He
stuck
to
his
own,
unaffected,
unperturbed
by
anyone's
opinion
but
his
own.
Some
called
him
a
slice
of
life
director
and
others
typecast
his
work
as
non
commercial
but
Nagesh
Kukunoor
is
still
one
of
the
few
directors
who
believe
in
their
work
passionately
and
are
not
hesitant
to
take
the
road
less
travelled.
Time
and
again
he
has
extracted
the
kind
of
work
from
actors
that
even
they
didn't
know
they
were
capable
off
and
he
claims
to
have
done
the
same
with
the
hunk
of
our
industry
John
Abraham.
Thie
correspondent
chat's
up
the
director
on
Aashayein
and
his
own
journey
through
Bollywood:
Why
did
it
take
so
long
for
you
to
surface?
There
has
been
a
delay
in
the
release
of
Aashayein
as
you
know
because
Percept,
the
producer,
and
Reliance,
the
distributor,
both
of
them
had
differences
and
it
took
a
while
before
they
could
sort
it
out.
The
film,
then,
got
delayed
by
a
year
and
a
half.
But
now
here
we
are,
everything
has
been
sorted
and
we
are
on
for
a
release.
You
started
your
career
in
1998
with
Hyderabad
Blues,
since
then
you
have
never
really
made
an
out
and
out
typical
Bollywood
commercial
biggie…
Thankfully
…Did
you
not
feel
the
need
or
was
it
because
you
wanted
to
create
your
own
style?
I
have
always
made
films
the
way
I
know
how.
Now
when
you
force
fit
something
that
is
not
what
you
naturally
do
you're
going
to
make
a
hotch
potch.
So
I
am
never
worried
about
making
films
that
I
don't
believe
in.
As
it
is
this
business
is
so
difficult
that
you
might
as
well
do
something
that
you
know
how
in
the
best
possible
way,
instead
of
catering
to
an
audience
and
do
something
that
you
are
not
good
at.
That's
something
I
have
never
attempted.
You
know
it's
like
asking
someone
who's
never
cooked
before
to
make
Daal
Makhani,
he
won't
even
know
where
to
start.
Most
of
your
films
Rockford,
Iqbal,
Dor
have
been
critically
acclaimed
films
but
you've
never
reached
out
to
the
masses.
Iqbal
did
that
actually.
Iqbal
reached
out
to
a
much
wider
audience
primarily
because
my
first
two
films
were
predominantly
in
English.
It
wasn't
until
Iqbal
that
I
could
actually
go
to
Hindi
audience
so
thankfully
Iqbal
did
that
and
we
followed
it
up
with
Dor.
Having
said
that
each
film
caters
to
some
audience
with
a
certain
sensibility
you
can't
expect
a
film
with
completely
different
set
of
sensibilities
to
cross
over
every
border
in
India.
Is
it
true
that
you
said
somewhere
that
Bollywood
isn't
the
place
for
your
kind
of
filmmaking?
It's
not
true.
Because
what
is
Bollywood?
Are
you
defining
Bollywood
as
a
small
narrow
kind
of
filmmaking
group
of
people?
I
don't!
Because
if
we
actually
look
at
the
film
industry,
it's
a
big
open
space
where
a
lot
of
filmmakers
can
exist.
Are
you
saying
Udaan
is
Bollywood?
If
so,
then
this
tag
of
commercial
film
has
somehow
been
slapped
on
the
last
20
or
30
years
whereas
you
had
great
people
like
Bimaal
Roy,
Hrishikesh
Mukherjee
and
all
these
people
making
proper
films
with
a
completely
different
set
of
sensibilities
under
the
same
umbrella
of
Bollywood.
Same
way
there
is
no
definition
as
long
as
we
are
all
making
different
kind
of
movies
in
the
same
industry.
Talking
about
your
upcoming
film
Aashayein,
what
is
the
story
all
about?
What
we
do
know
is
that
John
Abraham
is
playing
a
compulsive
gambler.
Many
of
us
put
our
dreams
on
the
backburner,
but
the
protagonist
wins
a
huge
amount
of
money
and
the
same
day
he
also
finds
out
that
he
has
only
90
days
left
to
live.
So,
then
how
he
deals
with
the
rest
of
the
time,
his
journey,
and
the
characters
he
meets
and
ultimately
how
he
resolves
his
thing
off
learning
to
live
his
life
now,
in
the
moment
instead
of
planning.
That's
Aashayein.
It's
an
emotional
heartfelt
film
that
sort
off
with
a
message
-
don't
keep
planning,
the
time
is
now.
You're
known
to
be
a
slice
of
life
filmmaker
so
for
Aashayein
where
did
you
take
the
inspiration?
My
brother
is
an
oncologist
so
he
would
constantly
tell
me
about
cases
of
so
many
people
who
would
walk
through
his
door
when
are
faced
with
the
prospect
that
their
life
has
only
a
finite
amount
of
time,
how
they
deal
with
it.
It
always
fascinated
me
and
I
said
it's
a
challenge
but
it
would
be
wonderful
to
make
a
film
that
would
be
uplifting
instead.
Because
every
time
someone
hears
of
something
like
this
they
want
to
panic
and
say
"yaar
ye
to
..." you
know
it
would
be
serious
and
all
that.
I
am
saying
that
it
can
be
beautifully
emotional,
heartfelt,
uplifting
and
still
deal
with
the
same
topic.
You
have
a
starcast
of
John
Abraham
and
Sonal
Sehgal
which
is
extremely
new
and
unique.
Comment
Well!
Sonal
was
pretty
straightforward
because
she
auditioned
for
me
as
I
auditioned
a
whole
bunch
of
girls
and
that's
how
I
ended
up
with
Sonal.
So,
also
Anaita
Nair
who
plays
a
big
role
in
the
film.
John
on
the
other
hand
has
always
been
known
to
be
a
hunk.
John
is
someone
who
has
a
lot
of
honestly
on
his
face.
So
I
thought
if
I
can
get
John
to
play
John
-
being
simple
and
natural
and
then
stretch
him
out
as
an
actor
I
would
be
doing
justice
to
the
role.
And
so
I
approached
him
and
it
was
a
straight
forward
yes
and
here
we
are.
Apparently
John
had
to
lose
considerable
amount
of
weight
for
the
film,
what's
that
story?
I
tried
to
shoot
the
film
as
sequentially
as
possible
and
the
idea
was
that
he
goes
through
the
same
difficulty
and
journey
as
the
character
is.
So
what
John
would
do
basically
is
literally
after
the
day
of
shooting
would
then
go
and
workout
for
a
solid
period
of
time
and
then
starve
himself
so
during
the
process
of
filmmaking,
he
almost
lost
close
to
12
kilos.
So
how
was
it
working
with
John
as
an
actor?
The
most
important
thing
is
how
well
do
you
get
along
with
that
person
as
a
person
and
then
the
actor
comes
in.
John
is
highly
disciplined,
comes
on
the
set
on
time,
there
is
no
B.S.
and
no
frills.
You
shoot
for
as
long
as
you
want
and
go
home.
So
we
struck
up
a
nice
rapport
and
the
key
thing
was
that
obviously
we
believed
in
the
material
so
whatever
it
took
to
go
that
extra
mile.
I
feel
that
during
the
process
of
this
film
I
have
pushed
John.
I
have
pulled
out
the
performance
that
is
going
to
catch
people
by
surprise.
But
I
had
to
push
a
lot
out
of
him
and
get
it
because
you
know
a
lot
of
the
stuff
he
has
done
up
to
this
point
is
not
something
that
was
taxing
himself
much
as
this
is.
So
once
you
see
the
performance
you
will
be
able
to
judge
it
for
yourself.
Sonal
was
a
newbie
on
a
film
set.
Aashayein
was
supposed
to
be
her
debut
film.
So
was
it
easy
working
with
someone
who
has
never
been
on
a
film
set
before?
No!
Sonal
had
already
done
some
TV
so
she
was
well
versed
with
camera,
positioning
and
everything.
So
she
was
by
far
the
easiest
actor
to
work
with
on
the
set,
Because
when
you
know
someone
who
was
been
on
the
set,
faced
the
camera,
it
takes
away
half
the
stress
of
you
having
to
teach
them
the
positioning
and
stuff
like
that.
Also,
Sonal
is
an
actor
who
takes
directions
very
well.
She
takes
precise
direction
so
it
was
wonderful
working
with
her.
She
was
the
easiest
person
to
direct.
Aashayein
took
about
two
years
to
finally
have
a
release
so
as
a
director
it
must
have
had
huge
impact
on
your
work.
How
did
you
deal
with
that?
It's
extremely
frustrating
but
you
have
to
understand
that
the
release
was
completely
not
in
my
control
and
it
was
for
no
fault
of
mine.
So
there
was
nothing
I
could
do
but
wait
on
the
sidelines
talk
to
the
people
involved
and
say
please
I
hope
we
can
resolve
our
differences
and
beyond
that
I
could
do
nothing.
I
just
had
to
wait
and
watch.
No
doubt
it
is
extremely
frustrating
but
eventually
when
it
is
now
releasing
I
am
happy
and
completely
relieved.