the
story.
If
I
tell
you
a
one
line
of
the
film,
it
may
not
sound
very
interesting
because
it's
a
boy
meets
girl,
he
breaks
up
and
gets
her
back.
"I
wanted
to
cast
Shahana
because
she
has
only
done
these
serious
and
depressing
roles"
There
are
three
to
four
secondary
roles
that
are
important
in
this
film.
There
is
Sharmila
Tagore,
Lilette
Dubey
and
Navin
Nischol,
who
are
playing
the
older
generation.
But
my
personal
favourites
are
Yudi
and
Shahana
Goswami.
They
play
a
brother-sister
duo
who
live
in
Australia
and
with
whom;
Abhay
and
Aliya
start
to
live
with.
Yudi
is
mental
and
I
don't
understand
why
that
man
hasn't
worked
in
any
Hindi
film
before
this.
He
has
done
a
role
that
is
super
energetic.
I
wanted
to
cast
Shahana
because
she
has
only
done
these
serious
and
depressing
roles
in
films
like
Rock
On,
Firaaq,
etc.
In
this,
she
owns
a
beach
shack.
She
has
got
tattoos,
dread
locks,
etc
which
makes
her
look
bright.
"It's
funny
but
the
first
narration
I
had
with
Imran,
he
said
No"
I
haven't
seen
Imran
in
Luck
but
I
loved
him
in
Jaane
Tu…
Ya
Jaane
Na.
Imran's
first
film
was
a
beautifully
told
love
story.
Even
in
I
Hate
Luv
Storys,
he
worked
and
how.
Everything
worked
in
the
film
because
of
Imran.
He
was
just
right.
It's
funny
but
the
first
narration
I
had
with
Imran,
he
said
'No'.
He
liked
the
story
and
at
that
point
in
time,
the
story
wasn't
set
in
Australia.
So
he
replied
in
negative.
That
was
also
the
time
when
he
was
starting
I
Hate
Luv
Storys.
Renuka
and
I
rewrote
the
second
half
of
the
film.
Funny,
but
I
was
almost
in
look
out
for
other
actors
till
we
met
at
a
common
friends
place
for
a
party.
We
just
started
talking
and
by
the
end
of
the
night,
we
discovered
that
we
had
seven
hundred
and
eight
things
common
with
each
other.
The
next
day,
I
texted
him
and
asked
whether
he
would
read
the
second
half
again
after
the
changes.
He
called
back
and
said
that
he
was
doing
it
because
it
was
one
of
the
best
scripts
he
had
read
that
year.
"Imran
and
I
are
like
the
lost
brothers
of
some
sort
who
got
separated
somewhere"
There
was
a
running
joke
on
the
sets
between
my
wife
Shruti
and
Imran's
fiancee
Avantika
that
they
both
thought
they
were
in
love
with
these
unique
men
and
then
they
discovered
the
clone.
According
to
them,
Imran
and
I
are
like
the
lost
brothers
of
some
sort
who
got
separated
somewhere.
It's
spooky
but
even
our
mother's
share
the
same
name.
We
both
are
technology
geeks.
We
both
are
Apple
product
fans.
We
both
like
the
same
kind
of
movies.
I've
also
been
told
that
our
sense
of
humour
is
equally
dry
because
we
were
the
only
ones
who'd
laugh
on
the
jokes
we
cracked.
"It
never
came
to
a
point
that
Kunal
was
utilising
his
veto
powers"
Kunal
had
read
the
first
half
of
the
story
and
I
went
away
with
Renuka
for
the
next
two
months
to
write
the
second
half.
Kunal
didn't
know
what
we
were
writing
and
after
that
we
came
to
him
with
the
story.
Once
he
agreed,
we
started
sitting
with
Kunal
everyday
writing
the
screenplay
and
dialogues.
Initially,
I
was
a
little
apprehensive
that
there
would
be
some
creative
interference
from
his
side
but
it
didn't
happen.
We
would
fight
everyday
over
little
things
in
the
script.
It
never
came
to
a
point
that
he
was
utilising
his
veto
powers.
I
kept
expecting
it
and
Kunal
would
just
sit
quietly
and
gauge.
But
all
the
suggestions
that
came
from
him
helped
us
write
better.
"We
actually
took
about
five
to
six
months
only
to
write
the
story
and
then
we
wrote
the
screenplay"
From
the
first
time
I
started
writing,
then
met
Renuka
and
finished
writing,
it
took
us
a
year
and
a
half
to
finish
the
script.
I
really
didn't
think
there
was
a
lack
of
story
in
this
film.
At
a
certain
point,
Renuka
was
my
bounce
board
and
my
check.
I
literally
had
to
fight
with
her
to
move
on
to
the
next
section.
But
she
would
be
unbending
and
firm
in
saying
that
until
the
scene
before
will
not
get
properly
locked,
she
would
not
move
further.
We
complimented
each
other
well.
I
was
looking
for
writers
and
Vijay
Krishna
Acharya
recommended
her
to
me.
I
met
her
at
a
coffee
shop
and
within
two
and
a
half
seconds,
I
discovered
that
she
was
completely
mad.
That
was
exactly
the
kind
of
person
I
wanted
to
work
with.
I'd
met
many
writers
who
were
dedicated
to
write
for
me,
but
she
was
mental.
We
actually
took
about
five
to
six
months
only
to
write
the
story
and
then
we
wrote
the
screenplay.
By
that
time,
we
had
such
a
solid
story
structure,
the
rest
of
it
came
every
easily.
Story first published: Tuesday, November 30, 2010, 10:10 [IST]