My
Name
Is
Khan
is
just
a
few
hours
away
from
release
and
the
obvious
question
that
comes
to
mind
is
around
the
box
office
outcome
of
the
film.
With
3
Idiots
setting
such
high
standards
at
the
box
office
and
breaking
the
ceiling,
doesn't
it
put
an
additional
pressure
on
MNIK
to
perform
further
well?
It
seems
like
this
was
the
only
ammunition
that
was
waiting
to
find
a
way
on
the
battlefield
because
Karan
gets
all
fired
up
at
this
juncture.
"I
don't
know
why
write-ups
around
one
film
taking
a
bigger
opening
than
another
or
whether
MNIK
would
be
able
to
reach
the
highest
slot
when
it
comes
box
office
openings
keep
appearing
without
any
rhyme
or
reason.
The
kind
of
films
that
we
are
seeing
today
are
all
different
from
each
other.
Veer
was
different
from
3
Idiots,
just
like
My
Name
Is
Khan
is
different
from
Veer.
You
can't
be
comparing
a
Guzaarish
with
a
Kites.
Or
you
can't
be
picking
up
a
Raajneeti
and
start
drawing
comparisons
with
3
Idiots.
This
is
why
I
don't
like
the
entire
comparing
business
because
all
films
are
different
from
each
other."
Calming
down,
he
further
goes
on
to
extend
his
logic
around
difference
in
expectations
that
one
must
have
when
looking
at
two
major
films,
"First
and
foremost
we
should
be
cognizant
of
the
fact
that
comparing
two
entities
never
helps.
A
film
should
be
allowed
to
breathe
in
the
way
it
deserves
to.
Yes,
now
if
only
I
would
have
made
a
film
in
a
campus
with
students
as
my
heroes
then
perhaps
I
may
have
compared
it
with
3
Idiots.
But
then
just
like
you
could
never
compare
a
Lagaan
with
a
Dil
Chahta
Hai,
similarly
you
can't
ever
compare
MNIK
with
3
Idiots
or
any
other
film."
Meanwhile,
Karan
is
happy
to
be
following
the
'mantra'
of
making
quality
films
without
worrying
much
about
their
blockbuster
fate.
"At
Dharma
Productions,
we
have
great
vibes
amongst
us",
says
Karan,
"Everyone
is
quite
passionate
about
filmmaking
and
we
believe
that
we
should
always
make
films
that
we
are
proud
of.
Commercial
success
is
important
but
not
at
the
expense
of
something
that
would
make
us
cringe
later." No
wonder,
most
of
the
first
time
filmmakers
working
with
Karan
are
happy
to
be
working
in
an
environment
that
challenges
as
well
as
motivates
them
to
make
something
worth
remembering.
"I
never
ask
my
directors
to
give
me
a
film
that
would
fetch
me
80,
100
or
120
crores.
Once
you
do
that,
you
only
end
up
putting
pressure
on
the
poor
guy.
Instead,
I
want
them
to
focus
entirely
on
the
subject
in
front
of
them
and
leave
the
box
office
in
the
hands
of
audiences.
This
is
what
Ayan
Mukerjee
did
with
Wake
Up
Sid
and
look
how
he
passed
with
flying
colours
both
critically
and
commercially.
Similar
was
the
case
with
Rensil
D'Souza
who
ensured
that
there
is
definite
quality
component
to
Kurbaan",
concludes
Karan
with
a
tone
of
appreciation.
Story first published: Thursday, February 11, 2010, 15:26 [IST]