It
was
way
back
in
1982
when
he
kick
started
his
career
as
a
Bollywood
filmmaker
with
a
gritty
realistic
thriller
Suraag.
Starring
top
actors
of
that
time
-
Sanjeev
Kumar,
Shabana
Azmi,
Rajesh
Khanna,
Tina
Munim
and
Hema
Malini
-
the
film
was
way
ahead
of
it's
times.
Though
Jagmohan
Mundhra
a.k.a
Jag
started
exploring
a
career
in
West
while
mostly
making
thrillers
with
an
element
of
erotica
to
them,
he
also
made
a
critically
acclaimed
Kamla
in
the
interim.
However,
it
is
only
in
the
current
decade
that
Jag
has
become
far
more
active
in
the
Bollywood
circuit
with
films
like
Bawandar,
Provoked
and
Shoot
On
Sight.
This
correspondent
catches
up
with
the
62-year-old
man
who
is
one
of
the
5
odd
filmmakers
of
this
age
group,
who
are
still
active
when
it
comes
to
calling
the
shots
behind
the
camera,
for
a
Hindi
feature
film.
You
roped
in
Tanushree
Dutta
and
Neetu
Chandra
to
play
all
important
roles
in
Apartment.
Happy
with
your
final
choice?
Absolutely.
There
are
lot
of
actors
who
work
for
their
entire
lifetime
but
never
get
their
due.
However
that
should
be
secondary
because
first
and
foremost,
it
should
be
about
the
passion
for
your
work.
I
can
see
that
passion
in
both
Tanu
(shree)
and
Neetu.
Since
Tanu
has
been
a
Miss
India,
she
was
well
suited
to
play
an
air
hostess
in
the
film.
On
the
other
hand
Neetu
has
tremendous
affinity
for
camera
and
comes
with
complete
freedom
of
expressions.
To
me,
real
good
actors
are
those
who
can
make
an
ass
of
themselves
in
front
of
camera.
Anupam
(Kher)
does
that,
Govinda
does
that;
in
fact
all
good
actors
do
that
and
that
too
with
conviction.
Neetu
comes
with
this
quality
and
this
is
why
I
feel
that
she
is
a
very
strong
actor
and
will
go
places.
How
about
Tanushree?
Tanu
has
done
a
wonderful
job
of
getting
the
character
right.
The
fact
is
that
whenever
you
have
two
girls
playing
distinguished
roles
where
one
of
them
is
rather
showy
(like
the
one
enacted
by
Neetu),
most
of
the
females
want
to
pick
that
role.
Not
many
wanted
to
do
Tanu's
role
kyunki
sabko
lagta
tha
ki
saari
taaliyaan
toh
neetu
ke
role
ko
milengi.
I
found
that
kind
of
insecurity
in
most
actors
but
Tanu
didn't
have
any.
I
liked
that
attitude.
She
said
that
she
understood
the
relevance
of
her
role
and
would
do
it
with
complete
conviction.
That's
quite
creditable.
You
seem
impressed.
That's
true.
In
films
there
would
always
be
one
or
two
roles
that
would
be
critic
friendly
but
how
do
you
tell
a
story
if
you
don't
have
another
role?
For
that
matter,
even
Rohit
was
quite
apprehensive.
His
first
reaction
was
that
yeh
to
ladkiyon
ki
film
hai,
isme
main
kya
karoonga.
But
after
coming
on
board
and
seeing
the
final
cut,
he
was
impressed
with
what
he
saw.
Dekho,
problem
yeh
hai
ki
filmmakers
in
India
face
quite
some
difficulties
when
it
comes
to
casting.
Log
sochte
hain
ki
aggar
aap
mujhe
behen
ka
role
offer
karoge
toh
baaki
sab
producers
bhi
aisa
hi
karenge
(laughs).
Well,
in
Apartment,
one
definitely
believes
that
Tanushree
and
Neetu
are
hardly
being
presented
as
the
'behenji'
material.
(Laughs)
Both
Tanu
and
Neetu
are
quite
attractive
and
sexy
and
hence
it
was
imperative
that
they
wear
sexy
clothes
so
that
it
is
appropriate
to
their
characters.
Moreover,
since
Tanu
has
a
live-in
relationship
with
Rohit,
toh
phir
dono
ko
bhajan
gaate
hue
toh
dikha
nahi
sakte.
Obviously
they
would
be
making
love
when
they
are
together.
Of
course
when
they
are
fighting
then
they
do
so
tooth
and
nail
but
immediately
after
that
when
they
make
up
then,
they
do
so
with
a
lot
of
passion.
The
moment
words
like
'making
love'
and
'passion'
comes
from
Jag's
mouth,
the
first
thought
that
comes
is
'erotica'.
Isn't
it
ironic
that
even
after
making
various
non-erotica
films,
people
still
refer
to
you
as
a
man
who
made
films
like
Monsoon
in
the
West?
Of
course
it
is
ironical.
They
forget
that
I
made
Kamla
years
back.
On
the
other
hand
in
the
recent
past
I
have
had
films
belonging
to
entirely
different
genres
like
Provoked,
Bawandar
and
Shoot
On
Sight.
If
they
still
remember
Monsoon
then
it
shows
that
sex
is
always
there
on
people's
mind.
If
they
can't
get
over
a
wet
saree,
it's
their
problem
and
not
mine.
As
a
filmmaker,
you
have
to
connect
to
your
target
audience.
I
am
glad
that
I
am
able
to
make
different
variety
of
movies.
If
I
am
making
a
comedy,
I
should
make
people
laugh.
In
a
thriller,
I
should
have
them
sit
at
the
edge
of
their
seats.
And
if
I
am
making
an
erotica,
I
have
to
get
them
aroused.
It's
simple.
I
see
my
job
as
an
audio-visual
teller
and
if
I
don't
use
the
medium
effectively,
I
should
consider
myself
failed
as
a
director.
Story first published: Monday, April 26, 2010, 15:58 [IST]