Sanjay
Leela
Bhansali
opens
up
for
the
first
time
on
his
pain
and
Aamir
Khan's
'creative
differences'
with
him.
Why
are
you
more
exhausted
this
time
after
Guzaarish
than
you've
ever
been
before?
You
noticed
that?
I
am
completely
drained
of
all
energy.
I
didn't
realize
how
tired
I
was
until
the
film
was
over.
Then
my
body
just
gave
up.
To
get
myself
out
of
the
house
to
promote
the
film
is
an
ordeal
for
me.
All
my
films
are
a
process
of
self-annihilation
for
me.
With
every
film
of
mine,
a
part
of
me
gets
left
behind.
With
Guzaarish,
I've
left
more
than
just
a
portion
of
myself
behind.
In
it,
I've
lived
the
pain
of
facing
the
isolation
of
failure
after
Saawariya.
That
was
a
tough
time
for
you?
Yes,
it
was
the
toughest
time
of
my
life.
Suddenly
everyone
disappeared,
and
that
included
the
people
who
had
worked
with
me
on
Saawariya
for
two
years.
Because
of
the
suffering
I
began
to
get
seriously
interested
in
the
subject
of
mercy
killing.
I
began
to
read
up
as
much
as
possible
on
the
subject.
My
research
showed
that
mercy
killing
was
prohibited
by
law
in
many
countries
including
India
.Almost
a
year
of
studying
the
super-sensitive
subject,
I
concluded
that
every
human
being
should
have
the
right
to
die
with
dignity.
That's
how
Guzaarish
was
born?
Yes,
the
pain
and
suffering
and
the
dignity
with
which
I
bore
them
prompted
me
to
make
a
film
on
mercy
killing.
I
was
shocked
to
read
newspaper
reports
of
people
pleading
to
let
the
life
of
a
critically
ailing
child/parent/spouse
go.
While
researching
on
the
subject,
I
fobbed
off
all
temptation
to
watch
films
on
the
subject
of
mercy
killing.
I
didn't
want
to
get
even
remotely
influenced
in
my
thought
and
vision
by
what
other
filmmakers
have
done
on
the
subject.
Having
said
that,
I've
to
confess
that
I
enjoy
the
pain
underlining
my
creations.
I
love
cinema
so
much
that
I
want
to
give
it
more
and
more.
I
enjoyed
working
with
Hrithik
Roshan,
Aishwarya
Bachchan
and
the
whole
team
so
much.
They'd
take
those
four
steps
towards
realizing
my
dream.
I'd
take
that
final
fifth
step.
The
search
for
excellence
is
never-ending.
I
had
to
work
ten
times
harder
on
Guzaarish
than
my
first
film
Khamoshi:
The
Musical.
Curiously,
Guzaarish
is
your
third
film
on
physically-psychologically
challenged
characters.
I
want
to
ask
you
one
thing.
Aren't
the
fighters
who
face
and
overcome
all
physical
and
psychological
and
social
odds
our
real
heroes?
When
I
made
films
on
the
hearing
and
speech
impaired,
Khamoshi
and
Black
and
now
about
a
quadriplegic
people
asked,
why
films
on
such
peripheral
people?
Because
I
want
such
special
people
to
enter
our
mainstream
society
through
mainstream
cinema.
I
want
these
children
of
a
special
God
to
reach
out
into
the
mainstream.
My
hero
may
not
be
able
to
walk
but
his
spirit
soars.
He
has
a
story
to
tell,
jokes
to
crack,
a
life
to
live.
Although
so
much
has
been
taken
away
from
him
or
maybe
because
so
much
has
been
taken
away,
Hrithik
in
Guzaarish
understands
the
value
of
life
better
than
you
or
me.
A
hero
doesn't
have
to
beat
up
ten
people
and
put
his
hands
up
in
the
air
in
slow-motion
and
sing
love
songs.
So
are
your
films
supposed
to
be
for
a
social
good?
No-no.
I
make
them
for
selfish
reasons.
When
I
make
a
film
about
a
physically
challenged
person,
I
come
away
with
so
much.
I
learn
to
value
what
I
have.
My
survival
instincts
have
sharpened
after
Black
and
Guzaarish.
I
met
quadriplegics
who
have
lost
the
use
of
their
limbs
but
not
their
spirit.
They
are
not
dark
defeated
people.
Some
of
them
are
very
entertaining.
Our
specialist
on
the
sets
Dr.
Indu
Tandon
introduced
me
to
bright
people
paralyzed
in
body
but
liberated
in
spirit.
They
can't
feel
anything
in
their
body.
And
yet
they
are
so
buoyant.
One
of
these
kids,
John
Julius
became
the
hero
of
Guzaarish.
Hrithik
plays
this
caustic
undefeated
hero
in
a
wheelchair.
John
and
Hrithik
became
great
friends.
They
started
exchanging
emails.
Hrithik
changed
John's
life
completely.
If
my
cinema
can
change
one
life,
I've
achieved
what
I
had
to
achieve.
I
had
to
be
sensitive
towards
the
issue.
We
had
to
get
the
details
right.
It's
about
a
quadriplegic.
But
it
isn't
about
quadriplegia.
Hrithik
plays
a
magician
who,
after
an
accident,
brings
magic
into
people's
life
on
the
radio
and
his
interaction
with
the
two
people
in
his
life,
played
by
Aishwarya
and
Aditya
Roy
Kapoor.
Aamir
Khan
thinks
the
little
girl
in
Black
(Ayesha
Kapoor)
was
treated
brutally?
Yes,
I
keep
hearing
the
girl
was
traumatized.
But
Behroze
Vaccha,
who
has
spent
all
her
life
working
with
deaf
and
blind
thought
otherwise,
whom
should
I
believe?
I
don't
worry
about
what
others
have
to
say.
My
proudest
moment
was
when
the
principal
of
the
Helen
Keller
Institute
told
me
after
Black
that
what
she
couldn't
achieve
in
60
years,
I
did
with
that
one
film.
I
rest
my
case.
Aamir
had
a
lot
of
problems
with
your
Devdas
and
Black?
He
did.
But
that's
because
he
cares
about
my
cinema.
If
he
didn't,
he
wouldn't
spend
so
much
passion
talking
about
it.
He
may
not
agree
with
what
I
do
in
my
films.
But
finally,
I
make
what
I
have
to
make.
I
appreciate
it
when
an
actor
of
his
caliber
brings
out
a
certain
perspective
on
my
cinema.
As
long
as
the
intentions
are
not
to
run
my
cinema
down,
I
am
open
to
all
criticism.
Aamir's
concern
is
genuine.
He
has
problems
with
my
cinema,
just
as
I
may
have
problems
with
a
lot
of
his
performances.
Would
you
like
Aamir
to
see
your
new
film?
I
would
certainly
like
him
to
see
Guzaarish.
He
genuinely
cares
for
cinema.
I
was
upset
when
he
brought
up
issues
regarding
Black
when
his
Taare
Zameen
Par
was
on
release.
The
timing
seemed
unfortunate.
Guzaarish
has
a
lot
of
references
to
magic
and
magicians?
I
feel
life
has
lot
of
magic
in
it.
A
smile,
a
film,
a
performance
or
a
song
by
Lataji...they
are
all
magic.
Magic
should
not
be
illusory
only.
In
my
film,
a
magician
transforms
into
a
man
who
can
bring
smiles
to
people's
faces.
That
to
me
is
magic.
Life
is
magic.
Mother
Teresa
and
Lata
Mangeshkar
are
magicians.
Why
are
your
films
so
often
set
in
the
anglo-Indian
community?
That's
the
influence
of
my
school
and
teachers.
The
passion
with
which
they
taught,
the
homes
in
which
they
lived
and
where
I
was
invited
on
rare
occasions...I
was
enamored
of
their
lives,
their
eating
habits
their
red
wine
in
crystal
glasses...
It
was
so
different
from
the
Gujarati
life
that
I
led
in
my
chawl
in
Bhuleshwar.
It
provided
me
an
alternate
reality.
Hrithik
actually
learnt
magic
tricks
and
got
flabby
to
play
the
quadriplegic
in
Guzaarish?
I
don't
believe
in
method
acting.
I
don't
instruct
my
actors
too
closely.
I
just
tell
them
what
I
want.
I
wanted
Hrithik
to
know
his
character's
state
of
mind.
If
he
played
a
magician,
he
knew
he
had
to
learn
magic
tricks.
A
person
who
is
in
bed
for
14
years
had
to
be
flabby.
I
am
glad
Hrithik
has
reached
a
stage
in
his
career
where
he's
ready
to
surrender
to
a
part
and
not
be
concerned
only
with
looking
good.
Audiences
want
to
see
the
stars
do
something
new.
They
want
to
see
stars
become
part
of
the
drama.
He
plays
a
character
who
taps
his
weaknesses
and
strengths
to
emerge
stronger
than
adversity.
I
won't
make
only
happy
or
sad
films.
I
won't
make
time-pass
films.
I
want
to
invest
my
creativity
into
films
that
have
more
to
say
than
just
have
a
good
time.
How
has
Aishwarya
Bachchan
grown
as
an
actor
since
Hum...Dil
De
Chuke
Sanam
and
Devdas?
Because
I
know
her
so
well,
I
knew
what
to
tap
out
of
her
in
our
third
film
together.
Her
character
Sophia
is
very
different
from
what
she
did
in
my
earlier
films.
She
is
so
strong
and
so
resilient.
She's
intelligent
and
hungry
for
good
work
because
she
lives
in
a
family
of
great
actors.
She
is
the
Aishwarya
Bachchan.
So
she
has
nothing
more
to
prove.
She
just
enjoys
the
process
of
acting.
You've
also
composed
the
songs
in
Guzaarish.
How
different
is
it
composing
your
music
from
getting
the
music
from
other
composers?
You
can
never
get
the
exact
music
you
want
from
others.
Since
you
know
your
characters,
you
know
exactly
what
kind
of
songs
they
would
feel.
The
songs
came
from
deep
within
me.
I
had
a
great
time
working
with
R.D
Burman,
Jatin-Lalit,
Ismail
Darbar
and
Monty.
But
the
music
in
Guzaarish
is
my
own
and
very
important.
My
reward
was
when
Mr.
Bachchan
said
he
loved
the
music.
It
meant
so
much
to
me.
I
never
thought
the
music
would
have
such
a
strong
appeal
for
the
young.
The
fact
that
my
songs
have
connected
with
the
young
makes
me
want
to
go
deeper
into
music.
People
are
commenting
in
the
self-contained
no-man's
land
in
which
your
cinema
unfolds?
My
films
are
my
world.
I've
my
own
world
that
I
show
in
my
cinema.
It's
a
world
different
from
the
real
world
and
different
from
the
word
you
see
in
other
people's
films.
My
Devdas
was
not
set
in
1939.
It
was
timeless.
This
doesn't
mean
I'd
show
Devdas
talking
on
a
cell
phone.
I
want
that
moment
that
bonds
two
lovers
to
be
relevant
even
a
hundred
years
from
now.
For
me,
the
joy
of
crossing
boundaries
within
the
mainstream
cinema
is
what
making
film
is
about.
I
want
to
know
how
my
quadriplegic
hero
Hrithik
Roshan
in
Guzaarish
is
any
less
heroic
than
Salman
Khan
in
Dabangg.
I
firmly
believe
the
common
man
has
uncommon
sense
of
aesthetics
and
drama.
Wasn't
there
a
time
when
Bimal
Roy's
films
were
mainstream
hits?
Iqbal
and
Black
were
hits
in
recent
times.
If
Daniel-Day
Lewis
can
be
so
much
appreciated
as
a
quadriplegic
in
My
Left
Foot,
so
can
Hrithik
Roshan.
I've
great
faith
in
the
audience.
Is
it
tough
to
have
so
many
expectations
riding
on
you?
No.
It's
a
privilege
and
a
joy.
I
always
want
to
make
films
from
my
heart!