Jeff
Kleiser
is
a
name
you
may
not
instantly
connect
with.
But
in
the
coming
few
months,
one
could
be
sure
that
every
Bollywood
lover
will
instantly
recall
this
name
when
the
Shahrukh
Khan
starrer
Ra.One
hits
the
silver
screen.
Reason?
Well,
Jeff
is
the
VFX
supervisor
for
this
most
talked
about
VFX
heavy
flick
and
also
the
CEO
and
Co-founder
of
US
based
Synthesian
Studios.
On
his
recent
India
visit,
we
caught
up
with
this
VFX
stalwart
who
is
closely
working
with
Ra.One
VFX
India
team
(Red
Chillies.VFX)
and
is
in
the
process
of
executing
some
rare
VFX
shots
for
the
flick.
Jeff
Kleiser's
pioneering
work
in
computer
animation
has
spanned
the
history
of
the
medium.
He
has
contributed
to
films
with
groundbreaking
visual
effects
including
Tron,
Stargate,
Judge
Dredd,
Clear
And
Present
Danger,
Mortal
Kombat
Annihilation
and
X-Men
to
name
a
few.
In
a
quick
Q
n
A
with
us,
Jeff
shared
tit-bits
about
Ra.One,
Indian
studios,
their
work
culture
and
the
industry.
Can
you
please
tell
us
more
about
your
background
and
credits...
Apart
from
working
on
several
Hollywood
'VFX
heavy'
flicks,
I
have
served
as
senior
visual
effects
supervisor
on
The
One
-
a
film
starring
martial
arts
master
Jet
Li,
which
required
the
development
of
innovative
digital
face
replacement
techniques.
More
recently,
I
also
supervised
visual
effects
for
Son
of
the
Mask,
Fantastic
Four,
Scary
Movie
4,
and
most
recently,
Surrogates.
In
addition
to
supervising
visual
effects
projects,
I
have
also
directed
numerous
commercials.
With
partner
Diana
Walczak,
I
have
directed
CG-animated
stereoscopic
films
for
projects
such
as
The
Thea
and
EDDY
Award-winning
Amazing
Adventures
of
Spider-Man,
Thrill
Ride
(for
Universal's
Islands
of
Adventure
theme
park
in
Orlando,
Florida);
the
Philip
Glass/Robert
Wilson
digital
opera,
Monsters
of
Grace,
Santa
Lights
Up
New
York
for
The
Radio
City
Christmas
Spectacular,
and
Corkscrew
Hill
an
original
ride
attraction
written
by
Walczak
and
myself
for
Busch
Entertainment.
Besides
all
this,
I
am
also
a
founder
and
trustee
of
the
Williamstown
Film
Festival
and
a
member
of
the
Academy
of
Motion
Picture
Arts
and
Sciences.
In
addition
to
that,
I
also
teach
computer
animation
at
Williams
College.
How
did
your
association
happen
with
Red
Chillies
VFX
and
Shahrukh
Khan?
My
good
friend
Shelley
Page,
Head
of
recruiting
for
DreamWorks,
recommended
me
based
on
our
Mystique
transformations
on
the
X-Men
films,
which
is
somewhat
similar
to
effects
needed
for
Ra.One
Ra.One
is
talked
about
for
its
VFX
extravaganza
these
days.
How
are
you
going
to
make
sure
that
it
is
going
to
live
up
to
the
audience
expectations?
We
are
employing
new
software
technology
and
developing
custom
tools
to
create
the
effects.
We
have
lined
up
an
extreme
computing
solution
so
that
we
can
execute
novel
VFX
for
the
show.
You
have
been
in
India
for
a
while
now,
how
do
you
define
the
work
culture
here?
I
have
enjoyed
India
immensely.
From
a
live
action
photography
standpoint,
it
is
a
very
different
work
culture
in
that
there
is
much
less
pre-planning
than
I
am
used
to,
and
there
is
a
reluctance
to
make
decisions
and
expedite
strategies
quickly
that
has
been
frustrating.
If
we
talk
about
the
creativity,
where
do
you
put
India
on
the
global
VFX's
scale?
I
have
been
seeing
more
and
more
interesting
work
done
in
the
animation
schools
in
India,
but
I
would
have
to
rank
them
substantially
below
the
US
and
European
efforts.
As
India
is
getting
prominent
on
the
global
map,
what
kind
of
feedback
are
you
getting
from
colleagues
in
Hollywood?
Hollywood
is
waking
up
to
India
as
a
global
player,
and
more
US
talent
has
been
visiting
India
and
working
with
Indian
funding
sources.
I
expect
this
trend
to
accelerate
as
more
Indian
films
break
through
to
the
West,
with
Ra.One
hopefully
leading
the
charge.
How
does
technology
fare
in
India?
Technology
is
becoming
readily
available
globally,
so
there
is
little
problem
obtaining
what
is
needed.
India
is
behind
in
many
areas
of
filmmaking
technology,
but
many
new
companies
and
investors
will
change
that
quickly.
Future
plans...
I
am
looking
forward
to
coming
back
to
India
to
wrap
up
Ra.One
post
production
and
have
been
talking
with
local
producers
about
upcoming
projects,
in
which
we
would
like
to
become
involved.